Tag Archives: Scarf

boatin’, campin’, bikin’ and hikin’ stoof

We’ve just come back from a holiday in Alaska, USA and British Columbia, Canada; had the most AWESOME-est time of course! but more about that later…  I made a few bits and pieces to fill in some gaps in the “mucking about in the great, but wet n’dirty, outdoors” areas of my wardrobe.  Specifically, I needed some things that were both quick-drying and warm… which means, and I apologise right now to any strict natural-fibrarians reading this  … polyester.   #ohtheshame

Hehe, just kidding, of course polyester has appeared here on my blog before and no doubt will again.  When you are roughing it out camping, and particularly in extreme climates, then unnatural fibres are definitely the go.

I made five new things prior to going on our holiday; a zip up fleece hoodie, a fleece sweater, some shorts for kayaking, a fleece neck warmer and a new sunhat.  I made some other new things too, while we were actually ON our holiday, but I’ll save those for another post!

In the order that I made them…

White fleece sweater

wearing beanie, sweater, hiking pants
location: Talkeetna Mountains, Alaska, USA

Pattern is Burda 09/2010; 121, fabric is 100% polyester fleece from Spotlight.

I’d bought my polyester fleece back in the height of hot hot February during their 40% off all fabrics sale, made it straight away and actually posted it to instagram way back then too, although it didn’t get truly worn until our holiday…

wearing sweater, skirt

Mods; made the sleeves a little longer, and I pinned the side seams out to fit it directly on me so it’s shaped and fitted to my taste.  After the first few days of wearing it I found the turtleneck to be extremely strangliferous.  This is not necessarily a criticism of the pattern, since I’ve always felt strangled by turtlenecks, ever since I was a child; I really should have known this one would be the same too, doh! Fortunately it’s an easy fix.  I simply borrowed a pair of scissors from the owner of the lodge and snip snip!! just chopped the turtleneck-y bit right off!  No hems or seams, well, I was desperate! but hey, fleece doesn’t really need edging anyway and now it’s a funnel neck, and only about a thousand times more comfortable.

I really really LOVE this.

Pink zip-up hoodie

wearing hoodie, white tee, grey tee, black jeans
location: the Khutzeymateen Wilderness Lodge on the Khutzeymateen River, British Columbia, Canada

Pattern is Burda 8042, the same 100% polyester fleece from Spotlight

Mods; in lieu of the patch pockets, I added welt pockets which were absolutely great for shoving my cold hands into… however I thought they gave a rather lumpy and thick look to my stomach region, even when said hands were not shoved into said pockets, and like most women I am not very partial to a lumpy thick look to my stomach region!  But it was awesome to have the pockets?  I dunno.

wearing hoodie, sweater, skirt

I wore this thing so much, like practically every day even though it’s not in all my pictures… and I pretty much hate it now.  It’s not really my colour, I only chose it because I actually had the perfectly coloured open-end zip in my stash already, inherited at some point from one of Mum’s periodic sewing-room clean outs, and I rationalised that the colour would be cheerful and fun.  But now I cannot stand the thought of ever wearing it again.  Can’t quite put my finger on the problem… as well as not suiting me, the colour feels somehow wrong for my personality, and then there was the lumpy stomach pockets thing.  It was a good thing to have though, perfect for camping, beautifully warm and it dried off very quickly.  Maybe I’m just sick of it.  I’m giving it a bit of time out at the top of the wardrobe, and maybe another wet and freezing cold camping trip will crop up again, some time in the future…

Black poly kayaking shorts

wearing hat, tee, shorts, raincoat

Please excuse the lack of an exotic location here … I didn’t realise until we got home that I neglected to get even one photo during our holiday that showed my new shorts !  thus a re-enactment of a holiday outfit and yes I am absolutely freezing  😉

