Monthly Archives: March 2017

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greenery

… and the colour of the year for 2017 is….!!

hehe, it’s kinda silly, but in early January I love looking up what the fashion Colour for the Year is going to be, even if I then forget about it and don’t add any of it to my wardrobe!  This year it is Greenery, and serendipitous news, I had bought a length of this lovely summer weight wool pashmina fabric from Spotlight, in a colour that is well, not too far off.  I love being inadvertently fashionable!

So I made a little dress.  The wool is woven in a twill pattern, and is very light, practically sheer, so I lined fully with a springy yellowy-green polyacetate lining fabric.  It was absolutely amazing to discover invisible zips in Spotlight, in exactly the right colour too.  This is so rare, especially with more out-there colours like this one!

I used Vogue 1351, which I have previously made up once before, here.  This time I followed the pattern to the letter and cut the skirts and bodice front on the bias like you’re supposed to.  I let it hang for a few weeks for the bias to drop before hemming… why so long, do I hear you ask? well not for anything in mindfulness to the outcome of this dress, NO! but because like a ravenous wild beast my Zora Queen Comic Con costume has been demanding and devouring every scrap of my creativity to the exclusion of all else.  AAAAAAAGH!!

Anyway!  It’s finished now!  This dress, I mean; not the costume.  Although that is too, hip hip hooray.  Slowly getting back to normal making.  Well, normal for me, anyway  😉

It’s funny; the vibrant colour of this dress might make it seem kinda frivolous and not like a “basic” or a very core wardrobe staple, but it is a very plain dress really, and I actually think it’s going to be an extremely useful mix and match item in my wardrobe.  The kind of thing that can either command attention in an outfit thanks to its colour, or also play nicely with other items in an outfit, thanks to its lack of detail.  A useful little stayer.  The lightweight wool is just the right warmth and breeziness for our current mild and just starting to get cooler autumn days, and I think I’m going to enjoy mixing it up in winter too, with black tights and boots too, and a dark leather jacket or coat.  The bright green is going to look great with all my bright and colourful cardigans, and will also add a nice splash of colour to more neutrally neutrals too.  I love it and am really excited about its possibilities!

Details

Dress; Vogue 1351, light green wool pashmina on a roll
Cardigan (below); my own design, based upon the Nettie by closet case.patterns, details here, paprika stretch
Shoes: sandals designed and made by me, details here

   
Location: Pt Walter beach, Attadale.  I joined friends at the cafe there this morning for morning tea; it was pure delight!!  I love these early autumn days!

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the Zora Queen Rutela

OK, I’ve done some pretty involved and intensive projects in my time, in fact more often than not, lately! and this one definitely ticks that box too.

Quite a few months ago, Cassie mentioned that she wanted us to go to ComicCon together this year, and furthermore, she had already chosen a good costume for me to make…

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This is Queen Rutela, the queen and elder of the Zora; proud, elegant and graceful aquatic-people who reside in the Zora’s Domain in the Zelda universe.  If you’ve never heard of Zora, it’s ok, that’s perfectly normal because this stuff is the very height of geekiness and so far from the mainstream it’s a little embarrassing …  However! you have now!  She is a rather tragic character;  the story is as follows: Queen Rutela was the wife of the late King Zora and mother to Prince Ralis.  During the events of Twilight Princess, Shadow Beasts invade the Zora village, so Queen immediately sent her son to Hyrule Castle for his own safety and to inform Princess Zelda of what was going on, prompting the invaders to make an example of Queen Rutela by executing her in front of her people.

I liked the idea of going as Queen Rutela for several reasons, partly because she’s a mother so I felt she was age appropriate for me, also her story moved me because it is so sad, she’s so protective of her son and so motherly, it tugged at my heartstrings a bit.  But mostly, well, let’s be honest, because her attire and bearing is just so beautiful and I relished the challenge of giving a good go to making it!  Also, the Zora have always been my favourite species in the Zelda universe  🙂

