Tag Archives: Daily Outfit

Lisa Carolina dress

Hello!

I have made a very special dress lately… actually I am super busy at the moment sewing up Christmas goodies but I have deviously made sure I always have something on the go for myself at the same time too, hehehe.    And I knew I wanted to devote some of my time to making something from this deliciously cheerful and sunny dandelion fabric sent to me by my dear friend Lisa, of Lisa’s Carolina.  Thank you so much Lisa!

Lisa has also made something for herself in it too.. . a Lotta Jansdotter Pilvi jacket.  I really loved how she bound her seams inside using a yellow gingham, and I shamelessly took a leaf from her book and used small-scale yellow gingham for the facings and bindings inside my dress too.  Thank you for this super pretty inspiration, Lisa!

armhole edge

skirt facing and pocket binding. and hemline binding.  gingham galore, in fact…

For my piece, I decided to make the Wings dress, which is the cover dress of Burdastyle 04/2014; pattern 108.  I’ve previously made this pattern up once, here; and that is one of my favourite dresses to wear, so I wanted to make another one for this summer.

 

I very much like this style of simple, fitted little flared dress, the “wings” have lovely roomy pockets in them which is just the most perfect arrangement!!  and I juuuuuust managed to squeeze my pattern pieces onto the piece!  though doing this took a little bit of placement magic… Like I mentioned in my initial review of the pattern it is quite boxy in the bodice so I slimmed down the bodice by about 3cm from the centre, and also by shaving off some width from the princess seams at the waist…. the design is more slim-fitting up top now but is has plenty of wearing ease enough for me, I think.

 

Also, I forgot to mention this the first time I made the dress, in which I did this exact same thing, but in order to avoid having visible topstitching on the “wings” that outline where the pockets are inside, I interlined the pockets with a light, white cotton voile.  The back part of the pocket, that you see inside when the wings flap open, is the self-fabric.

This little strip of gingham inside the pockets was put there by my mistake understanding the pocket construction … but then I left it in place because I think it’s kind of cute  🙂

Details:

Dress; Burdastyle 04/2014;108 slightly modified, in a slubby woven cotton, slightly spongy and wholly delicious

Shoes; made by me, details here

Clara is such a lovely addition to our family, so fun and full of life and love and doing very well. And growing up fast. I can even take her for walks now without having my arm pulled from its socket

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magnolias

Originally I bought this lovely magnolia print fabric to make something else… but ended up making this random frock  instead.  Spring was coming…and I really wanted something romantic and floral.  I sorta couldn’t picture anything properly, there were false starts… then Mum, Cassie and I had planned another trip to Melbourne this year, to go to the Dior exhibition at the NGV and I became enamoured of something old-fashioned, feminine, of an easy-wearing, pfouffy skirt.  So this is me, realising that.  I feel a bit like an old-fashioned housemaid, like Cinders before the pumpkin, or an Arthur Rackham-illustrated Alice.

This is all good  🙂

I thought I would get a nice picture of my dress at the Dior exhibition… but do you think I did?!  nope! I wore it, but well, Mum, Cassie and I were so busy looking at all the delightful Dior, listening to our audio and ooh-ing and aah-ing so I didn’t even think about it!! however I did notice a few days later that my dress was serendipitously a lovely colour/design complement to the floor in the NGV.

You just have to picture it on there!

Fabric; a stretch cotton sateen from Spotlight.  I went to considerable trouble to make sure the magnolias are scattered randomly and unevenly across the dress with no discernible pattern repeats … even laying the pattern pieces down upside down sometimes so as to avoid too much same-ness.

Pattern; Vogue 1317, a Chado Ralph Rucci design.  I have made this pattern exactly once before, here.  I loved that dress and wore it a lot; but the tight underarm issue due to the unusual seaming with gusset and the cut-on, close-fitting sleeve arrangement, that I discussed in that post, turned out to be quite annoying after all.  You might love the style of a thing, but if it’s uncomfortable then there comes a time where you’re like; why am I wearing this?? … and at one point I had one of those kon-mari urges to do a whirlwind clean out.  I read a good tip somewhere… can’t remember where… that a good way to do a quick clean out of a closet or wardrobe that was stressing you out due to vague feelings of having Too Much Stuff was to walk up to it and just immediately and spontaneously pick out ten things to throw away,right then and there.  You’re not supposed to spend more than, say five or ten seconds thinking about each thing… but just a gut reaction; do I love this? or not really? Because honestly, you know in your heart the answer to that question already and not allowing yourself time to talk yourself out of it does make the process of jettisoning rubbish a lot easier.  Trust me, it does.