My new shorts are refashioned from out of an old pair of Tim’s work pants, rescued from the refashioning bag… I knew from many years of washing these things how quickly they dry, so thought they would be perfect for the kayaking camp.  And they were absolutely brilliant…!

before, the observant will notice straight away that these have been nibbled at previously; that’s a pocket lining for something or another cut out of the bottom there…

To make them: I kept only the fly front and the button closure intact; unpicked most of the waistband and sliced off basically every single other seam! taking it in at both side seams, the centre back seam, and altering the crotch curve super drastically to fit.  Approximately 7″ is taken out of the waistband overall tapering out to almost no width from the legs so they are nicely flared, just the way I like them.  This also means that the hip pockets have a pretty tiny opening now! but I figured that’s a small price to pay for free new shorts and funnily enough I don’t really find occasion to put  my hands in my pockets while kayaking  😉

I cut down and reattached the waistband, re-positioned the belt loops and created a cuff for the bottom hem of the shorts.  I think they turned out quite cute!  I’d planned to wear these with black leggings for kayaking, but as it turned out the days we kayaked were warm enough so that the leggings were not necessary.

Love these, they were perfectamondo for paddling, and I expect they will be my go-to paddling uniform from now on…

Cherry red neckwarmer

wearing neck warmer, raincoat, skirt, tights
location; the dock in Haines, Alaska, USA

The most basic thing ever, literally a lined cylinder.  The outer is the same 100% fleece from Spotlight, the lining was cut from an old Tshirt from my refashioning bag.  Yes, that thing is still like a bottomless pit of fabric!  It’s a monster, but a pretty fabulous one for someone like me who is always sewing  😉

For my own future reference, the dimensions are:

fleece; 65cm x 29cm

cotton jersey lining; 64cm x 27cm

I made it by stitching the fleece rectangle and lining rectangle together at top and bottom, pinned the seam edges and the fleece edges together, and stitched the side seam leaving a 10cm or so gap in the side edge of the inner lining.  Turned the whole thing right side out through this 10cm gap, then slip-stitched the gap closed to finish.

Like the pink hoodie this simple thing got worn most days, but unlike the pink hoodie I actually still like it!  Just goes to show, ignore “your” colours at your peril!  And it went with EVERYTHING!

wearing neck warmer, striped tee, green tee, skirt, tights, raincoat
location: Haines, Alaska, USA

Olive sunhat

wearing hat, grey tee, shorts, raincoat
location; Hanson Island, British Columbia, Canada

Pattern is Vogue 8844, fabric is olive cotton rip-stop from an online store whose name I have absolutely no memory of whatsoever.  It’s leftover from the fabric I used for my khaki army-style jacket… I bought it in a joint order with my friend and neighbour Megan, and all I can remember is that the postage fee was so horrendously high that maybe I’ve deliberately blocked the store’s name from my memory in post-purchase shock, haha.

I lined the hat with floral rayon, leftovers from my French Navy Forsythe dress, I thought they went quite nicely together! and the crown is stayed with a coffee-coloured cotton braid that is a VERY long term resident in my stash.  Since I would be wearing the hat kayaking, I decided it would be a good idea to add a chin strap; this is an old, orphaned bootlace, snipped in half and stitched in each side underneath the crown stay.  For some reason, I decided to go with an additional method of tightening the hat to my head, and laced a piece of white cotton cord through the crown stay.  Probably not necessary and now it’s a rather over-engineered hat but oh well.  Got it now!

