Category Archives: Sewing

better black shoes

black oxfords So, black Oxford shoes, mark 2.  This version was made with the help of my beautiful new lasts!  Or I guess I should say, old lasts?  ha.

lastsDesign, my own, based upon a classic Oxford shoe style.  My tutorial on how I made my shoe pattern is here.

Materials:  black pleather from Spotlight, leftover from my moto jacket.  I would describe this as butter-y soft, but of course since it’s not real leather that just sounds a little pretentious, non?   Lining in faux chocolate suede, leftover from my chocolate suede top. Rubber for soles and heels, contact adhesive, PVA glue from Bunnings, , insole and shoelaces from Coles.  Toe puffs and heel counters created from stiff, non-fusible interfacing and stiff cotton denim, and lots of PVA glue!

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Method:  I’ve been watching lots of online shoe-making videos.  I’ve particularly enjoyed Andrew Wrigleys’ youtube series on How to make a Shoe by Hand, absolutely brilliant.  I enjoyed this more than any blockbuster movie I’ve seen in a long while!  Even though I don’t think I would ever go to that level of internal engineering when it comes to my own shoe-making effort, it was just fantastic to see a a traditional process broken down, step by step.  Honestly, mind blowing.  If you’re at all interested in making shoes then it’s a must-see.  Many times I was just speechlessly shaking my head in awe and admiration, reflexively muttering “oh my god” and will never ever EVER complain about the high cost of a shoe, EVER AGAIN!!

I also found Marcell Mrsan’s video Basic Shoemaking Method – the Cemented Construction to be particularly useful for my own project, as my own efforts run more to the cemented/glued approach as opposed to the traditional method of completely sewing a pair of shoes.  I was going to say the lazy way, but naturally making one’s own shoes could never be described as a “lazy” thing to do!

DSC_2649Detailing:  I sewed the outer and lining layers right sides together, and turned them right sides out.  Then, using black embroidery floss, I topstitched by hand around all edges in a long running stitch, in a way that a very narrow ridge of the faux suedette shows all the way around the edge, as a kind of faux piping.  I absolutely love how this looks, peeping  out  🙂

My shoe puffs and counters; in both videos they are using leather and some form of starch; I researched this a little bit more and learnt that PVA glue is also often used as a fabric stiffener too; I had plenty of this on hand so went this route.  I made mine using stiff, thin, non-fusible interfacing, and some stiff cotton stretch denim, leftover from my Ginger jeans.  And lots of PVA glue!  The first layer of interfacing was glued over the lining, then coated itself with PVA glue, then I stretched a denim layer smoothly over this.  I allowed this all to dry, then snipped and glued down the underneath, allowed this to dry a little and then trimmed and shaved the folds underneath down nice and as smooth and flat as I could.  Similar to what they call “skiving” in leatherwork, but I don’t know if I can rightfully use that word for fabric?  More like I was just trimming away bulk and bumps.  Last step was to coat the topside  of the denim with a smooth layer of PVA glue, and allowed this to dry overnight, with the outer flipped back out of the way.  This has done the trick beautifully, and my toe puffs feel just perfect, hard and stiff and very unlikely to cave in.  I made the counters in the same way.  It was very helpful that my denim has just a little stretch, which enabled me to pull and stretch it nice and smoothly around my lasts.

Note; these are the toe puffs for my NEXT pair of shoes… but they look pretty much the same as the ones in these shoes  🙂

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I didn’t glue the outer and lining together, so the middle bit, what they call the “waistline” is quite soft and not very stiff.  This feels very comfortable and I think it does give the shoes that “feminine” look.  I like it as a nice change although maybe the shoe overall could have used that little extra bit of stiffness that the glue gives.