So, out it went.  In my opinion the importance of using a stretchy fabric for this pattern should be printed in large bold letters across the front of the envelope.  It’s absolutely fine in a stretch fabric.  Well, of course it is!  Everything’s fine in a stretch fabric!!

the ability to lift your arms up comfortably is always a plus

Mods:

1) I left off all the double topstitching for a clean stitch-less look, finishing off the hemline with bias-cut white voile… I also left off the giant birthday-present bow that ties in the middle of your tummy.  I thought about cutting it longer and wrapping and tying it at the back like I did with my first version, but really the print makes this dress pretty busy enough already, without a belt-y thing as another visual distraction.

2) I shifted the pockets out towards the side seams by about 4cm, just like I did with my first version…  you can just tell the pockets are situated way too close to the centre front, just by looking at that cover shot.

3) and most obviously; I wasn’t happy with the dress how it is here in its intended short version; in fact at this point I took a violent dislike to it and almost abandoned it completely.  A few weeks of despondency passed by, and I was thinking about the Dior exhibition coming up, which let me to think of the Dior shape, which in turn inspired me to add the long ruffle/frill around the bottom….  I used leftover fabric from which I cut random “doughnut segments” and “pieces of pie” shapes, joined them together to make a giant, sorta fluted doughnut… and attached this to a white cotton voile skirt lining

I felt a lot better about the dress after this.

So I’ve worn it several times now… hmmm there I go, wearing things before blogging them, again!! Oh, I also decided to permanently stitch the collar flaps down inside to make it a V-neck.  I just like this look better than the high slit front, in this particular fabric.  Not quite so prim and proper.

The good thing about wearing something before blogging it is that I can, at least report on how it feels out in the wild, so to speak.  I’ve worn it on the beach, to walk my dog, to do housework and the shopping… as well as in amongst the divine Dior.  And I’m happy to say that the delightfully feminine swishiness afforded to me by this dress indeed sparked much joy in my heart, rendering it safe from kon-mari-ing, at least for a while!

Details:

Dress; modified Vogue 1371, in stretch sateen
Shoes (above); made by me and my own design, details here

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kangaroo paws… and making a skirt with a side pocket opening; a tutorial

I made a new skirt using a pretty special piece of fabric… there’s a little story behind it.  It’s a handprinted organic cotton/hemp from Ink & Spindle with a really lovely kangaroo paw motif; designed by Lara Cameron and handprinted in Melbourne… mmmm everything in their range is SO yummy, it was reeeeeally hard to choose just one print…!  I bought a piece and sent half to my friend Lisa of Lisa’s Carolina… she had once shared a piece of lovely Dusk blue Alabama Chanin cotton jersey with me and we made something in the same fabric… and I thought it would be fun for us to do the same with some Australian stuff.  And it doesn’t get much more Australian than this!

Kangaroo paws are the state flower of Western Australian, so an apt pressie for an international sewing friend!  And I thought the colours so pretty and earthy; rich tomato-ey/paprika and warm dusky pink on a natural unbleached background… actually I’ve just checked the site and it’s called “desert red on sand”  Perfect!!  I cannot WAIT to see what Lisa makes with her piece!  🙂

Anigozanthos manglesii… picture taken by me of a particularly nice specimen in our neighbour’s garden.  Kangaroo paws come in many different colours now, however this red/green is our state floral emblem

I got to mulling over what to make with my bit…  a skirt seemed like a good choice for this full-bodied canvas-sy stuff.  I wanted no seams on the front and the back, because I wanted to make the most of the random print, and hunted out an old favourite Vogue 8363, a pattern I’ve used loads of times before.  But I didn’t even want a side zip closure either… then I got the idea in my head to make it to have pockets that perform double duty as the closure of the skirt.  Meaning… NO ZIPS!  I’ve made a couple of skirts like this before and knew this pattern could happily be adapted pretty easily to have this feature…  I’ve written a little tute below in this post on how I did it  🙂

Because this is going to be a summer-y skirt, I left it unlined and enclosed all the raw edges with HongKong binding, using a pale coffee cotton voile from Spotlight.  I also used this for the pocket lining and the waistband lining…

This skirt has taken me the LOOOOOOONGEST time to write a blog post for it… I’ve even worn it a few times…  which is a kinda fail for me since I have this thing that I shouldn’t wear something until I’ve written a blog post about it.  Naughty!  Partly because of my plan for the pocket closure tute, about which I’ve been terribly procrastinate-y.  Well I’ve finally done it now, at last.  Please do let me know if you find this useful and/or helpful… and if you use it of course!

