I’m scratching a long-standing itch by making something from this 1986 Issey Miyake pattern; Vogue 1693 … see, I’ve used it once before, when it very first came out! to make a skirt and the top for myself. I wore that outfit to a number of 21st birthday parties with my then brand new fiancé, now my husband 🙂 There’s probably a picture lobbing around somewhere of me wearing it, just don’t know where! perhaps in a few of our old schoolmates’ dusty old photo albums shoved in the back of a cupboard somewhere. My first skirt and top from this pattern was in a sateen with a rather psychedelic splotchy print of bright yellow, purple, a bit of bright orange and I think, splashes of black thrown in there. I remember being extremely proud of it, haha! I used to wear it with hydrangea purple court shoes, or pumps. We used to call them court shoes back then.
So, I think maybe it’s ok for me to claim this as a vintage pattern! and item number three going towards fulfilling my vintage pattern pledge… to make five items from my vintage patterns.
Fabric; a loose woven, slubby wool blend from Tessuti’s, Melbourne bought during a holiday over there with my Mum and Cassie. A bit rough in feel, but in a beautiful, high quality way, if that makes any sense at all; quite thick, probably too thick for the design in retrospect and it was a little difficult to make it work with the pattern, Almost cried a few times when I thought I’d ruined it, but managed to wrangle it into submission eventually. Major relief when it all worked out. I used the hammer a few times to flatten some of the more bulky layers down thinner, so they would fit under my sewing machine foot.
Perfectly matching buttons from Calico and Ivy.
Technical notes; all seams flat felled as per the pattern.
To avoid bulk in the waistband, the inside edge was cut along the selvedge, and this is not folded inside the waistband but left out inside the skirt and topstitched down from the right side, stitching in-the-ditch. I also cut the overlay against the selvedge and left the selvedge edge out along the edge of the turned in facing. Same reason as the waistband treatment; to reduce the bulk of having a raw edge turned under.
Also HongKong bounds edges for an inside side edge and the hem, again to avoid as much unnecessary bulk as possible. For this, I used a beige/light honey coloured poplin voile to make bias binding. I bought about 2m of this a few years ago and have almost used all of it in HongKong binding for various things… need to get some more, asap!
Happiness scale; 9/10 at having another of these skirts, since the pattern is a sentimental favourite of all time for me. It lost a point due to my struggles with the fabric, but if I had to do it all over again I would probably still want the skirt in this same fabric. Feels great on, and like skirt and pattern were meant for each other, like star crossed lovers or something like that, go figure. Next time I will choose something with a little less bulk though.
Details:
Skirt; Vogue 1693, slubby mustard wool blend
Tshirt; self-drafted, white/grey stripe cotton jersey, details here
Shoes; Diavolina, from Zomp shoes