As usual, I covered some insoles with the chocolate suede lining fabric.  This is so soft and tough, and just perfect for lining!  I’m using it for my next pair too  🙂

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Thoughts ;  I’m actually fairly pleased, I think they turned out quite elegant, especially when compared to my previous Oxfords!  These feel more stepping-out-worthy, and even like I wouldn’t be horrified to wear them in public, dare I say it.   Ideally I would like the heels a little higher, but this height is fine really, and will be very practical.  To get a higher heel I’m starting to realise I would need a different set of lasts … o man, the need for and accumulation of more new equipment continues… *sigh*

I’m extremely happy with my hand-stitched detailing, I just love the handmade look of this.  I’m preeeeeetty happy with the finishing although, obviously, it’s still not to the level where I would like it to be.  But I’m starting to realise this could be a lifelong lament.  😉

Note, I still have not cut into any of my actual leather!!  What a wuss, eh?  It feels too scary.  I’m still not ready.  I feel like I’m working towards that… like training for Mt Everest or something, ha.

Anyway.  Ever onwards and upwards!

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gathered pocket; a tutorial

gathered pocketThis gathered pocket sits inside and at the side edge of a loose-fitting garment such as an unfitted dress or tunic top, and can be adapted to go in a loose, flowy skirt also.  It is best suited to lightweight fabrics.

Firstly, making the pattern pieces…  start with an A-line dress pattern.  I used dress R from the Stylish Dress Book by Yoshiko Tsukiori; which has gently A-line side seams that curve outwards towards the lower hemline, but this design would work equally well for a straight, diagonal side edge too.

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For both front and back pieces, both sides, draw in the above, straight lines;

blue line:  starting from the the innermost point of the armscye curve, vertically straight down to finish at the level where you wish for the top edge of the pocket to hit.  As a rough guide I find around 5cm (2″) above hip level to be generally a pretty good upper pocket point.

green line: horizontally, at the level where you wish for the top edge of the pocket to hit.  The “bagginess” of your pocket is a personal choice; as a guide; my green line is 15cm (6″) in length which coincided with the degree of “flare” of the dress at the hemline.

red line: vertical line from the outer edge of green line, straight down.  This is the new side edge of the dress/top.

orange curve; from the blue green intersection, draw a gentle pocket curve to intersect with the original side of the dress edge.  As a guide, I made my pockets 20cm deep.

purple line: vertical line from the lower edge of the pocket, up to the green line.  This is the centre fold on which you will cut the pocket piece.

The grey lines of the side front and side back represent the original lines of the pattern pieces.

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These lines define the new pattern pieces as show above; at left is the new side edge of the dress front and back, now defined by the blue line, green line and red line.  Only one side is pictured, if you want the pocket to be on both sides then obviously cut this profile both sides of the garment.  Side fronts ( 2), and side backs (cut 2) are defined by the blue line, orange curve and the original side edge (grey curve), and pocket pieces (cut 2) as defined by the orange curve, with a centre fold along purple line.  Remember to add seam allowances!

warning; hideous fabric alert… my apologies.  This blue stuff was a handy small scrap,  I also used black thread because I didn’t bother to change the thread in my machine  it stands out and can be clearly seen against the blue fabric…   🙂

 

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Also, for the drawstring ties cut 4 strips of lightweight fabric on the bias; Mine are each 41cm (15 1/2″) long by 2.5cm (1″) wide.

Construction:

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Pocket drawstring ties;  stitch the long edge and turn right side out.  My tips and method for turning out skinny spaghetti strap ties can be found here

(below L) Stitch front and back together along the red line, press open.  Stitch side fronts to side backs along side edges, press seam allowances open.

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(above R)  Stitch side front piece to front along the blue line, finishing at the top edge of the pocket.  Repeat for side back piece to back.  Clip to end of stitching, press seam allowances to front/back.

(below L) Run a long, gathering stitch along the pocket opening stitching line (green line).

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(above R) Pulling up this gathering stitch slightly to fit, stitch a pocket piece along the pocket top edge in two separate lines of stitching, leaving a short 2cm (7/8″) gap in the centre between the two.

(below L) Turn pocket piece to the inside and gently press along stitching line.