 

How to adapt a pattern to have a side-pocket opening… this is a good feature since it negates the need for a zip AND you get the bonus of pockets, naturally!

skirt map

The pattern I used here comes with a slant-edged pocket pieces and either a CB zip or button front closure so it’s pretty easy to adapt the waistband and method of construction to accommodate the pocket closure.   However, even if your skirt pattern doesn’t come with pocket pieces you can still draw your own pocket pieces and adapt any skirt pattern to accommodate them… as long as you remember this VERY IMPORTANT NOTE:  your skirt pattern MUST be roomy enough in the hips so that you can comfortably shove your hands inside without making the skirt too tight by doing so  i.e.. NOT a figure-hugging body-con pencil skirt.  Though you can of course start with a figure hugging pencil skirt pattern; keep the waistline and just grade the side seams out at the hips to give you the pocket room you need… allow around 12cm at least of extra ease at the hips from a pencil skirt starting point.

My pictures demonstrate a skirt opening at the LEFT hip… for a right hip opening just flip sides!

The pocket (below, at right) has the same top and side edge as your skirt front piece, and the pocket bag (at left) has the slanting opening edge.  This slanting edge should be cut identically on the each of the topside edges of the skirt front itself also… If you’re drafting your own just ensure it has the width to accommodate your hands.  Also, the waistband is going to overlap at the top of the pocket… so cut the waistband piece long enough to go around your waist, plus at least the width of the pocket bag top edge.

For the L pocket only: mark with a pin a point A on both pocket and pocket bag pieces as indicated here, roughly 12cm (5″) from the top edge.

Finish the raw edge above this point.  I have finished mine with a bound HongKong finish, however a skinny hem or overlocking is perfectly fine.

Stitch pocket bags to each side of the skirt front along those slanting opening edges.

Press seam allowance open, grade seam allowances, re-press all seam allowances towards pocket bag, under stitch, press pocket bag under.  At this point, pocket bag and skirt can be basted together along the top edge.

Pin under-pocket piece to pocket bag piece along unfinished curve edge.  Stitch from point A to the side edge.  Note: the R pocket is pinned in the same way, and stitched along the entire pocket edge to the top edge.

Finish seam allowances. R pocket edge can be finished along the entire seam, L pocket must be left open above point A

For a HongKong finish, leave a little tail which can be turned under and enclosed within the binding as shown in the following pictures…

Stitch a bar tack at point A to reinforce and strengthen the pocket opening,

Align the skirt front/pocket bag over the under-pocket, keeping the finished edges together. … and baste all three pieces together along the side seam below the slanted pocket opening. This is the skirt front, finished, at this point join skirt fronts and backs together along the side seams.  Above the slanted pocket opening, the skirt back is stitched only to the under pocket piece for both R and L sides.

Attach waistband to the top of skirt, commencing from the skirt front/L pocket bag edge, encircling the waist and extending past the L side seam taking in the top of the LH pocket piece also.

Hand slipstitch the waistband facing inside in the normal way, and stitch press studs and/or a wide hook and eye on the waistband overlap…

Ta da!!

    

Details:

Skirt; modified Vogue 8363, upholstery fabric; worn with:

(at top)

Drape-y top; the loose draped top from “drape drape”, by Hisako Sato, details here
Hat: Vogue 8844, ivory corduroy, details and my review of this pattern here

  

(below)

Tee; modified Nettie, Closet Case patterns, details here
Cardigan; my own design modifications of Nettie, Closet Case patterns, details here
Raincoat; Kelly anorak, Closet Case patterns, details here
Shoes; made by me and my own design, details here

the skirt is a little longer here… This was its first length and is how I wore it for its maiden voyage… and then I took one look at my pictures and thought, hmmmmm.   I don’t know if it’s just on me, but I find knee length skirts are an instant frumpify-er… I like them to be EITHER a few inches above my knee OR to be full midi length, halfway down my calves, every time I’ve gone for a middling length I’ve regretted it.  Like, it’s gotta be one extreme or the other… but NEVER in between!  I think it’s just right now!

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not another striped tee

New Inari tee, sort of.

I bought this striped fabric from Fabulous Fabrics at the same time that I bought the striped fabric for my zebra striped skirt… that I made nearly two years ago… oops!  I was going to make a matched set.. but I got distracted, as you do and just never made the top.  I have now, obviously.  Finally.

dressing to match your puppy. it’s a thing, ok?

Not sure if the skirt and top look too… er, costume-y together??  Is it just me or are stripes feeling just a shade on the side of… last year?  Not that I don’t like stripes or anything… I DO! we’ve all bought into the stripe-hype that stripes are a neutral and go with EVERYTHING for years now… but everything runs its course.  Not to mention, and speaking  as a seamster, they’re an absolute pain in the bottom to sew.  Crazily; I bought enough of this striped fabric to make a Named patterns Inari tee dress for Cassie, but I don’t think I have the intestinal fortitude to face two entire dress-lengthed striped side seams right now.  I need time to recover.

failing to match my puppy

Modifications: I redid those blasted striped side seams several times… but I think it was worth it in the end.  Behold, attempt number one.  The stripes are all matched perfectly fine, but the V-ness they make as the side seam tapers outwards looks kinda weird.

so I unpicked those perfectly matched stripes, sobbing only just a little bit, re-pinned and restitched.  Hallelujah for the cropped-ness of the Inari!! shorter side seam, naturally; phew.  Now, my side seams still taper outwards some in the spirit of the Inari, but the angle is more subtle, and I just think the way the stripes are now is visually a lot more pleasing to the eye.