Technically, I didn’t really neeeeed a new sunhat, since I do have my perfectly lovely ivory corduroy sunhat, made a few years ago…. but still I decided a new one was in order.  Partly because I didn’t want my ivory one to get irrevocably dirty while camping, a khaki one would be more colour suitable for out in the dirt of the wilderness.  As it turned out, the weather wasn’t actually warm enough for it until well into our holiday! laugh! the first few weeks or our holiday were mostly wet and very cold and the sunhat languished unworn… squashed sadly and disconsolately in my suitcase *sob*  Then finally the weather turned warmer and we even got a bit of sun and I was like, hurrah, I CAN WEAR MY HAT!!!  and was pretty glad I’d gone to the effort of making it after all.

wearing hat, raincoat
location: Vancouver Island, BC, Canada

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bobblehead

Note; apologies for the latent loopiness of this post.  Sombre, serious, meaningful and purposeful sewing and discourse thereof shall recommence in the near future…. or maybe not…

So, recently I was queued up in Spotlight and spotted some mini snowball-like bobble trim.  … bobbles! so playful! sooo cuute!

I just absentmindlessly picked it up, and then I didn’t want to put it down again.  Realised that I really really wanted, nay, needed, bobble trim in my life, like now.

See, I’m in the middle of making a monstrously involved, head-explodingly complicated costume for Comic Con…  well never mind that right now.   I’ve been working on it for what feels like forever but has only been a couple of weeks actually.   #imgonnalookridiculous

It just felt so nice to indulge in making something super quick and easy as a wink, like this.

Anyhoo.  2m of very lightweight gauzy cotton muslin (Spotlight), always handy to have lots of this around, btw!  cut in half down the middle along the grain line.  I folded a skinny 3mm (1/8″) hem under twice around all edges and top-stitched catching the bobble trim underneath at the same time…

Done!!

Details:

Dress; Named patterns Inari tee dress, in red/white sweatshirt fleece, details here
Scarf; lightweight cotton gauze/muslin, edged in bobble trim
Red sandals/thongs; made by me, details here
location; playground at the Scented Gardens; South Perth foreshore

I have a new scarf, weeee!

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a family collaboration

mum

So Mum is up to stay with me, and she popped out the other day wearing this gorgeous, completely handmade ensemble… and it occurred to us that it was a tri-generational effort!  Mum made her skirt, Cassie made the scarf for Mum a few years ago, and I recently made the top for her.  I asked her if she minded if I took a picture to share on ye olde blog and she graciously said yes.

SO!  What have we here?!

skirtPride of place of course goes to Mum’s skirt… alabamachaninstudiobook a fully hand-embroidered and hand stitched Alabama Chanin skirt; with embroidery in the reverse appliqué method, and using the four panelled, mid length skirt pattern from the book Alabama Studio Sewing + Design by Natalie Chanin.    The cotton jersey fabrics were originally white and Mum dyed them herself in two different shades of grey and blue.  Mum traced and cut the stencil design June’s Spring from p116 in the book herself, enlarging by 300% as recommended, (also available as a pre cut stencil on the Alabama Chanin website here)  She printed the design in creamy-coloured textile paint, and hand-embroidered with a running stitch in double strand of cream Gutermann’s upholstery thread.

alabama-chanin-embroideryWhen snipping out the motifs she carefully left a very narrow border of the cream stencil round each one.
ac-embroidery

Exquisite, oui??  I adore everything about this skirt; the colours, the design, the workmanship; and it’s just slightly tempting me to get out the materials and get a-hand-stitching again.  Slightly  😉

scarf1

The scarf… Cassie made the this gorgeous seaside/beach-inspired silk scarf for an art project at school.  She hand-dyed and -painted white silk habotai in blue and yellow blocks and blobs, tying parts of it in the  shibori style, then stitched a wiggly row of blue stitching for the tide, and embellished with clusters of mini yellow glass and gold beads.  The hems are hand-rolled and -stitched.

beading

I can’t believe I’d almost forgotten about this beautiful piece of Cassie’s and feel so lucky and proud that I have two such talented and creative ladies in my life.