ANYWAY!  here we go…

Firstly, the dress.  More accurately it’s a 3-piece ensemble, I made an ankle length petticoat/underdress, a skirt, and a long tunic top; all using white polyester stretch stuff (some leftovers, some new, variously from Spotlight, Fabulous Fabrics).  The plain, strapless, ankle-length petticoat is one I made many years ago, so long ago I’ve completely forgotten the pattern I used.  I never thought I’d say that, because I tend to remember patterns FOREVER, but not this time!  The skirt has the other “skirt-y” layers on an elastic waistband, and the tunic top is a drastically modified Nettie bodysuit, basically my go-to Tshirt pattern.  The sleeves are in two parts, a close-fitting “under” sleeve that is wrist length, and the “over”sleeve has a very high sleeve cap and a bell-shaped bottom edge that is gathered and “pouffed” into the under sleeve, then point-stitched in place to get artistic-y folding.  At the shoulder edge, the extra fabric in the sleeve caps is pulled in with three sharp darts; making a jutty-out sort of shoulder cap… that’s a technical term there, btw.

I stitched frilly “gills” to the side underbust area.

Oh! I’m getting ahead of myself… those frills were formed in the following way; I clean-cut the eyes using my rotary cutter, then holding the edge just slightly and evenly stretched out, passed it over a candle flame; which melted the edges just a little and set them in a naturally curly frill.  I took a little bit of practise to get this just right, with the right degree of frill and with minimal scorching!  Fortunately, those bits that looked a bit charred black just crumbled off when I rubbed them between my fingers.

Once I’d made the three parts of the dress, I shrouded Bessie in plastic and newspaper, dressed her, masked off the bits that I wanted to remain white, and sprayed the skirt, then the top utra-carefully and judiciously with poppy red enamel spray paint (Bunnings)

The colour is a little brighter than ideal, I really really wanted a warm, dusky coral pink, but with spray paint you’re unfortunately stuck with whatever is in the VERY limited pre-mixed range…  🙁 /

Spraying was pretty scary, my application isn’t perfect, and there is a blotch on the R shoulder that is a bit heavy and which was pretty devastating for a while, but I had no choice really but to accept what I’d done.   As it turned out I shouldn’t have worried too much because you couldn’t even see the blob once my headpiece was on!

Next, the fin/wings… I cut four-layers in light grey polyester organza, and simply stitched all layers together by skinny zig-zagging around all edges, and slip-stitched it in places to the top of the sleeves.


Next, the jewellery; and this bit was lots of fun!  It’s a long time since I’ve played about with jewellry-making and I really enjoyed it  🙂 I used Super Sculpey modelling clay, jewellery wire and gold metallic acrylic paint (Spotlight) and some really lovely turquoise glass jewels (Fabulous Fabrics), and baked my pendants in the oven before painting them, and stringing them together.  It’s hard to see the exact details of the Queen’s jewels in the short footage of her that there is, and what’s more, the details seem to vary from picture to picture, so I took a little creative license and designed my own, closely inspired by what I knew of the Zora style, and the arrangement that I could see from the footage.

The body-lace fastens at the small of my back; the necklace is supposed to sit out very wide on her shoulders, and I managed to get this look by stitching rings halfway along my shoulder, and the necklace clips onto these, wide on each shoulder.  I also made a “beaten gold” collar/choker from interfaced gold metallic jersey (Spotlight), hand stitched radiating lines over it, and stitched the last pendant to it, then stitched white vinyl “petals” (Clark Rubber) around the lower edge.  This closes by press studs at the back.

Headpiece: it’s simply a long tail in the same polyester stretch, stuffed with Hobby Fill (Spotlight). I inserted fins of fabric-covered cereal-box cardboard into the side seams, and I took the precaution of spray-painting the cardboard ivory first because the polyester is kinda see-through, and stitched it to the rim of a red swimming cap, also catching into the stitching a white plastic face-mask (Spotlight)

Now for the hair!  This took quite a bit of nutting out…. I’d stretched the bathing cap/head-tail/face mask contraption to Mr ‘Ed, my foam head, above.

For the hair I used skinny foam noodle (Clark Rubber) and stitched the top bit of the hair through all layers.  This stuff is pretty bouncy with a mind of its own, but I damn well forced that sucker to be what I wanted it to be with firm and masterful stitching to get the folded part/hair at the centre top. Take that, foam noodle!!  BOW TO MY WILL…

The blonde “coral” hair was easier and actually lots of fun, like being in kindergarten again… I snipped it into lengths, and painted the bits with various mixed shades of pale yellow, shaded with addition of lilac and metallic gold.  I wanted the hair to be in shades because we all know a flat colour just looks fake and, well, flat, any painted thing always looks so much more vibrant and real and rich when it has several different shades in it.  Going to this much effort sounds complicated and maybe even unnecessarily involved, but I whizzed through making the hair, loving every paint stroke.  I strung them on yellow thread and stitched them to the cap through all layers, and painted part of the top layer of hair in the same way.  There is 35m of noodle in this thing… I can hardly believe that myself but yes, really!