My other alteration was my now usual one to widen each of the sleeve hemline and the cuff by a good 10cm (4″) using this method described here.

ON another note; I actually made everything I am wearing in all these pictures, including my shoes… not something that happens all the time now my Year of Handmade is over, but just every now and again  🙂

    

Details: (above, with striped skirt)

Top; modified Inari tee by Named patterns, with modifications, slightly spongy striped knit
Striped skirt (above): Vogue 1247, striped woven, details here
Denim shoes (above); made by me, details here;  these are getting pretty old now, which is making me sad  🙁

Details: (top picture, with floral skirt)

Floral skirt: Vogue 2894, floral cotton lined with purple
Black clogs; made by me, details here

So that’s it!  I decided to wear it with my red floral skirt, for its maiden voyage into the city today to meet my friend J for lunch… the stripes/floral combo still feels fresh and springy to me and I really love it.  Cassie came around later in the evening, coincidentally wearing her little cottages Inari tee that I’d made for her! and mentioned that she really loved this outfit.  Oooh, praise from a daughter; that’s high praise!!

location: Elizabeth Quay, Perth

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10 x 10 challenge; spring

Just for funsies, I decided to take part in the 10×10 challenge, brainchild of Lee Vosburgh of Style Bee and co-hosted by Caroline of Un-fancy … the idea is that you select ten items of clothing that you will wear for the next ten days.   I just heard about this cool challenge recently, apparently it’s been a big thing in the fashion blogging world for years!  I thought it sound like fun, a good way to explore the versatility of your wardrobe, and not something that’s totally outside the realm of what us sewing bloggers do for me-made May and One Week One Pattern, my own 6 different ways roundups that I do, and other little wardrobe challenges that are sweet little diversions in the serious business of getting dressed…  😉

Technically, this round is called the Fall 10×10 but of course it is Spring time for us southern hemisphere-ers.  I checked out our weather forecast and glumly noted that it was going to be all over the shop; we were expecting everything from a cold 18C roaring up to 31C in my ten day quota.  So weather versatility was absolutely key!

I chose for my ten items; 1 dress, 4 tops, 2 skirts, 1 jacket, 1 pr winter boots and 1 pr oxford shoes; all navy blue and white, toasty brown and orange and my acid-yellow dress.  I made everything except for my black boots.  Yes, I could have chosen my own handmade black boots, but I really love my rtw ones so I plumped for those instead.

From left to right, and all items are linked back to the original construction post.  The number in brackets after each item is the number of times it got worn during the 10 days of the challenge:

  1. blue and white check shirt … Burda 7767  I originally made this shirt for Tim; he recently did a wardrobe cleanout and lobbed it back to me.  Score!   (1)
  2. plain white Tshirt with navy blue edging  ….Closet Case Nettie   (5)
  3. tobacco brown silk blouse … MN Sudley  (2)
  4. navy blue suedette blouse … MN Dove  (2)
  5. navy gingham cropped jacket … Burda 10/2009/108  (3)
  6. terracotta pleather skirt … MN Axel  (3)
  7. navy blue mini … Vogue 1247  (5)
  8. acid yellow dress … Vogue 1316  (2)
  9. rtw black boots, Roberto del Carlo, from Zomp shoes  (6)
  10. my handmade white oxford shoes  (4)

Accessories like bags, hats, umbrella, hosiery, jewellery and scarves aren’t counted in your 10 pieces… which is awesome because when you want, nay NEED tights and scarves so you don’t freeze to death, being able to add those things to the ten items helps a TONNE!!

SO!  My outfits for the ten days…

Thoughts:

I did thoroughly enjoy planning my 10-piece mini-wardrobe…  I LOVED my colour scheme and I really love all the pieces I picked and how well they worked together.  I even enjoyed wearing my outfits for like, the first five days or so.  After that I was kinda like; I wanna wear something different noooooow! inwardly whining like a spoilt little brat.  I mean, I loved all of my combinations,  but once I’d imagined them all in my head, then it felt like a bit of an anticlimax to actually wear them.  I suppose I like a bit of surprise and spontaneity when it comes to getting dressed each morning.

On the plus side, there was no need for agonising “what to wear?!” and I could just toss on one of my outfits happily without worrying about it anymore.  I did like the mix-and-matchability of my choices, was pleased it catered for both casual and nice-ish, and was a little sad I didn’t get to wear some of my planned combos due to weather unsuitability.