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(above R) Inside, line up pocket lining and side front/back piece along the curved lower edge and stitch together.  Finish pocket seam allowances and side front/back seam allowances if desired.

(below L) Pin the pocket piece to the dress along the top edge of the seam; and, keeping the side front/side back free, stitch together with a row of stitching 1cm (3/8″) in from the top edge.  Effectively creating a 1cm width channel  between dress and pocket.  Insert a tie into each side of the channel, starting from the gap and coming out at each end.  Apologies for the scraps of yarn used in this little blue sample pocket, for the real thing I did make proper turned out bias strips, really!

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(above R)  Secure the tie ends in place by stitching a few passes of back and forward stitching on the outside of the dress, through all layers.

With the ties, pull up the excess width of the pocket edge to fit and tie in a sweet bow or whatever.

And done!

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Thank you to everyone who expressed an interest in how I made these pockets;  I hope this is a useful and/or interesting tutorial.  If you find it so then please leave a comment and let me know.  🙂

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light as a cloud

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stylish dress bookI’ve made a softly floaty blouse  🙂  of course just as summer is on the way out… o no, wait, actually summer is over! However we’re still getting days of 40C.  Not that I’m complaining, mind you.  I love the warmth!  Only thing is that I’m getting tired of all my summer things thus the decision to make a new summer thing, ha.  #seasonallyinappropriatesewingforthewin  It’s light and pretty and easily breezy; and delightfully cool.  I fully expect the weather to turn cold now.

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Pattern; based upon dress R from the Stylish Dress Book, by Yoshiko Tsukiori.  I’ve always had luck with the patterns from this book.  But this time … well the pattern is for a short dress, and it’s quite pouffy too, and in this particular fabric it looked just like a nightie! eeeek! this fabric is far too lovely to be a nightie! So I gave it just a little chop and now it’s a top.   Much much better like this… I had also added some rather interesting gathered side pockets to the dress and managed to keep them perfectly intact.  I pinned this picture of a gathered pocket a while ago and have been itching to have a go at incorporating it into a design at some time… And I have! with an added drawstring.  I decided the drawstring was needed with this embroidered fabric, it felt kind of lacking without it.

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Fabric; a rather gorgeous fully embroidered Japanese silk/cotton, bought from the remnants table at Potters Textiles, years’ ago.  Probably about four years ago.   Fully embroidered with a floral motif, the background is very light and fine, quite sheer actually; so a full and voluminous design is just the ticket.  The yoke and bias cut ties on the pockets are ivory crepe from Fabulous Fabrics, cut from the leftovers of my studio faro dress.

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Modifications; Shortened to be a blouse.  Also the front and back are supposed to be gathered into the yoke… I tend to steer clear of gathering.  Instead I folded the excess width into box pleats.  There are four at the front, evenly spaced and close to the centre front, and one in the centre of the back.  And I added those two gathered pockets at the sides.  I love the design of these; interesting and practical, and pretty too without being excessively twee, and they’re a little bit different from your average inseam pocket and patch pocket.  I think they add a certain visual “something” to the top that it needed.

I’m thinking of writing a tutorial to show how I made them…  coming soon  🙂

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Details:

Blouse; based upon dress R from the Stylish Dress Book by Yoshiko Tsukiori, embroidered ivory silk/cotton
Shorts; Burda 7723, green cotton gingham, details here and my review of this pattern here
Thongs, made by me, details here

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black Oxford shoes, with pinking

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I’ve made another pair of shoes.  They’re a bit shonky, dodgy and clutsy, and clearly home-made, particularly those rough n’ ready heels, but y’know what?  I LOVE THEM!!!

Pattern; classic Oxford shoe style, drafted by myself; my tutorial for drafting your own shoe pattern is here.

Fabric; black faux leather from Spotlight, lined completely with very dark navy cotton denim from Spotlight, the two layers are lightly glued together with PVA fabric glue.  Rubber soles and heels cut from black rubber matting from Bunnings, two layers of cork inner sole linings from an old set of placemats, black eyelets from Spotlight, black shoelaces and foam inner soles from Coles.