scarf2

esme-top

Mum’s top is made by me, and yes it is very plain… !  everyday-styleA month or so ago Mum mentioned how she specifically wanted an unobtrusive, very plain white top to wear with this skirt so I offered to run one up for her… I chose the Esme top pattern from Lotta Jansdotter’s book Everyday Style and a slubby plain white cotton from Fabulous Fabrics.  I measured Mum all over, secretly storing the measurements away for future use, mwahahaha… no one gets away from the handmade in my family!!    and drew the pattern so as to custom fit it or Mum’s measurements.  Instead of the neckline facings I finished the neckline with a bias cut strip, because I think it’s a much nicer and neater finish for a neckline edge.  Mum wants to know how to do this herself so I’ve promised to write a tutorial sometime.
neckline

Anyway.  She looks so chic and beautiful here, and it was so fantastic when we realised she was spontaneously wearing a collection of handmade family pieces… Such a fabulous and sentimental thing for the three of us.  Thank you so much for letting me share, Mum!

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the difficulty of black lace…

… is in getting it to show up in a picture.  My new skirt looks completely boringly plain in these pictures, which just proves it; the camera does lie!  Actually it has a rather beautiful lace appliquéd tulle overlay.  I guess I just fail at photography.

The appliquéd tulle came from the remnants table at Fabulous Fabrics and is so lovely that I was helpless to resist it when I saw it there.  Then again, I rarely do.  My relationship with the remnants table is somewhat akin to that of a vulture to a carcass, ahem.
Anyway, there’s not much else to say about the skirt except that it is fulfilling a desire for a black lace skirt that I have had for a loooooong time! so it’s kind of funny to me that it’s taken me this long to realise that desire.  I think I’m generally more of a whimsical seamster than a methodical or practical one, although I try very hard to be the latter.
It’s actually a very comfortable skirt.  The appliqued tulle is underlined with a black rayon crepe, a quite heavy and substantial fabric; both fabrics are quite crease-resistant too which also makes it almost… practical? dare I claim that for a lace thing!  🙂  and I lined the skirt with black polyacetate lining fabric.  All fabrics are from Fabulous Fabrics.

I used Vogue 8363, one of my favourite skirt patterns.  I say; “one of the favourites” meaning like top five material, easily.  I’ve just counted and I’ve made eight skirts from it!  not too shabby if I say so myself, not too shabby.  This pattern is a terrific one; with lots of variations and different views.  This skirt is a version that isn’t any one particular view, but I used the pattern pieces that gave me those lovely and very deep, front slanted pockets, an un-pleated one piece front and a back with CB zip.

I aligned the lace motifs to match each other up around the skirt and at the CB seam as best as I could, and used up all of my remnant bar a couple of scraps.  Yay!
I cut the lining using spliced together Vogue 1247, cut longer so it sits just 2.5cm shorter than the skirt.

Details:
Skirt; Vogue 8363 lined, black lace and black rayon crepe, my review of this pattern here
Shirt; Burda 7767 modified, of dk olive linen, details here and my review of this pattern here

Also I have been doing a tiny amount of unselfish sewing… I made a caramel-coloured merino wool top for Cassie, using fabric we bought in Melbourne’s the Fabric Store during our last girly trip away.  I used a pattern that I have custom-fit to Cassie; based upon my own custom-fit Tshirt pattern; itself originally based upon a Burdastyle Tshirt top, the details of my “custom-fitting saga” here.  I thought I had lost my own pattern, which was a pretty heartbreaking state of affairs, but I recently found it again.  I had just stuffed it into the wrong pattern envelope, seems so obvious now but still I could have wept for joy when I discovered it.   I’d been thinking hmmm, really should get onto properly fitting that Tshirt pattern again, but it just seemed insurmountably difficult so I’d kept putting it off.  Plus it’s winter, and too cold for all that, too.
Anyway, I found it!