Several remarked on IG that it didn’t look like many clothes… it’s not! 10 pieces really is quite a challenging restriction.  Laundry alone… well yes that’s an obvious issue too.  I had to do several random “spring-cleaning” washes, just so I could toss in some of my 10×10 items that needed to be worn on consecutive and near-consecutive days.  I guess that’s not a bad thing though, hehe; all my cushion covers and beach towels are fresh and sparkling ready for spring!

Only having two pairs of shoes was kinda difficult too.  My feet often start to hurt a bit if I wear the same pair of shoes too many days in a row … and even though these boots and shoes are both very comfortable, I find that even with the most comfortable of shoes, I still need to mix it up every few days for my feet to really be happy little vegemites.  Exception to this rule: thongs  aka flip-flops but sadly it’s still too cold to wear thongs on the regular.  On that note… COME ON SUMMER!!  oh please excuse me, didn’t mean to shout.  Oh, ok then, I did.  Like everyone in Perth, I can’t stop whinging about the awfully cold and wet spring we’re having and everyone’s desperate for some more summery weather.  We keep getting little tastes of totally glorious sunshine-y warmth but then it reverts back to cold and rainy again.  Booooo!

So, will I do a 10×10 again?  Maybe.  Maybe not.  I’m moaning here a bit, picking out all the negatives, but it was a fun diversion, really.   It’s always a good exercise to explore the possibilities of a restricted wardrobe for a little while.  Almost like a little mini-travel wardrobe!  Oh, except without the fun, actual travelling part, of course, haha.

All said and done, I enjoyed it.  I’ll see how I feel about it when the next one rolls around.

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a tartan mini, and a blue hoodie

o hey!  Spring is definitely springing around here at last! but we did recently have one last gasp-y blast of winter in the last week which inspired me to make just one last little winter-y thing… I haven’t actually worn this new mini yet as per se, apart from taking these pictures! but well, you know, it’s nice to have a brand new thing waiting in the wings for when the next season doth roll back in.

Pattern; ye old fave, Vogue 1247, modified so that nearly all the interesting bits and style lines are removed and leaving it with a bare bones one piece front and two backs… Boooooring!  I know, sorry, but honestly, even without the famous waitress pockets, which I LOVE, the core shape of this skirt is what makes it a great basic pattern… for me, it is the perfect winter-mini silhouette.  Also, the fabric is quite thick, so pockets would have made it all too bulky really  🙂

 extreme pattern matching is my kinda sport…

Also, the usual lengthening by 12cm and full lining.

Fabric; I bought this lovely, pure woollen tartan in Japan of all places… I know! not really a place you associate with tartan, I mean, it really seems like the kind of thing you’d wait for a trip to Scotland to buy.  But I saw it, in a divine little shop called Check & Stripe, instantly fell in love and thought a little mini skirt would be nice.  It was a little price-y, so I only bought 80cm, which is just enough length so I could cut the waistband and then the mini with a substantial hem, just in case I should ever want to add some length back one day.

At first I thought I’d make it unlined and make a separate slip, for versatility in case I should want to wear it without tights… but common sense prevailed, obviously it’s a winter skirt and I would always be wearing it with tights…  so even though I went to the effort of HongKong seaming everything inside I still put in the lining after all.  It is a rather nice lining; a thin, black silk charmeuse remnant I discovered in my stash, during a recent sort through… but I have absolutely zero memory where it came from, though I have a feeling it was a cast-off from Mum.

I used all my own skirt-lining tips, here.

the inside is quite fuzzy and a little felty…

I made the bias-cut binding for myHongKong seams using an olive green cotton poplin from Spotlight, and busted a gut getting all the plaids and everything lined up and matching to the nth degree… it’s funny, once upon a time I mightn’t have been too excessively obsessive about getting the most perfectest of perfect pattern matching that the naked human eye can detect, oh well OK.  I have always been a bit like that! But I do think the advent of blogging and the thought that EVERYONE CAN SEEEEE!!  has ramped it up some, so that even a couple of mm has me hauling out the seam ripper and redoing seams.  THE PRESSURE!!!

 

 

 

  

Details:

Skirt; modified Vogue 1247, wool tartan and fully lined
Top; drape-y top a, from drape drape by Hisako Sato, linen knit, details here
Tights; voodoo
Boots; Roberto del Carlo, from Zomp shoes

OH! and I almost forgot about this dark blue hoodie… I actually made it months ago for our holiday to Alaska/Canada, but when packing I decided two fleece hoodies was overkill and I ended up only taking the hot pink one and leaving this one behind.  I shoved it to the back of a drawer and immediately forgot all about it.  Well, it’s pretty boring, so no wonder…  Recently I found it again and was like O hey! this thing!!  I’d already given the hot pink one to Cassie…well, she looks about a thousand times better in it! and so I’ll keep this one for the unglamorous things in my life like car- and dog-washing, gardening, camping etc…

Just like the hot pink one; this is made using Burda 8042, all materials from Spotlight.  Differences, I made the pockets as patch pockets, and the only matching separating zip I could find was a bit short, so it only zips up about two thirds of the way up.  I really like this partially-zipped look, so that’s ok with me.

