Category Archives: Tutorial

adding the almighty pocket

So, recently I’ve been on a bit of a pocket binge.  You see, one has a phone which has rapidly become the ruler of one’s Life, and one has decided that this little autocrat needs to be on one’s person at all times.  So if something doesn’t have a pocket?  BAM! it’s getting one, like it or not!  Take that you pocketless fiends you!  Picture, if you will; pockets raining down upon Le Wardrobe, with lightning bolts and attendant thunderous cracks and booms as they attach themselves fiercely and fearlessly to the offending garments cowering on their hangers… ahem, my apologies.  Maybe I’ve been isolating too long.

Anyway, meet the victims:

please note; The Eye…

Firstly, my plaid Delice dress

I’d already promised to myself that I would add pockets once I got around to it… it’s a loose-fitting little thing, and while the attempted side-seam pockets did not work I knew welt pockets would be fine.  I just needed to get onto it!  and finally, voila. I still had the pocket bags, and I cut welts on grain from the very tiny amount of fabric I had leftover.  Both welts and the opening area of the pocket were interfaced with iron-on interfacing for stability – this fabric is basically a brushed cotton flannelette and so it has pretty poor stability actually,  A pocket bag on a welt sans interfacing stood a good chance of becoming a gaping, saggy mess, so I used nice firm stiff stuff, and the pockets turned out a charm.  No I didn’t take any progress pictures.  Bad me.

Secondly, my rusty coloured Sabrina skirt

 

this has always been a little on the baggy side for a pencil skirt, I think I might have selected the incorrect size in the first place because I’m slightly terrified of making a thing too small or too tight; a problem which is practically unfixable, and the fabric was kinda precious to me.  I mean, if you make something slightly too big, that is a problem that is eminently fixable down the track.  Except that “down the track” never seems to come… anyway, flash forward to a few days ago when I realised that same slight bagginess could easily accommodate some inseam pockets.  So I went for it!  I did remember to take some pictures of this one for posterity…

Firstly cut out the pockets lining at the size of pocket you want.  Stitch to the skirt front seam allowance at the place where you want your pocket to be in a skinny seam allowance, and press towards the skirt front.

Cut the pocket itself from the self-fabric, with an opening extension that covers the width of your side seam allowance once it’s laid over the pocket lining.  My side seam allowances for this skirt are actually quite huge, showing that I really truly overestimated how much wriggle room I needed; but since that mistake resulted in such a good prognosis for future pocket insertion, I forgive past-me.  Trim to fit, and finish the raw edge.  Stitch to the back seam allowance, right sides together in a skinny seam allowance, and leave it laying towards the front.  Check the pocket piece and pocket lining piece are aligned perfectly.

Now open the two pocket pieces apart and gently rip open the skirt side seam.  Leave at least 1cm closed at both top and bottom edge of the pocket pieces, and then reinforce the side-seam stitching at these points both top and bottom with some quick forward/backward stitching so the seam doesn’t open any further.

Now; open out the back skirt side seam allowance and as far as possible, stitch the skirt back and the pocket piece together, using the previous pressed seamline on the skirt back as a stitching guide.  Be sure to keep the skirt front free from this stitching!!

Lay the pocket pieces over each other again, and stitch them together around the curved edge, commencing and finished the seam at the skirt side seam, taking care to not go over it and into the skirt itself.  Finish the raw edges as far as possible on the overlocker.

Now open out the side seam allowances away from the skirt front and back, and at the top and bottom edges of the pocket, perpendicular to the side seam: stitch the pocket to the front skirt seam allowance up to the side seam line, and the pocket piece ONLY to the back skirt seam allowance up to the same seam line.  These short seams are indicated in white on the previous picture.

Ta da!

And, while I still had the machine threaded with chocolate brown thread… victim number three.  This is a great little corduroy skirt, very simple and plain and useful.  Except that it had no pockets!  Problem solved!  For this one, simple patch pockets were the go; but slanted at what I find to a optimal angle for my hands.  I used some of the leftover corduroy from which I made my wide-leg Sashas, and even though it doesn’t look like it I spent ages and aaaaaages aligning them to be perfectly symmetrical.  Yes they probably look a bit weird but I have pockets so I care not.

That’s it for now, until next time!