One “strand” came off while I was pulling the thing onto my head, aaaaagh NOOOOOO! which was a bit of a worry, obviously! but I had plenty of “hair” and luckily every other bit stayed put.

The final step was to spray-paint the top side of the head-tail with the same poppy-red spray paint.  Scary!! but I was super SUPER careful… On another note, this picture below gave me a laugh! the head looks hideous, the stuff of nightmares!!!  Zoe “looks” terrified but of course she wasn’t… she’s knows what’s real and what’s not.  Even on Saturday morning when I emerged from the bedroom in full costume plus makeup, all the cats just looked at me, maybe a bit quizzically! but they still knew it was me.

Oh, wait… doing the make-up was the final step, of course!  I painted white dots around her brow line, just like in my inspiration pic, and then trimmed away the mask.  Cassie suggested a strip of Hollywood tape on my nose, which helped keep the nose piece firmly in place throughout the day.  Also, with amazing luck, Priceline had a 40% off all makeup sale in the days beforehand so I got some white translucent face-powder and rather horrible bright red rouge-y stuff for the matching poppy-red circles under my eyes and lips.

   

The photo at the top is my first attempt to photoshop myself into a fake background!  pretty good, huh?!  this actually took me aaaaaaages… hehe, #photoshopnoob Well, I felt like Queen Rutela just HAD to appear in Zora’s Domain or it would be, well, you know, just like an unfinished and half-done effort, so I decided I just had to do it!

I didn’t get any photos of me actually at ComicCon in Perth unfortunately; we were just having way too much fun! plus my gloves made it impossible for me to operate my phone!  However about a million people asked to take my picture, which is not as weird as it sounds, it’s just the done thing at ComicCon when you dress up; everyone does it!  Also it was highly gratifying when people recognised my character, totally made my day!!!  Every now and then I would hear a call; “Queen Rutela!!!!!” which was really nice!

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burnt brown jeans; 6 different ways

I’ve been planning my upcoming autumnal/winter wardrobe, doing a seasonal clean out, or in today-speak; konmari-ing the heck outta it… and decided to bid adieu to these jeans.  The last few times I’ve tried to wear them I’veburda7863-1-728x1024 just felt vaguely frumpy in them and peeled them off straight away.   I’m just not feeling this style any more, feel like it’s becoming a little bit dated.  Is it just me, or are skinny jeans appearing decidedly passé right now?  Anyway; OUT THEY GO!!! Well… maybe just to the time-out box for a while.  I have this box you see, that I chuck doubtful clothes into, and in a few months or a year or so I’ll check them out to see if it’s easier to make a decision then.  Honestly, sometimes I wonder why I even have that box since it’s a kind of hoarder-ish thing to have and really nine times out of ten the items within get the flick! but for the one item that gets a reprieve I’ve always been glad I kept it after all.  Sometimes, you and your clothing just need a bit of a break from each other.  A trial separation.  A conscious uncoupling, with the door open to re-coupling.  Yeah.  *madly justifying hoarding tendencies to oneself*

Anyway, here are six of my favourite outfits with these hardworking jeans…

I first made them about two years ago, one of my many Burda 7863’s and they have been absolutely fantastic in their day, I have to admit it.   Very stretchy, therefore super comfortable, and a terrific colour that seems to go with everything I’ve got.  Having said that; a heckuvva lot of the time, I wore them either with this big loose ivory shirt as in the first picture… OR like at right, with one of my Pattern Magic twist tops.  Here, with the forest green one.  In fact, it would be pretty accurate to say these two outfits were both very reliable fallback “uniforms” for me for quite a long time…

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At left; another frequently-worn ensemble, worn with my white drape drape t shirt, and my leather jacket.  At right; I do still like them rolled up to three quarter length like this.  Hmmm, actually I really like this outfit too, maybe I should keep them after all…. (worn with self-drafted Tshirt, cardigan, self-made shoes)

At left; they’ve frequently done service in casual, dog-washing, beach walking, gardening, house packing-and-moving mode too… worn with my over-dyed blouse, black thongs…  At right; another winter-y ensemble… worn with my Pattern Magic twist tops, my shearling jacket, hand knitted gloves and my self-made desert boots.