The patch pockets; I overlocked the raw edges and then simply top-stitched them on, so there’s less bulk than the welt pockets I put in the pink one.

Here I’m wearing it on its very first outing, which also happens to be Clara’s very first outing to the beach!  She was so cute; growling and pouncing upon the odd patch of old smelly seaweed, being all amazed by the surf, and very excited at the seagulls.  She bravely got a little wet in the shallows and generally bounced about joyfully in her usual puppy way.  I’ve got high hopes that she is going to love beach walking just as much as I do!  Yay!!

    

Details:

Hoodie; Burda 8042, blue fleece
Tshirt; modified Nettie, Closet Case patterns, white cotton mix stretch, details here
Jeans;  Closet Case patterns Ginger jeans, dark blue denim, details here
Socks; knitted by me, details here
Shoes; Francesco Morichetti, from Zomp shoes

location; Eagle Bay, Western Australia

Now that’s all very well, we all need basics blah blah blah, but I got my latest Vogue magazine the other day, which always gets me revved up to MAKETH YE NOT BORING STUFF BUT INTERESTING STUFF… and I’m like, well, how does Vogue magazine make boring things not-boring?

And of course… dramatic pose!  Hoodie equals kinda sporty, so; random piece of sporting equipment!  Socks with heels!!  now that’s more like it… ha!

what would Vogue do??  #wwvd

Wearing it here with my “she wears the pants” trousers, hand-knitted sockies and Pedro Miralles heels… what’s that? am I actually gonna leave the house like this??  I’ll never tell… 😉

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suits me to a tee

So, a new year, a new Refashioners challengelast year we did jeans, this time the thing to be updated is A SUIT.

Most disappointingly, I could find no one in my family or circle of friends to donate a suit to the cause. 😉  Well of course not…  let’s see; these things are a) expensive and b) made to last a lifetime.  It takes a lot for a man to give up his suit. And let’s not forget to mention the biggie; c) suits are usually beautifully tailored things and the very thought of giving one to somebody who is just going to take the scissors to it is a pretty big ask.  I know I wouldn’t give one up either!!

before…

So I went along to the the opshop and bought one.  It was $22.  Even then, I still felt pretty bad about chopping it up, and found myself mentally apologising to the unknown tailor the whole time.  My suit is a Sax Altman: Sax Altman has been making high quality, traditionally tailored suits in Australia using fine Australian wool since 1977.

Just so you know, this is a pretty good innings by Australian standards… It’s actually pretty difficult to find suits in opshops here, men hang onto them forever.  Lots of orphaned sports jackets and some suit pants, but not many matching sets.  I initially honed in on this suit just because it wasn’t black! it is a deep charcoal-y/chocolate brown with subtle blue and grey pinstripes.

the fabric is pretty beautiful…

Once I got it home and had got a good look at it I could appreciate its quality; it’s beautifully made and let me tell you it was pretty darn hard to make that first snip… I’d decided already that I would make something that would honour the original tailoring, and keep as much of the important bits as I could, this one had it all; the interlined padded fronts with hand-padstitching, horsehair interlining, bias cut strips of organza everywhere on the inside to stabilise various areas, taped fronts, and tonnes of inner tape everywhere; sometimes bias cut organza, sometimes a sturdy cotton, sometimes strips cut from the selvedge… these were variously used as stay tape in different spots, hidden inside.  It was all pretty heavily and exquisitely engineered and one thing’s for sure; I could never produce something like this myself!!

What I did: I wanted for the jacket to be quite close-fitted to my shape, so I opened up the lining at the lower back hem and took in the suit jacket through ALL the seams here… the centre back seam, the back princess seams and the side seams, at the same time, I took in the jacket lining through the seams inside too..  I didn’t touch the front darted seams because they ran into the front pockets and altering them would have ruined the integrity of the pockets.  Oh, I’m pretty pleased that I managed to keep EVERY SINGLE POCKET of the original suit… I really didn’t want to sacrifice any, I thought if I absolutely had to I would…  but I managed to keep them all.  THE SANCTITY OF THE ALMIGHTY POCKET MUST BE UPHELD!!!  (kidding)

I removed the sleeves and trimmed several inches off the shoulders, and cut off the lower half of the legs to use for new kimono sleeves, binding the lower armhole with bias-cut wool harvested from a sleeve.

The leg hemline had a really nicely turned up cuff, which I liked, and kept for the new sleeve hem.  I love the new bracelet-length sleeves! if I did have to nit-pick, in an ideal world I think I would have preferred a wider sleeve but you know refashioning, sometimes you just gotta make it work with what you have!