The Tshirt does look a whole tonne better on an actual person with arms, however its intended person had to suddenly hurry away for an important social engagement and I was too impatient to wait for her to return to perform modelling duties.  It has long sleeves, a scooped neckline finished with a folded band as described in my tutorial here, and with sleeve and hems finished with my twin needle.  There was an awkwardly small piece of merino left over which was too small for anything on its own but too big and too nice a fabric to throw away.  So I cut the ends square and straight and now it is a scarf.
I might borrow the scarf occasionally  😉

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Black moto jacket

Finally! A wintery day!
It’s pretty unusual for me to get excited about a wintery day, haha.  Believe me, winter is my very least favourite season… but I have my reason, see; I’m happy for an excuse to wear and show off my newest thing.  My moto jacket!
*sings* the leader of the pack…  brrrrm brrrrm brrmrrrrrrm!
Silke, the designer behind schnittchen patterns contacted me asking if I would like to road test one of her patterns and I chose the Tina jacket; a blouson style with an asymmetric front closure by exposed zip, and a wrap-around collar.  
Danke, Silke!
I immediately envisioned making something in a combination of leather/wool… well; making this, wot I’m wearing here, essentially.  My jacket here is made up pretty much exactly to the pattern… except I made my sleeve cuffs a little wider, because I have quite long arms apparently, and I added leather sleeve tabs, sewn into the sleeve seams and wrapped around to close with two hammer-in press studs.  I also fully lined my jacket using black polyacetate lining fabric.

Also I top-stitched the body and armscye seams, stitching the seam allowances down inside. And a little bit of narrow zig-zagging along the top of the pocket openings, to strengthen that bit.
And I also made the pockets about 2cm deeper.  So, just a few teeny alterations here and there, after all  🙂

All of my materials are from Spotlight.  The “leather” is obviously vinyl, very thin, soft and pliable and a little stretchy.  I found I could use my regular sewing machine needle on it just fine.
The “wool” is a wool/acrylic mix tweed.  It felt quite stiff when I bought it, but a pre-wash in my machine on the gentle/wool cycle brought it up beautifully soft and fluffy, and the collar feels heavenly snuggly against my neck skin.

I chose to fully line my jacket.  The pattern doesn’t stipulate lining but that’s no biggie.  I used the pattern pieces, and to save myself the trouble of tonnes of piecing the multiple body pieces, I spliced the side front/side pieces together to cut them as one piece in the lining fabric, and also the centre back/side back pieces I spliced together in the same way.  When laying down the centre back piece; I laid it down with the centre fold line 2cm away from the fabric fold, giving myself an extra 4cm in width at the centre back. 

Note: re-enactment shots, when I realised I hadn’t taken any pictures, doh!

This extra width at the CB I folded into a box pleat and basted it in place for the first 5cm in from each edge.  Doing this gives me a nice bit of wearing ease in the lining, which is always a good idea in a jacket.  I learnt this little tip from my standby McCalls 5525 coat pattern.

When cutting the pocket pouches, I cut them of half lining fabric with a leather facing at the opening edge, so there’s no danger of any lining fabric peeking out unattractively.
Also, when cutting the sleeve linings; I tapered out by about 1cm down each long edge, again to give the lining a bit of elbow-bending ease inside the sleeves.

Thoughts?  Well, the pattern is a lovely classic style and the pattern works beautifully, all going together and fitting in place like a dream.  I really love the style, and how my jacket worked out.
However this might be a challenging project for the non-German speaking, beginner seamster.  This is a German pattern with German instructions and an English translation, with no illustrations or pictures.   Occasionally there were some innovative words and phrasing, reminding me of that time I typed a set of Patrones instructions into Google translate.  Memories.
The schnittchen website does however have an excellent step by step photo tutorial which clearly illustrates all steps and is very helpful.  I think if you had made a jacket before you would be absolutely fine with the English instructions.  They gave a good construction order and they worked perfectly well. 
Finally and most importantly, I’m super stoked and excited with my new jacket.  According to the fashion report on the news the other night, leather and leather details are IN this winter.  How fortunate!
Whatevs the fashion, I’m going to LOVE wearing it.  It’s very cosy, comfy and super warm.   Its edgy vibe is a nice bonus  🙂