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Okaaay! I’ve just done an excellent job of talking myself out of getting rid of them! 😀 So maybe I’ll see how they go this autumn/winter before giving them the big heave-ho…

Anyway, on a slightly related note: I’ve read a few good strategies about helping to clean out unwanted stuff from your house, the one I like the most and have adopted a few times in the past coupla years is to just walk into your closet/open a cupboard and immediately throw out five things without spending more than ten seconds thinking about each thing.  If you give yourself permission to do this once in a while; and I use that phrase because I have terrible hoarding tendencies and really DO need to give myself a stern talking to, mentally giving myself permission to throw things out seems to work for me…  anyway, it can be an excellent and stress-free way to de-hoard.  The trick is to first say sternly to yourself “OK, I’m doing this NOW” and then to march in and NOT think too much about it.  Five things, just like that. *snaps fingers*   It can be surprising how quick and easily you then immediately identify those things that are just not working anymore.

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bobblehead

Note; apologies for the latent loopiness of this post.  Sombre, serious, meaningful and purposeful sewing and discourse thereof shall recommence in the near future…. or maybe not…

So, recently I was queued up in Spotlight and spotted some mini snowball-like bobble trim.  … bobbles! so playful! sooo cuute!

I just absentmindlessly picked it up, and then I didn’t want to put it down again.  Realised that I really really wanted, nay, needed, bobble trim in my life, like now.

See, I’m in the middle of making a monstrously involved, head-explodingly complicated costume for Comic Con…  well never mind that right now.   I’ve been working on it for what feels like forever but has only been a couple of weeks actually.   #imgonnalookridiculous

It just felt so nice to indulge in making something super quick and easy as a wink, like this.

Anyhoo.  2m of very lightweight gauzy cotton muslin (Spotlight), always handy to have lots of this around, btw!  cut in half down the middle along the grain line.  I folded a skinny 3mm (1/8″) hem under twice around all edges and top-stitched catching the bobble trim underneath at the same time…

Done!!

Details:

Dress; Named patterns Inari tee dress, in red/white sweatshirt fleece, details here
Scarf; lightweight cotton gauze/muslin, edged in bobble trim
Red sandals/thongs; made by me, details here
location; playground at the Scented Gardens; South Perth foreshore

I have a new scarf, weeee!

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making your outfits “pop”

Like most bloggers, when taking my pictures I usually try to pick some nice location as a backdrop to my creations, something that has the colours and the “feel” and/or just some general overall appropriateness in subject matter or whatever, that I think enhances whatever it is I’m showcasing.

my West Aussie outfit in its place of absolute origin, the West Aussie bush

However, even if you LOVE your background, it can sometimes swallow up your colours into its gorgeousness and your outfit kinda disappears and doesn’t show up very well… And also, sometimes I just like the idea of being able to eliminate the background.  I really like that look where you have a black and white background, and the thing you’re showing is in full and glorious colour… and after a bit of fiddling about I’ve worked out an easy way to do it and am sharing it here just in case it helps anyone else who likes this look too!  🙂

SO.  You need Adobe Photoshop;

Firstly open your picture in photoshop.  Go to Image, Adjustments, and select Desaturate.  This makes your picture black and white

Now go to the icons on the left and select the History Brush Tool

On the right in Brush selects, have the brush as the big, round-edged solid one at the top.  You can change the width/size of the brush using that size scale just above.  For the edges, make it a very small size and zoom right in on your picture so you can get it into the edges and corners as close as possible, getting it all nice and neat and no going over the edges.

For the “colouring-in”, size up the brush width a lot wider, for speed.

Once it’s all done, save it as a new jpeg.

Oh yeah!!  Doesn’t it all really POP now?!!!

“POP”:  hehe, I never use actually that phrase; I’ve always been like, pop? I heard no pop, am I going deaf? well ahem, ummm ok yes, I am actually… the perils of ageing, you know,  but um, oh alrighty then!  Guess that explains everything!

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