Details:  I whimsically pinked various pieces of the shoe, not sure if this looks cool or just emphasises the homemade quality, not in a good way, mind you, but meh, it’s done.  Actually there’s a little bit of a pinked theme throughout the shoe and the detailing…

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Pinked edges to the vamps and upper edges, and below, the little bit of pleather that covers the centre back seam has a pinked edge too.

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Inside; pinking to the edges of that half-circle of denim at the back of the shoe… this contains the counters, which are bits of stiffening to keep the back of the shoe stiff and standing up straight.  DSC_2691

Confession time, I cut my counters from milk bottles… yep, household rubbish; whoops! am I going to be booted out of the cobbling club now?!   😀
Well, our milk bottles here are made of a strong, sturdy plastic that I thought is totally perfect for this purpose… it is stiff, strong, pliable, can be cut very easily, coaxed into a new shape fairly easily and holds the new shape well too.  And of course; free! since it’s rubbish.  What’s not to love?

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I covered the inner soles completely with the same denim so they match and blend in with the interior nicely.  The inner soles are removable, ie. not glued down inside of the shoe.  Inside the shoe you can see the long nails that I used to secure the shoe to the sole and heel… Not seen, but between shoe and sole there are also three shorter tacks holding the sole to the heel along the straight edge of the heel.  I did this because I knew this heel/sole joint would be the weakest point in the shoe most prone to coming apart under pressure.DSC_2687Sizing; they are moulded to my own feet, so obviously the sizing is good on me.  They are sized to fit my just-slightly-larger right foot.   My feet are a touch wide compared to the average so the shoes look a little wider than most you see in the shop;  actually I was so worried about making them too tight I think I overcompensated and made them just a touch loose… ! This is ok though, since I’ll need to fit warm winter socks in there at some point and at least they are very comfy and totally not tight!

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How do they go with socks?  Phew, they still fit.  Yes, I knitted these socks too…

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Technique and finish-wise; far far far from perfect but I’m still pretty happy.  Actually, all was going swimmingly in the beginning and I was very happy with them, then ran into difficulties and self-doubt, decided they were crap, almost threw them in the bin a few times; realised that, contrary to what it says in my book on shoe-making, shoe lasts are actually INDISPENSIBLE to shoe-making… then things started to look up and I got a bit optimistic they might even work out ok.  Limped in to the finish line in the end, in spite of a little glue splodging mishap on my nice black binding which downgraded my happiness factor considerably.  *sad violin*  and resulted in a decision to use my “failed” stacked heels rather than my good ones.  Those, I’m saving for the next pair.

heels a bit nasty… but trying not to beat myself up over it

DSC_2681Yes, there is a next pair in the works, sneaky-peeked here on IG;  I’ve constructed the uppers already and have found and ordered a pair of shoe lasts.  We’re all just in a state of suspended animation, patiently waiting, waiting, waiting; just for those lasts to arrive.

HURRY UP, LASTS!!!

Final thoughts: pretty bad really, but they’re quite tough and totally wearable, even though not pretty.  Let’s just say, I’m embracing the homemade look, ok?!  😀
I’m anticipating that these ones will be hardwearing workhorses during winter; everyday things that I can just chuck on for day-to-day everything.  I think they could even look quite cute with tights and my little winter mini-skirts, a go-to winter uniform for me  🙂  At least I’m starting to get some confidence that I may just actually have a small range of wearable winter shoes for my Year of Handmade.  Woot!DSC_2632

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dark chocolate suedette

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I’ve made a new little top.  And I’m so happy with it in my outfit! far more than I thought I would be  🙂  Making the little top was almost a spur of the moment thing… see, I’m going out tonight and a few days ago suddenly started to think seriously; what smart/casual outfit with shoes would fit my Year of Handmade?  I’ve got tonnes of lovely dresses but didn’t think any of my current handmade shoes would cut the smart/casual mustard with any of them… aaah first world problems!  anyway long story short; bit of brainstorming later and dreamt up this outfit.  Had the skirt and the shoes already and just needed the top to pull it all together and be the icing on the cake… or should that be the chocolate topping on the cream?  Probably.