Details:
Jacket; the Tina jacket by schnittchen patterns, faux leather and wool mix
Tshirt (under); white cotton, using my own custom fit pattern, details here
Skirt; Vogue 1247, overdyed purple cotton denim, details and my review of this pattern here
Tights; black polyester stretch, using my own custom-fit pattern, details here
Boots; Roberto del Carlo, from Zomp shoe boutique

In other making news, I ran up two new pairs of black tights for myself, in stretchy polyester knit.  I know I had this whole thing about how I wasn’t going to make my own tights any more, just buy them… but I’m taking part in me-made May again and going ALL me-made, as is my “thing”.  And I just decided that to cop out on the tights when it’s so laughably easy to make the darn things, well it was just that; a cop out.  I bit the bullet.  2m of fabric, half an hour of cutting/sewing, whack in an elastic waistband; BOOM yah.
Two pairs of new, super warm tights.

Also I *cough cough* um, “made” a scarf….  as in five minutes of zig-zagging the cut edges of a nice piece of fluffy brushed cotton plaid and fraying with a fine-toothed comb.  I found this plaid in Homecraft Textiles.
Like most of the world, probably, I fell in love with the Zara blanket scarf that was all the rage last Northern winter.  And though we do actually have a brand new Zara store here in Perth now, I don’t think we’re going to get the scarves here.  However I still kind of fancied one for myself.  So I have my diy version now.  Yay!  And if I get tired of it I can always cut it up and make a top or something with it still!  Double yay!
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Taupe is dope

Actually, I think the colour of my new ballet flats and scarf is more ecru than taupe, but the name printed on the side of the shoe box was “taupe”.  So I’m running with it.  Seeing as not much at all rhymes with ecru.  
But whatevs … shoes!  in one of my favourite colours.  Or is that even a colour?  🙂  I’m thinking these are almost animal print.  What I love is that what “looks” like a spotty print is actually little irregularly shaped perforations in the leather, providing natural ventilation for hot sweaty feet.  That’s a real plus on hot sticky days like we are getting.  Win!
Technically speaking, the new “scarf” is just a wide strip of soft, silk/linen jersey knit bought at the Morrison remnant sale.  I originally thought to make lingerie with it, but now I’ve decided that I could well use a soft little summer scarf in this non-colour.  Well the colour is perfection incarnate, no?  It exactly matches the ballet flats.  So, it has migrated from the stash and into the wardrobe, and is getting worn.  Yes!  Wearable stash!   I don’t think this counts as stashbusting, but…  😉  I might still use it for lingerie.  Mebbe, mebbe not.  I’m still thinking about that, but in the meantime it’s doing fab as a scarf.
I do love a light airy scarf; so fantastic for protecting the decolletage from the notoriously harsh Australian sun.  If I’m driving I often rearrange it over my right arm, and it’s amazing how effective it is at keeping one cool, just keeping that direct sunlight off.

The latest addition to the Navel-Gazing Fashion Blogger’s Society photo collection.

Details:
Top; Vogue 1247, details here, made of cotton dyed by me, my review of this pattern here, and see this top styled in 6 different ways here
Skirt; Vogue 1247, made of stretch denim then dyed,  details and my review of this pattern here, and see this skirt styled in 6 different ways here
Scarf; remnant
Shoes; c/o Misano

(if you’re new, I’ve pledged to wear only clothes handmade by me this year and to sketch my daily outfits in my Fashionary.  I’m calling this the paper doll project)

Some more navel-gazing; this time about the outfit fourth along… (seen first here) this was one of my earlier refashions from Wardrobe Re-fashion days.    This is one that I sometimes forget to wear, because it is “old”, isn’t conventionally pretty and is even a little strange…  and sometimes I have to wear a thing for a day to decide whether I still love it or not.   But whenever I do wear this skirt and top ensemble I’m reminded how much I do love slightly weird clothes.  I think I want to get back to making interesting things again.  
Anyhoo, I decided again that the men’s shirt ensemble is definitely a keeper.  The same cannot be said for something from the previous week, which I am taking the scissors too… pretty soon  😉