I turned in and stitched a new front opening line for the jacket, making it a long, diagonal straight front coming to a point with a single button closure (above).  I cut so as to remove the lower two buttonholes, keeping the original upper button hole and repositioning the upper button over a bit to give the front more of a “wrapped” kimono-inspired look.

That’s the jacket!!

The new skirt nearly drove me mad…. men and women are not built the same (duh); we women want width for our hips and hemline, and a narrow waistline… men’s clothes are made to be the total opposite.  And also, the CUT! because of course the legs and the fly of men’s suit pants are cut differently against the grainline to how a skirt is cut, this makes it extremely difficult to transform them into a skirt!  Fortunately the trousers were big enough I had a bit of extra width to play with here….  first of all, I took off the waistband and unpicked nearly everything except for the side seams where the side hip pockets were attached.

I removed the old zip which had gotten a little rickety over the years, and installed a new black dress zip.  This entailed truing up the grain lines at centre front and creating a completely new fly and fly shield.

you can just see at the top; a strip of organza that was used to stabilise the waistline… I kept as much of these superb “hidden” structural details as I could, too

I wanted a flat-fronted look to the skirt, so made wide long darts at the front waistline to pull in the extra width there, these I topstitched down on the outside, continuing the topstitching down seamlessly to become stitched pin-tucks down the full length of the skirt front.  This is exactly where the pressed line was for the trousers.

The skirt front is straight, but those back trouser legs are cut so as to curve IN, just where you don’t want them to when cutting a skirt, so I’d cut a triangular godet from the jacket sleeves, taking in the sleeve cuff buttons/buttonholes and the original sleeve hem.  I was a little disappointed that these were fake button-cuffs and can’t be opened… but they still look pretty nice you know, you can’t win ’em all  😉

I inserted the godets in the lower skirt side seams along with a long inverted pleat so the skirt back kicks out over the godet.  I actually love this little detail.

I don’t even want to say how many pinnings and bastings it took me to get this silhouette that I wanted; a flatt-ish skirt front and a slightly flippy skirt back.   LOTS

Finishing up… shortened the waistband, reinstalled it stitched the belt tabs down again… oh and still managed to maintain that little coin pocket that sits right beneath the waistband… pretty proud of myself that I finagled that, hehe: and BAM! finally done!!  A fresh new womanly suit made from an old discarded men’s suit, albeit a rather nice one.  I’m very happy with the long-line jacket with slightly kimono-y vibes and a short, structured-yet-flirty skirt.  I feel like it’s very very me  🙂

And I still had a few leftovers from a sleeve… so I made a bandanna for Clara, and a new little zipped pouch to hold her poo-bags.  *

*it’s the law in Australia that if you are walking a dog, you MUST be carrying  little placky bags so you can pick up after your dog, there’s a hefty fine if you’re caught without them! I just used to tie them on to Sienna’s lead and then for blog pictures would try to hide them because they’re so ugly…   or take her off her lead for a bit… you can see them in an earlier picture here…  anyway I don’t know why I didn’t make a little bag like this aaaages ago!

I used an old zip and attached a jump ring and a little swivel clip so it can clip onto her lead.  The swivel clip was a leftover from when I made my winter boots… they’re not terribly robust so I plan to replace it with a mini carabina when I can get hold of one.

The only new things I used for this refashion were: thread, the zip in the skirt, and the zip, jump ring and swivel clip in Clara’s bag.  Not too bad!

Details:

Jacket and skirt; my own design, finagled from an old mens’ trouser suit
Bodysuit; the Nettie by Closet Case patterns, from paprika stretchy stuff, details here
Shoes: Misano, from Labels boutique

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Sydney jacket

have you guys seen COLOSSAL… ?

Bet you can’t guess where I am here…   Yeah, I know, it’s a tough one.   Some locations are just so obscure and far off the beaten track, but I do like to seek out these especially quiet and sleepy, tucked-away little spots to highlight here on ye olde blog…  GO me.

Yeah, so I’ve made a Sydney jacket… I bought the pattern from Tessuti’s in Melbourne back during my March trip away there with Mum, Cassie and my niece Tiffany; and have finally got around to giving it a whirl…  I think I first saw this design on Sue, at one of our meet ups and was instantly interested.  It’s a pretty nice design with a true shawl collar and not just your usual body with two set in sleeves.  This is like my wearable muslin, if you like.

I used a very blankety-like wool-mix from Spotlight, which I think is definitely a lot more “mix” than “wool”, haha! but that’s fine by me!  I tossed it in the machine when I got home and it washed up beautifully, absolutely zero shrinkage and just a bit of light “fluffing”, which was equally ok with me; in fact any and all fluffing is totally welcome in all my winter clothing, thanks.