 

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The neutral colours with a variety of textures in my outfit are very pleasing to me: the suede-y deep chocolate brown vs. smooth glossy creamy-ivory satin skirt, vs softy fluffy chocolate and ivory felt in my shoes.  And smooth pine for the base of my shoes.  I feel rather modern and new-age cool.   Almost trendy.  LOL!  Yeah, funny thing; it’s been a long while since I’ve felt this sharp in my handmade clothing!!.

The fabric in my top is faux suede, from the Fabric Store in Melbourne, bought during a trip there with Mum and Cassie.  I have loads left too… not a bad thing since it’s kinda gorgeous!

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Pattern; Crop Top 127, from Burda magazine 2/2015.  It’s quite a cute little design, boxy with lots of straight choppy lines long and dramatic diagonal darts at the front and boxy angular sleeve seams.  And then the smooth curve of a high-low hemline to break it up.  The bias-finished armholes and neckline are clean and neat.  I do like a bias finished edge!  I used black cotton for this since I didn’t have any chocolate brown.  The top as per the magazine is completely open at the back! instead I chose to seam mine, leaving a slit with a little button and loop closure at the top.  I covered my embroidery cotton loop with tightly spaced blanket stitching along its length, so it’s strong and neatly finished.

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Adjustments; the pattern is in petite sizes, and in the past I’ve found that the Burda petite bustline sits just a little high on me … I lowered mine very slightly just by making the dart shorter.  I also added 6cm in length to the bottom hem all round, because it looked like it was going to be a tad on the too short side.  And I’m so glad I did!!!  It would have been waaaaaaaaaay too short on me!   Even at this lengthened version, I feel in constant danger of exposing the underthings.  Have to be careful not to lift my arm up too high!  I’m wearing my mocha Sierra bra though, which I  think is a good fit for this expose-errific top… why? because it’s brown, and quite a longline bra and also since I made it very very plain it actually reads more like a cropped camisole than a bra, if anyone happened to glimpse it.  So I’m glad I’ve got that already too.  Honestly, everything in the outfit matches just like they were all made intentionally to go together.  I feel very harmonious  🙂

Smart casual outfit? that pleases me? fully handmade? Tick, tick, and tick!

Details:

Top; Burda magazine 2/2015; 127, chocolate brown suedette
Skirt; Burda magazine 02/2014; 106; cream satin, details here
Shoes; handmade by me in wool felt and pinewood, details here

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cherry red sneakers

cherry senakeres1Woa, crack out the sunnies!  So, my second pair of sneakers.  Bit bright, eh?!

Pattern, drafted it myself.  I’ve written a little tutorial on how I made my pattern, coming soon.

Fabric; cherry red cotton corduroy, bias binding; a red small-print floral.  Both these fabrics from my mother’s stash when she did a clean out a while back.  Black bias binding that goes around the bottom edge; made from some quilting cotton from my stash.  Black eyelets from Spotlight, black shoelaces from Coles.  Inners; cut from an old yoga mat, stabiliser cut from thin cork (old placemats), rubber soles (matting from Bunnings).  Glue is all-purpose PVA from Bunnings.

