
Hello!
Lately I’ve been making some cute little baby suits!
We have two friends who have recently welcomed babies into their lives, both boys, and I decided to make some little hoodie suits for them. Aren’t these the cutest?? It was soooo haaaaard to choose which cute little jersey print to use! there were so many super sweet and adorable little prints available.

I agonised a bit, would the Mums prefer funny/cute? or would they prefer chic/cute? You can’t always predict what people are going to want for their babes, in the end I stuck with the safe option and went with the neutral coloured chic/cute… but just couldn’t resist the bear ears on the hoodies! So there is a little bit of funny/cute going on. I hope the new mothers don’t mind this… because I think the bear ears are adorable!

Pattern; Butterick 6372. For both sets I chose to make a bear eared hoodie, zip fronted with long sleeves, and separate trousers. There isn’t a pattern for the hoodie with long sleeves, but it’s pretty easy to juxtapose the onesie pattern piece with the armscye that allows for long sleeves, with the vest pattern piece that has the little pockets and a shorter, swingy silhouette. Yes, I put in the side pockets!!! Completely useless obviously, nearly every single family member who has seen them has asked “but what are they going to put in there???” but they’re so cute that just like the bear ears, I just couldn’t resist adding them.
Fabrics; cotton jersey from Spotlight. Both are bear prints, which fits in with the bear ears thing going on with the hoodie… am I putting too much thought into this, or what?! Anyway, I love both of them equally. Baby T is a bigger baby so the beige “bears camping” one is a bit bigger for him, and the smaller, ivory “bears in the woods” set is for baby J. To be honest, I’m seriously thinking of getting some of this fabric to make a Tshirt for myself… would that be weird?? I would just have to be vigilant to never wear it while visiting!


It was such fun making these, took me right back to when I used to make cute little baby clothes for my own bubs! I love fiddling about with the smaller and easy to manage pieces and everything goes together so fast and easy! the only difficulties I had was with the zips for the front opening. I don’t really like these ones all that much, they’re called “invisible separating zips” but they were the only ones I could get that were even halfway suitable, as in a) separating, b) the right colour and c) lightweight and “petite” enough to be ok for babywear. Also it is NOT FUN putting zips into flimsy, lightweight jersey fabric. I just went as slowly and as carefully as I could, being super careful not to stretch the fabric out very much, and I think they turned out ok. The zip for the smaller, ivory hoodie had to be trimmed a little in length, and you can’t cut any off the bottom, because you’d lose the separating part! So I trimmed it from the top and was careful to firmly secure the top edge into the seam so there’s no risk of the zip-pull flying off the top. I’m speaking from bitter experience there… it’s an old old old war wound, and don’t ask!! Just that my number one rule with invisible zips is usually; NEVER cut the top off!!

OH! I forgot to blog about this before, in fact I just checked and I made this back in February! bad blogger! but I also made another little work dress for Cassie, another Named patterns Inari tee dress. This is my fifth Inari made, my third for Cassie, she loves the style just as much as I do! Also it’s like a perfect little design for work, plus being easy and comfortable to wear, and quick to run one up. I incorporated the same sleeve-widening alteration I devised previously, to counteract the “raise your arms above your head and oh look! now everyone can see your knickers!” effect of this design.

Fabric: a piece of mid-blue suiting fabric from the small stash given to me by my friend L, when she cleaned out her garage. It’s got that distinctive vintage feel to it; cuts like a dream, a lovely weight, a bit heavy and with a texture almost like brushed wool. I overlocked the raw edges inside, with the exception of the hem edge which I finished with a Hong Kong seam in mid-blue linen, from my stash. Since the inside hem edge of this design is often glimpsed while you’re wearing the dress, I think it’s therefore much better to finish it with some beautiful, “meant to be seen” finish, than just roaring it through the overlocker. I stitched this down over the edge, before slip-stitching the hem invisibly in place.

Other alteration, the addition of inseam side pockets. Well, duh. 🙂




Anyway! It’s finished now! This dress, I mean; not the costume. Although that is too, hip hip hooray. Slowly getting back to normal making. Well, normal for me, anyway 😉


A person could be forgiven for thinking that I had abandoned my totally local, 1 year 1 outfit project, since there has been no mention of it here for months!… *blush* however, it has been plodding along, slowly but surely, and is now FINISHED!!!! Hurrah! At last!



Acid yellow; from sour grass stems and flowers,
Pink, from avocado pits,
and that lime-y green colour at the neckline, and seen in closeup a few pictures down, was the result of over-dyeing, soaking some of my spare indigo yarn in a sour grass (oxalis) dye bath and then with just a single coreopsis flower (orange) tossed in to give it a bit more oomph when I realised the yellow was a bit weak.







My dear friend

However.. modifications happened along the way. Of course they did. My dress has the same bones, but the original is actually a very boxy design, with quite a pronounced dropped shoulder. I’m sure it’s a lovely design for the right fabric; as in, something with plenty of natural “flop” that allows those shoulder seams to drop gracefully down over your upper arm.






Pattern; Vogue 1351; bought aaaaaaaages ago. With the intention of making it up immediately, funnily enough! but more on that later…



Details:
Partly because of the colour. And partly because the designer is also French Navy. Truly!
So, recently I discovered
The Orla is a super quick and fun little pattern which is exactly what I wanted to cleanse my palate, so to speak, after my mad Christmas making-fest… Featuring a gently fitted bodice, rather pert short sleeves, which I think I would be rather nice in elbow length too; a highish waistline, and with a gathered rectangle skirt. I think the low scooped neckline is really lovely, it’s my favourite thing about the pattern. I added 3cm in length to my skirt… just because I thought the gathered skirt gave it a rather young look and I’m.. well, you know. not. Hehe, to be honest I agonised over the length of this skirt, you don’t want to know for how long.. at least as long as it took to make the whole dress. I pinned and tried on, contemplated; re-pinned, re-tried on, re-contemplated… I finally settled upon keeping some extra length that I’d added while cutting out, but I’m still partially tossing up the idea of re-hemming it shorter again. Man, I am SOOOOOO indecisive sometimes, I drive myself batty… I think I’m going to be ok with this length… FOR NOW, she intones, dramatically. I may or may not change it up on a whim, whenever. But maybe not. Might do, though.





7
Funny story; I made this nearly two months ago… and risked 

2. a white cobwebby, lace-y skirt, with a very pretty border. I used Vogue 1247… again! and spliced the pattern pieces together so there’s just one seamless front, and the two back pieces with one centre seam for the zip. The white lace shell and cream suiting gabardine lining/underlining fabric are from Fabulous Fabrics. The waistband is cut from the same cream fabric. I like the cream peeping through from underneath the pure white lace, I think it makes a really nice, tonally subtle contrast. The waistband looked a little bland by itself but I didn’t want machine topstitching, I thought it would look a little… I don’t know, like it would lower the tone of the skirt or something. But it needed something. So I did some hand-picksitching along the top edge… and really like how this looks; it adds a little bit of something, a certain handmade je ne sais quoi, and practically speaking achieves the stabilising effect of topstitching without the regimental look of machine topstitching.





t the ways. It’s easy. It’s breezy. It’s the palest of soft cloud-grey with teeny ivory stripes. It’s crinkly-linen-tastic on the outside, and lusciously silk-lined on the inside. It’s a midi length #currentcrave The skirt can be styled in multiple different ways.
