I agonised for ages over which side to use; one side was more vibrant but “flatter” with a more pronounced twill to its appearance; the other side is fluffier, and with more muted colours.  I loved both sides equally! and couldn’t decide… finally I asked Craig and Cassie to choose for me.  They both voted vibrant OUT, fluffy IN.  Hurdle number one; cleared!

It’s a lovely fabric really, warm and cosy and with that richly colourful blocky weave, the perfect drape;  and I loved the idea it for this particular jacket pattern… however! the Sydney instructions have a big bolded announcement on the first page… IMPORTANT: Not suitable for woven fabrics that fray when cut  What is my chosen fabric? only like the most fray-able of fraying fabrics ever invented by mankind. Typical of me, so stubborn.  I’m like… Oh, I’m not supposed to use a fray able fabric?  JUST WATCH ME THEN mwahahahaha.

Solution; I edged the visible raw edges with bias binding… oh I’d bought a mid blue poplin for my bias binding, but it was a bit bright.. so I sludged * it up nicely with a bit of iDye in Brown, to make a nice deeper dirty blue; a much better colour for my fabric.  I think it turned out a rather nice match!

Hurdles two and three; cleared!

new colour, with scrap of the original colour on top…

*”sludged” as a verb. along with the associated adjective “sludgy”, are technical terms used a lot around here… where Brown dye is employed liberally and frequently to tone down the overly bright colours beloved by commercial fabric designers and that form about 99.99% of commercially available fabric, so they better suit those of us who look hideous in said brights.

What else is there to say?  I lengthened the sleeves to bracelet length… I really like them at this length, and even though I wasn’t very serious about it at first I absolutely love my jacket now it’s finished.  It’s rather Lagenlook, yes?  I’ve worn it two days in a row since I finished it… and that’s just about unheard of for me! who pretty much has to mix it up some every day… There’s just something about this rather simple yet inherently dramatic style that prompts the adoption of random flamboyant poses.  My enthusiasm for photoshop going only so far, you’ll just have to imagine the appropriate backdrop in each case…

exhibit A, supersleuthy spy… the scene: nighttime; the main gallery of the Louvre in Paris, a dim light glistening off the polished parquet floorboards, while painted masterpieces look on silently

exhibit B: busy woman-about-town hailing a taxi on the streets of some mega-metropolis no, not in her garage, oh no not at all) the scene; outside the New York stock exchange, close of business, important business-y types milling about on peak- hour sidewalks

exhibit C: Victoria’s Secret model strutting down the runway.. except she forgot her wings and is instead clad in rather unsexy but warm, warm winter woollies in lieu of the cute little bejewelled bikini.  Or alternatively; Rio de Janeiro’s Jesus… or a tightrope walker…

Because the wrong side/underneath of the fabric shows around the neckline I applied the bias binding on the inside of this centre back seam here instead… it’s not super visible, under my hair and all, but you know… I made a little hanging loop too…

So that’s it!… oh wait, one last thing to add; and that’s my method for dealing with a frayable fabric in a pattern that calls for un-frayable fabric.  In this pattern the seaming is the simplest method possible; seams are formed by overlapping the raw edges and simply topstitching in place… and using my method you first bind the upper raw edges with bias tape, so you end up with all the seams thus highlighted throughout.

First step; overlock the raw edges of the underneath edge…  the bias binding will be applied to the upper edge only.

Cut bias binding strips 2.6mm (1″) wide… this allows for a seam overlap of 1cm (3/8″) For patterns calling for a wider overlap, the same method applies, just cut the bias binding strips correspondingly wider i.e., for a 1.5cm (5/8″) overlap, cut bias binding strips to be 3mm (1 1/4″) wide.. etc.

Stitch bias binding to the upper side raw edge in a 6mm (1/4″) wide seam.

Press over and around to enclose the raw edge.

Position the upper side edge over the underside raw edge, with the overlocked edge even with the bias binding edge.  This corresponds to a 1cm (3/8″) overlap, as required by the pattern.

Topstitch the two pieces together by stitching in the ditch, or if preferred, just inside the bias edge.

Topstitch a second time, with a second pass of stitching a scant 3mm (1/8″) just inside the folded bias edge of the upperside.

For the opening edges, lower edge and sleeve edges; I simply applied the same bias binding and slip-stitched it down inside just like a regular bias-bound edge…

Voila!  Jacket made the same way you’re supposed to, and using the forbidden fabric to boot!  Ha!

Details:

Jacket; the Sydney jacket by tessuti patterns, wool-mix blanket fabric from Spotlight
Top; twist top from Pattern Magic by Tomoko Nakamichi, green stretch, details here
Skirt; Jade skirt by Paprika patterns, in red stretch knit, details here
Tights; self-drafted, details here and my tutorial for making your own custom-fit tights pattern here
Boots; Roberto del Carlo, from Zomp shoes

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