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Sometimes, doing nothing…

… is all that is needed.
This is a bit of nothingness really, but I am wearing something for the first time here: my floaty cloud of a scarf.  This is one of my Parisian fabric purchases about which I promised to show results… so; ta da!  Fabric in action.
I bought this as a pre-cut piece of divine, very finely woven wool from Sacre Coupons in Paris and showed a close-up of the beautifully wispy, feather-fine weave here.
I didn’t do anything at all; didn’t need to do anything at all to this length of fabric, I reckoned it was simply perfect just as is.
Oui?

Details:
Scarf; a length of finely woven pure new wool, with the edges slightly frayed
Dress; the “hole” dress from the Japanese pattern book Pattern Magic by Tomoko Nakamichi, of charcoal wool mix, details here
Top; sexy woman (second hand)
Tights; Spencer Lacy
Shoes; Django and Juliette, from Zomp shoes

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Mustard cable-knit cowl

As those clear and cold as crystal winter mornings descend upon us, and the desire to swathe oneself in warm and cosy woolies; I have finished knitting a neck-warmer thingamy-bob.
I used Rowan belle organic dk, in shade 00010.  This is a 50% organic wool 50% organic cotton yarn, made in Italy; which is serendipitously appropriate given that most of the knitting was done in Italy.  The rich and cosy mustard shade is one I’ve had on my fashion radar for a while now.  I have been hunting for mustard-y goodness in either fabric or yarn, on and off in a desultory and increasingly despondent way for yonks, losing hope of ever seeing anything vaguely mustard-y.  Then; when I spied this yarn in Calico and Ivy, I pounced!
Rather embarrassingly to admit, but this started out as my holiday project, that I took away with me on our recent trip.  I started out with high flown fanciful ideas of a tall cowl with lots of sections with contrasting patterns, sorta to be like a knitting sampler.  There were to be ribs, moss stitches, a few sections of squares, and alternating bands of plain and purl… all of which I started and all of which got unpicked and done over.  Countless times!  The final result I am wearing here which looks like, and is; a simple dimple little cable-knit cowl scarf is actually the product of a several weeks of knitting.  And un-knitting.  But let’s not dwell on that…  🙂
Here it is: finished, and I am satisfied.
Sometimes, simple is best, yes?

If anyone is interested, here is my “pattern”; if you can even call it that  😀

Using a 3mm circular needle, cast on 135 stitches.
(commence by inserting the needle into the first stitch cast-on, so that you are knitting in the round)
1st row; K2, K2 into the next stitch; repeat for the first round  (180 stitches)
2nd row; K10, P5; repeat until the end of the round.
Repeat 2nd row 7 times.
10th row; slip next 5 stitches onto a cable needle, K the following 5 st, slip the 5 stitches from the cable needle back onto left needle and knit, P5; repeat 11 times (until the end of the round)
This is the cable row.
*Repeat 2nd row 12 times.
Repeat cable row*
Repeat from * to * until the cowl is a satisfactory length (I did another 13 repeats)
Repeat 2nd row 8 times.
K2, K2 tog, repeat until end of the round (135 stitches).
Cast off.
(this uses up about 4 and a half balls)

Details:
Scarf; handknit by me, using Rowan belle organic dk, in shade 00010 from Calico and Ivy
Jeans; Burda 7863 in khaki stretch gabardine, details and my review of this pattern here, and see these jeans styled in 6 different ways here
Tshirt; leopard print jersey knit, details here
Coat; McCalls 5525, ivory gabardine, details here and my review of this pattern here
Gloves; David Jones
Shoes; Francesco Morichetti, from Zomp shoes

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