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Construction; stitched the uppers together first, stitched them to a corduroy “sole” with a wide border (above).  Padding: glued corduroy to bottom of the yoga matting inners cut to fit, trimmed off the edges.  Glued the shoe upper to the padding, wrapping the wide border down and under, snipping around corners, glueing it underneath.  Glued a thin cork sole cut to fit underneath.  Black bias binding, folded and pressed upper edge, left lower edge wide and raw.  Glued folded top edge of binding around the bottom edge and folded under, snipping around corners and glued the excess width underneath the cork. Last thing; cut and trimmed the black rubber sole to fit, glued it underneath. (below)

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As far as the construction of these ones goes, I’m satisfied.  They’re tough, and will hold together just fine, and they work.  Meh, *shrug*   All in all, they’re ok, and not a fail.cherrysneakers2

However, my materials; yoga matting is not an ideal inner sole, really.  It’s been good to play with, for learning purposes; but I think it’s time I shopped around for something more sturdy and hardwearing.  And I’ve discovered it won’t glue properly to anything other than fabric.

Anyway, here’s the thing; I reeeeeeally want to move onto some of my better materials, like my precious small stash of leather, for instance.  My ultimate goal is to make leather shoes for winter.  These last two pairs of shoes have actually been but mere trials.  And tribulations…? debatable!

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floral sneakers

floralsneakersHello!  I’ve made some more shoes!  floral sneakers.

Now, I have to admit; they may look kinda superficially cute at a distance, however close up they’re a bit of a fail.  I’m considering them a wearable fail though, since they’re all stuck together firm and good, glued up to the hilt and are not going to fall apart in a hurry!   So all is not lost and I will wear them for casual knockabout events when it doesn’t matter if your footwear gets dirty or ruined.  We all have those events in our lives, right?  I’m sure plenty are going to crop up in my Year of Handmade.

I have learnt a lot making these… primarily the optimum order in which one should put together a pair of sneakers…. but first things first…

Fabric; a small leftover scrap of floral upholstery fabric, maybe barkcloth, from my grandmother’s stash, given to me after she passed away.  It’s pretty cute fabric though, and I have just enough left to cut out the pieces for another pair of sneakers should I desire to revisit this exact same look. Which I probably shall.  Bias binding for the edges and for the strip around the base of the sneakers is unbleached calico.

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Design; drafted by me, copying a pair of sneakers I have already.  I thought I’d got the design not too far off, but will make some adjustments for the next pair.  I’m not even bothering to put laces in these ones.  They stay on my feet fine without laces so I can still wear them.  I’ll save my bias cut spaghetti strap laces for when I make a good pair  🙂

Details; the bases are cut from an old yoga mat, and my first step was to glue those strips of calico along the side edges…  this was my big BIG mistake.  I would NOT fabric coat the bases so early next time, it made it hellishly difficult when it came time to glue to uppers to the base.  Also, the bases turned out to be a little too big for the uppers and the fact I’d “finished” them meant they could not be trimmed down.

Sewed together the uppers, all fine… sewed them to the lining pieces right sides together, turned them right sides out and glued it to the bases.  Next time I would sew them together, wrong side of upper to right side of lining and turn the edges under before glueing to the base…  I think that could be a better thing.  Then, and only then! add the finishing strip to the outside edge of the sneakers.   The last step is to add the soles.  I used thin cork, cut from an old set of placemats.

Well, we certainly live and learn!  All in all, it was a bit of a mess, but I pushed on and finished them because I wanted to see how the fit and design would turn out.  I’m actually very happy with the fit, and the design is in my opinion 90% there, I will just make a few minor adjustments for the next pair.

At least I have a pair of don’t-care sneakers that are wearable and not too precious to get out and about in.

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a shearling jacket

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As sneaky-peeked previously; my shearling jacket, and mamccalls5276n, I’m so happy with it!!  It turned out just exactly how I hoped, and was the most wonderfully cuddliest, comfiest thing to have with me in our recent visit to Japan; I loved bundling up in it each day in Tokyo and used it as a snuggly rug while on the plane…  without a doubt the warmest coat I’ve ever made formyself, evah.  Like wrapping myself in a fluffy blanket, and I was perfectly snug enough even in the subzero temperatures of Hokkaido.
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Obviously, and with my usual attention to weather appropriate sewing ahem, I chose to get started on this super fluffy thing during the most heinously hot heat wave… 42C anyone? phew, try-ons were hideous.  Seriously I question my sanity sometimes.  Well, lots of times actually 😉   Anyway it was all worth it in the end, since I’m quite chuffed with how it turned out.