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I made a little blue book

So the title explains it all really, hehe…

I’ve been reading the blog Lil’ Blue Boo by Ashley Hackshaw… partly for chicken stuff since Tim and Kelly got chickens recently and the whole family has been invested in their care and involved in the Building of The Chicken Coop, and can I just say… wot a saga… but also because I’ve found Ashley to be the most inspiring and creative lady!   And I especially loved a little book she’d made recently, and it got me thinking again how I would like to make a book.  Just yet another of those things that I’ve wanted to have a go at for years… I have a huge list, btw.

Anyway, her adorable little notebook got me revved up to actually take scissors to paper… I googled for how-to’s and found Lee (Crafty Loops)’s amazing tutorials on YouTube.  I pretty much followed her method, with the exception that my own book is made entirely from scraps, rubbish, and leftover bits and bobs.

We have a whole lot of scrap paper in our house… old, partially filled notebooks, scrapbooks, graph paper and lecture pads from the children’s days at school etc; that I’ve kept just in case I ever need scrap paper.   I semi-roughly cut stacks of various sorts… I went for sort-of neat but not perfectly neat, because I really like the imperfectly, imprecise handmade look in a book.  Like Lee did in her demonstration book, I cut eight signatures with five pieces of paper each… which gives you eight little booklets of ten pages.  Since you’re glueing the frontmost and backmost pages to the cover, this means I ended up with a little book of 78 pages in all…

For punching the stitching holes… I don’t have an awl and was too impatient to run out and buy one.  However necessity is the mother of invention, as they say; and I found a dried up ballpoint pen actually works as a pretty good substitute… for backing I used a dried-up old foam squeegee block #whenhoardingpaysoff

For binding; I used a small scrap of bias-cut white linen, and for stitching I used a leather needle and cream-coloured Gutermann’s upholstery thread.

spine all glued up and drying… I used regular ol’ PVA glue

My cover is cut from a discarded cardboard box that I rescued from our recycling bin… I covered it with white paper first… this too was scrap actually!  an un-needed page of a new pdf clothing pattern I recently printed.  And made.  And have not yet blogged, oops, I’m so lazy…

The final cover for my book is linen; this was a piece of indigo-dyed linen leftover from a natural dyeing workshop, run by Trudy Pollard.  I attended the workshop with Nicki, Sue and Megan a few years ago.  Long term readers of my blog may remember that I made this dress from the linen.  I’ve kept the leftovers all this time! well, natural indigo is kinda precious and nigh on unavailable here, and I thought the scraps might come in handy one day.  And they did!

Et voila!!

I’m so ridiculously pleased with my little blue book!  And it was so much fun to make too… like being in kindergarten again!  have no idea what I’m going to write in it yet.. maybe poetry? artsy doodles? a journal? or maybe a little sewing book, to keep track of fabrics and haberdashery requirements?  So many options… I need more books, obviously  😉

Later edit: Also, completely beyond the level of an amateur … but if you’re interested, check out the amazingly beautiful work of artisan bookbinder Glenn Malkin

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buttonhole loop; a tutorial

Aaaages ago, Susan asked me for more information about the buttonhole loop used in this top, and I totally forgot!  I’m so sorry! right up until yesterday when Pencil Girl asked the same thing about Cassie’s top.  Ladies, thank you so much for asking!  I hopped to and wrote up my method… and if you dislike sewing tutorials then please skip over this… we’ll just pretend that this isn’t even here and we can still be friends, yeah?  winkwink ;D

The buttonhole loop is a quick, easy and very unobtrusive button closure, made using thread alone.  It is most often used for a short slit opening at the top centre back of a dress, blouse or a top, where two finished edges abut each other with no overlap; it is practically invisible as well as a quicker alternative to a rouleau loop.  My grandmother used it aaallll the time, and taught me how to make one…

also, please let’s just pretend that this is the back of a divine little blouse made of Liberty lawn or something, and not what it is.  Which is two measly scraps of  leftover upholstery fabric from my recently made duffle bags… #notliberty #notsilk #ohtheshame

Stitch the button in place.  Which side is up to your personal preference… although to have the button on the right hand side is conventional

Cut about 30cm (12″) of the thread you’re going to use.  Buttonhole twist is traditional and the best if you are lucky enough to get hold of it, I am using upholstery thread here which is an excellent substitute.  You can also just use regular, all-purpose thread or even embroidery thread if you like, it will probably be just fine if a little more difficult to work with.  Reason being, regular thread is thinner and twists and tangles more easily, so is more likely to develop knots, and also results in a flimsier loop, naturally; and embroidery thread, being stranded, is more difficult to pull firmly into the knots you are forming with each stitch.  But either would work out ok, in a pinch.  There are no rules in sewing!

