Tag Archives: Own Design

I made a little red top

… hot on the heels of my turquoise skirt, I whipped (k-chshhhh!) up a little top!

This is made from the leftovers from this little skirt, that I wore to near-death last year.  I still have that little skirt actually, but don’t wear it as much nowadays.  It needs replacing, to be honest  #plotting …  Early on I was like, sure I have plenty of leftovers for a little top! story of my sewing life, actually.  You know, it always looks like a lot of fabric, and then once you lay down your sleeve piece, which is far bigger than you thought, always, then it’s not quite so do-able.  Anyway, I did manage to get a little top out of it in the end, but it’s a little on the cropped side and the neck is more turtle than my originally planned cowl.

But I still love it!  I think it’s cute and it’s one of my favourite colours.

The most exciting thing to me about the top is actually these other photos of it… I’d taken it down to Bridgetown when I went down for a few days, for Mum’s citizenship ceremony…  and one day I took some pictures of it for my daily outfit blog.  And unknown to me, while I was taking pictures, a kangaroo crept up there into my background.  How cool is that?!  A wild animal!  This is an absolutely first for me, even though roos are pretty common around Mum and Dad’s house they’re usually so shy! Though, this particular one is not extremely shy actually; she has a new joey and just seems to be taking it easy for a while, she’s been hanging around the house area, not venturing very far and sleeping for much of the day.  But I still consider it pretty lucky that she moved into my pictures!  Thanks, darling!

Oh, whoops, forgot to mention some of the all-important sewing deets; fabric originally bought from KnitWit, and the pattern is mostly self-drafted rectangles, except for the armscyes and sleeve caps for which I used Burda 4/2014;111 … only chosen because I just so happened to have it out to cut out a new one.

This is Thing 7, from my “new year’s resolution” collection of 12 that I set for myself:

Details:

Top, mostly self-drafted, sleeve caps and armscyes from Burda 04/2014;111
Skirt at top; Vogue 1247, outback wife cotton, details here
Jeans; Closet Core patterns Sasha trousers pattern, cut with wide legs, cotton corduroy, details here

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I made a turquoise skirt

Enough said!

Well actually, I guess I can say a little more… so I bought this turquoise denim in New York City during my holiday in the United States with Yoshimi last year…. and who could have guessed how much the world would change during this short short time??  Crazy… I’m still reeling to be honest! Anyway, I did have such a wonderful time and am very happy to have made up my first thing from some of the fabric that I bought.  Don’t worry, there’s lots more!  I got this in a little shop whose name now escapes me, sadly; though I’m forgiving myself for forgetting since it was kind of an overwhelming day.  Honestly I’ve never seen as much fabric in my entire life as I did on that day of fabric-shopping in NYC!

have a squizz at those pockets!!!

The fabric was cut wildly off-grain, which meant I had a bit less than I thought, but fortunately I had enough to make this skirt using mostly Burda 2/2015; 109.  This is a pattern I’ve attempted once before; I made it up using yellow linen which was quickly deemed a giant fail and converted into a top, and I must say it’s been a great little top!  Anyway, I still had faith the pattern had great skirt bones.  And I’m glad I gave it another chance since this little skirt is fantastic and I love it!

I did make a few mods though… namely, the wrap nature of the skirt is gone, because I felt the denim would be too stiff to make a nice wrap and tie belt; also I didn’t have enough of the denim for something like that anyway.  Instead I made the skirt to have a fixed waistband and a centre back zip closure; a pretty straightforward mod.  I also stitched down some of the pleats to make it a little more fitted.  I wondered if I’d have a matching zip in my stash, and you know what? I did!  Miraculous!!  It was from a large bag of colourful zips that Mum had tossed my way, once upon a time.  I’ve used up quite a lot of them over the years!  This one is really very “vintage”, so much so that I zip it up and down quite carefully.

I used white thread for all the topstitching; I really love how subtle this looks.  And I cut the contrasting inside waistband and bias to finish the hemline from an old shirt of Craig’s.  I’ve harvested from this very same shirt previously, to bind the quilt that his Mum made for Arthur, here.

That shirt still has quite a bit of fabric leftover still to use for other things, which is fabulous; because it’s beautiful quality stuff!

This is thing 6, from the collection of 12 I tasked for myself at the beginning of the year.  Yay, I’m halfway through!!

  

Details:

Skirt; Burda 02/2015; 109, turquoise denim
Top; Burda 04/2014; 111, in a slightly stretchy bobbly stuff, details here
Tights, made by me to my own design
Boots; Roberto del Carlo, from Zomp boutique

(below)
Jumper; hand knit by me, my own design
Raincoat; made by me, new and not yet blogged!  eeep!  I’m so behind!

… nothing to do with sewing, but lately I feel like I have so few good hair days I reckon it’s worth documenting when I do have one, even if it’s courtesy of the salon and not my own doing at all!  I’ve been trying to grow my hair out all natural, a whole year later and I think I almost like my hair again.  Finally, a light at the end of the tunnel!

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Cassie’s wedding dress

Oh hey!  I made a dress for my daughter! it’s a rather special one actually…  😉

So where to begin…well of course I’m teasing; my darling girl recently married her man D and this is her wedding dress, that I might have mentioned before once… or maybe twice, tops.

I’ve already written about making the petticoats, three of them, in fact.  Cassie loves to dance and was determined to do lots of it at her wedding, so wanted a beautifully twirly skirt.  She also decided she wanted a shorter skirt, hitting above the ground, and wanted it to stand out full and stiff in a 50s sort of a way, which meant plenty of oomph underneath was required.