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What is it about making jackets that is so enormously satisfying and fulfilling? I don’t know exactly why, but I always find jackets, and dresses too, to a slightly lesser extent; to be the projects that give me the biggest of happy warm fuzzy buzzes… 🙂

P1130064wrt this one; well I’ve wanted to make a shearling jacket for oh, about ten years now.  Ever since the first time I clapped eyes upon one belonging to our friend S; a colleague of my husband’s who is always super suave and cool and has a slightly alternative, very hip and happening taste in clothing.  He owns a beautifully thick, oversized shearling jacket that he’s had for years and years and trots it out every winter once or twice.  Every single time I see it I’m struck all over again by how awesome it is and have harboured a secret desire for one of my own…

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I bought the faux shearling from Spotlight and the burnished, dull metal buttons from Fabulous Fabrics.  The pattern is loosely based upon McCalls 5276, a pattern I’ve had for years but only muslined once and not got any further… oops!  I pretty much chose the pattern  just for the collar alone, since I wanted that big oversized 70’s lapel collar on my jacket, but not much else.

My alterations included;
Body and sleeves slimmed down and lengthened somewhat.
Welt pockets added as described here,
Belt and belt loops added.
I also fine-tuned the front edge and collar to have it so I could happily wear it in a variety of ways… a) open, cardigan style b) buttoned up halfway with the lapels flared, c) buttoned up to the neck with the collar laid down in a peter pan style, and finally d) with the collar turned up and buttoned up right to the very top in a funnel-neck style.  Also, having the belt tightened or hanging loose adds to the wearing options too.

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Because I was using a shearling obviously I left off all facings and all edges are left raw.  When working out how to seam the pieces together, I checked out a pattern for a shearling jacket from one of my Burda magazines… which mentioned overlapping some edges to be joined and top-stitching the overlaps to minimise bulk.  So; I overlapped the shoulder seams in this way, and also the collar-to-neckline seam.  The other seams; namely the sleeve, side and armscye seams are sewn right sides together in the conventional way.

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Even though I used the McCalls collar, I still cut it a bit bigger on the edges – just in case!!- never forget the golden rule of sewing… you can always cut away but you can’t add it back… EVER!!!  And then trimmed it here and there to allow it to sit how I wanted it to look, to fit how I was imagining my collar.  I’m particularly pleased with how the collar looks when buttoned up to the neck like this..

IMG_9976I made the sleeves extra long, so I could turn them up and have a woolly “cuff” on the sleeve ends, and also made wrist strips.  These are sewn to the sleeve, then wrapped around and buttoned to themselves.  The seam allowance of the cuffs are topstitched down for a neat look when they are turned back, and then I stitched-in-the-ditch of the sleeve seam down to the sleeve so the cuffs stay folded up permanently.

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P1130073Welt pockets: my tutorial for how to do the welt pockets is here

Buttonholes: I’ve written a separate post detailing how I did the buttonholes here, so as not to clog up this post more than it is already!  aaaaaagh! picture overload!!

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In summary; I thoroughly enjoyed having and wearing my cosy new jacket in the subzero temperatures of Japan, and now we’re back home…. and it’s 35C… lol! so it’s off to the back of the wardrobe with this fluffy hulk of a thing.  See you again next winter, you snuggly bundle of cosiness!

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Details:

Jacket; my own design based loosely upon McCalls 5276, faux shearling
Top; the twist top from Pattern Magic by Tomoko Nakamichi, in ivory ponte, and in charcoal ponte
Jeans; Burda 7863 modified to be flares, in ivory cotton denim, and made as regular bootcut in black cotton corduroy
Gloves; hand knit by me in 4ply charcoal merino, details here
Socks; hand knit by me in Noro 4ply, details here
Shoes; Francesco Morichetti, from Zomp shoes

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