Secure the thread at the top of the left hand side of the opening.  This should be at a level with the top of the button.

Lay it over the button so the thread lies around the button shank/stitching, and pull firmly until thread and two garment sides are sitting in the desired position.  It’s more neat to have the sides abutting each other closely, although if you want a bit of a gap between the sides make the loop longer.

Stitch the thread once in the left hand side, level with the bottom of the button.

Lay the thread back around the button again, and stitch back in the top edge.

Being careful not to pull the loop out any looser or tighter, undo the button… now you’re going to work buttonhole stitch to totally cover up that two-stranded loop…

Bring the needle over the loop, insert it back under the loop and over the working thread on the other side… this is the buttonhole stitch.  It’s basically the same as blanket stitch, but instead of doing it into the edge of fabric, you’re doing it over a thread in mid air, so to speak.

please excuse my dodgy drawing skills…

Pull it down firmly, and repeat; just keep going, going, going; pulling each stitch firm and trying to keep it all flat and even and straight; and not to rotate around the loop as you’re going along.

When you get to the end, secure the thread into the bottom of the loop by sewing three tiny stitches  into the same spot three times.

aaand; done!

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side seam with inset strip and bound-edge inseam pocket; a tutorial

pocket

btw this fabric here is fulfilling a long held dream of mine…. a Marimekko dress!!  print is Pieni Unikko 2, 100% cotton, available here… yes, you can get Marimekko fabric in Australia!  More details on the dress in a future post to come…  🙂

Also, sorry for the unwieldy title but it’s the most accurate way of describing this technique, I reckon…

Anyway, recently I was putting in some inseam side pockets but I wanted to have a contrasting coloured strip set into the seam and carrying on seamlessly to incorporate a neatly bound edge to the pocket opening also…  how to do it? well here is my method…

This is illustrated for a dress but works equally well in a skirt, trousers or shorts as well, obviously.  pocket1

You have your dress (or skirt/trouser/shorts) front and back, the under pocket piece cut from the fashion fabric and a pocket liner piece cut from either lining fabric or the fashion fabric, and 1 1/2″ (4cm) bias cut fabric in a contrasting colour for the inset strip/pocket edging.  btw the measurements given here are for a garment cut with 1/2″ (1.2cm) seam allowances and will resulting in a 1/4″(6mm) wide contrasting strip, but the measurements can be varied accordingly for different dimensions as desired.

Stitch the bias strip to the skirt front, using a 6/8″ (2cm) seam allowance.  Press the strip to the side edge.

pocket2
From the underside, make two 1/2″ (1.3cm) snips (seam allowance width) through all layers at the top and bottom opening edge of the pocket.  Take care to not snip all the way to the previous stitching, but ONLY  the width of the seam allowance.

pocket3

Stitch the lining pocket piece to the bias strip in a narrow 1/4″(6mm) seam allowance.

pocket5Press the pocket lining out, then turn it under the front piece and press, forming the 1/4″ (6mm) wide bound edge of the pocket.

pocket6pocket7

Use a matching thread and stitch in the ditch along the joining seam from the right side through all layers, securing the pocket lining to the front.

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Underneath, pin the pocket piece to the pocket lining piece around all inner edges, stitch,  Finish the edge as desired… I chose to finish the edges in a HongKong seam using the same yellow voile.

pocket9 pocket10from the right side (with some irrelevant (white) basting along the side edge… not really necessary for this method)

pocket10a

Pin the back piece to the front piece at the side seams, marking the pocket opening points exactly with a pin.  Have the front piece uppermost, so you can use the previous, bias attachment seam as a guide while stitching; this is so you can ensure your contrasting bias strip comes out as a nice perfectly even width all the way down the side seam.  Stitch side seams in a 1/2″ (1.3mm) seam, passing exactly through those pin-marked points.  Reinforce the pocket opening edges with a few backward and forward passes with the machine at these points. Take great care to keep the pocket opening edge free between the two layers.

pocket11

And done!  When you turn it out, you will have a nice side-edge strip, which seamlessly goes on to edge your side inseam pocket.  Nice, yes?

As always, if you find this a useful and/or helpful tutorial, please do leave a comment saying so…  🙂

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gathered pocket; a tutorial

gathered pocketThis gathered pocket sits inside and at the side edge of a loose-fitting garment such as an unfitted dress or tunic top, and can be adapted to go in a loose, flowy skirt also.  It is best suited to lightweight fabrics.

Firstly, making the pattern pieces…  start with an A-line dress pattern.  I used dress R from the Stylish Dress Book by Yoshiko Tsukiori; which has gently A-line side seams that curve outwards towards the lower hemline, but this design would work equally well for a straight, diagonal side edge too.

gp1

For both front and back pieces, both sides, draw in the above, straight lines;

blue line:  starting from the the innermost point of the armscye curve, vertically straight down to finish at the level where you wish for the top edge of the pocket to hit.  As a rough guide I find around 5cm (2″) above hip level to be generally a pretty good upper pocket point.

green line: horizontally, at the level where you wish for the top edge of the pocket to hit.  The “bagginess” of your pocket is a personal choice; as a guide; my green line is 15cm (6″) in length which coincided with the degree of “flare” of the dress at the hemline.

red line: vertical line from the outer edge of green line, straight down.  This is the new side edge of the dress/top.

orange curve; from the blue green intersection, draw a gentle pocket curve to intersect with the original side of the dress edge.  As a guide, I made my pockets 20cm deep.

purple line: vertical line from the lower edge of the pocket, up to the green line.  This is the centre fold on which you will cut the pocket piece.

The grey lines of the side front and side back represent the original lines of the pattern pieces.

gp1a

These lines define the new pattern pieces as show above; at left is the new side edge of the dress front and back, now defined by the blue line, green line and red line.  Only one side is pictured, if you want the pocket to be on both sides then obviously cut this profile both sides of the garment.  Side fronts ( 2), and side backs (cut 2) are defined by the blue line, orange curve and the original side edge (grey curve), and pocket pieces (cut 2) as defined by the orange curve, with a centre fold along purple line.  Remember to add seam allowances!

warning; hideous fabric alert… my apologies.  This blue stuff was a handy small scrap,  I also used black thread because I didn’t bother to change the thread in my machine  it stands out and can be clearly seen against the blue fabric…   🙂

 

gp2

Also, for the drawstring ties cut 4 strips of lightweight fabric on the bias; Mine are each 41cm (15 1/2″) long by 2.5cm (1″) wide.

Construction:

ties

Pocket drawstring ties;  stitch the long edge and turn right side out.  My tips and method for turning out skinny spaghetti strap ties can be found here

(below L) Stitch front and back together along the red line, press open.  Stitch side fronts to side backs along side edges, press seam allowances open.

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(above R)  Stitch side front piece to front along the blue line, finishing at the top edge of the pocket.  Repeat for side back piece to back.  Clip to end of stitching, press seam allowances to front/back.

(below L) Run a long, gathering stitch along the pocket opening stitching line (green line).

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(above R) Pulling up this gathering stitch slightly to fit, stitch a pocket piece along the pocket top edge in two separate lines of stitching, leaving a short 2cm (7/8″) gap in the centre between the two.

(below L) Turn pocket piece to the inside and gently press along stitching line.

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(above R) Inside, line up pocket lining and side front/back piece along the curved lower edge and stitch together.  Finish pocket seam allowances and side front/back seam allowances if desired.

(below L) Pin the pocket piece to the dress along the top edge of the seam; and, keeping the side front/side back free, stitch together with a row of stitching 1cm (3/8″) in from the top edge.  Effectively creating a 1cm width channel  between dress and pocket.  Insert a tie into each side of the channel, starting from the gap and coming out at each end.  Apologies for the scraps of yarn used in this little blue sample pocket, for the real thing I did make proper turned out bias strips, really!

gp8gp9

(above R)  Secure the tie ends in place by stitching a few passes of back and forward stitching on the outside of the dress, through all layers.

With the ties, pull up the excess width of the pocket edge to fit and tie in a sweet bow or whatever.

And done!

gp12

Thank you to everyone who expressed an interest in how I made these pockets;  I hope this is a useful and/or interesting tutorial.  If you find it so then please leave a comment and let me know.  🙂

floatytop3

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