I made a very full tulle petticoat, and two simple full circle cotton voile petticoats; one to go underneath the tulle petticoat, close to her skin, for comfort; and the other one to go over the tulle petticoat to smooth out any lumps and bumps that the tulle might form underneath the silk skirt.

Full details of making these can be found here

I’ll just quickly slot some shoe talk in here; when she decided upon a shorter skirt, the shoes became an important consideration… we searched and searched, trying on multiple pairs of lovely wedding shoes but then Cassie decided she wanted green shoes; and not just any green.  She had the exact shade of green she wanted in mind, and anything else was just not going to cut it.  What do you do in this circumstance? well you dye your own shoes, of course!  We found a pair of pale bone/beige coloured suede sandals at Hobbs, with a nice low heel and straps to make them perfect for dancing, Cassie bought some Kelly green Rit dye from Spotlight, and over several painting sessions and rinsing in between, finally achieved the perfect shade of minty green.  Aren’t they gorgeous?!

Now back to the dress … maybe I should start with the fabrics?  All were purchased at Fabulous Fabrics, and shortly after her engagement Cassie and I spent a highly enjoyable morning there playing with lots of beautiful laces and silks.  And she chose the most beautiful of them all!! which we proceeded to cut up, overlay each other and generally re-arrange to become something totally and completely and utterly different from how they started.  Sigh.  That seems to be the story my wedding dress-making life, so far!

The bodice itself underneath all that lace is made of beige silk charmeuse, and the skirt itself is heavy duchess silk satin, just about the most divinely heavy and lustrous fabric I could imagine.  So beautiful!!!

For a pattern, we started with Vogue 8470, and almost totally altered it of course.  Just as I did with Kelly’s dress, Cassie had a firm vision about how she wanted her dress to be, and so we hunted for a pattern that had the right bones and started hacking.  The bodice fronts of the pattern come down in a gentle V and are gathered underneath the bust into the middle bodice, and we gently re-shaped this into the shape Cassie wanted – she wanted more low-cut, for a start; and tailored to fit her which entailed a small bust adjustment, and made the gathers into a smooth dart instead.  The middle part of the bodice is different too, a little shallower and with a flatter curve, to fit with the lace placement that she had designed.  The bodice back of the pattern is a quite low-cut scoop, which we transformed to a full coverage back with a much higher neckline, right up to the nape of her neck.

I love the slight bustle effect of the lace peplum at the back! My favourite part of the back view  🙂

The skirt of this pattern is simple enough; a full circle, and I added large pockets.  Pockets! in a wedding dress! just about every girl’s dream, right?!  I’m not sure if she actually put anything into them, maybe just her hands I think! but at least they were there.

With the placement of lace on the bodice; this is 100% Cassie’s artistic vision and mostly her work too!  Cassie wanted heavy coverage of well-defined “structural”-looking large scale lace over a gridded background; and I think she did an absolutely magnificent job!  I had very little to do with this bit, just some technical advice and I did occasionally pick up the dress and do a little bit of hand stitching of lace when she wasn’t around; but the artistic placement and nearly all the stitching is totally her effort.  My clever daughter!!

I did do that “grid” bit in the middle of the bodice… we had some pre-beaded grid from one of our purchased laces, which we used here and there as a background in other parts of the bodice, but it was in small bits and pieces and the size of the remaining pieces weren’t enough to cover this part of the bodice.  So I re-created the same look with hand-embroidery and -beading over beige netting for this bit.  Those bias strips of duchess satin were pinned down before attaching the lace, then hand-stitched on afterwards.

I had a tiny headache with the zip; Cassie wanted the bodice to be quite tight-fitting so I’d stupidly made the bodice quite tight-fitting; and didn’t take into account that fully hand-appliqueing something has a tendency to shrink it in a little bit.  Halfway through all that hand-work one day, she tried it on and we could barely get the zip up … it was awful, I was terrified it was going to split!  Fortunately, even though I’d been too dumb to think about the shrinkage thing, I had been smart enough at least to leave a nice wide seam allowance for the zip… so I could unpick the zip and re-insert it, letting it out a bit.  Disaster averted! and when you’re hand appliquéing a random lace design like this it’s a simple matter to take off, re-arrange and add more lace motifs to cover up an alteration in an invisible way!

pre-appliqué…

Just like I did for Kelly’s dress, I added a grosgrain belt to the bodice/skirt seam allowance inside, with a sturdy skirt hook/eye to carry the weight of that skirt.  It’s hidden underneath the bodice lining for the most part, and emerges just either side of the zip in two little buttonholes in the lining, so the girls could hook it up at the back before doing up the zip of the dress.  I didn’t take any pictures of this bit unfortunately, but you can see what I mean in the post on Kelly’s dress here.

I was smart this time, and didn’t stitch on the hook and eye until AFTER I’d pushed the grosgrain ends through the button holes.  I don’t think I mentioned this for Kelly’s, but when I made hers I stitched on the hook and eye very firmly and ultra-securely before trying to push them through those buttonholes in the lining.  It took aaaaaages to carefully tease the metal hook and eye through those slightly-too-small holes! but I was determined and eventually got them through.  It was like giving birth though; a tight squeeze!  This time I did it right, though!

I don’t know what else to say… oh maybe only hemming the dress?  This took a surprisingly loooooong time… like I think it was a whole full weekend, from memory; and by that I mean two full seven-eight hour days.  I made a long cotton voile bias strip and stitched this to the raw skirt edge first, bound the edge, and then handstitched a lovely deep hem.  The skirt is just the teensiest bit shorter than the tulle skirt, because we both love the look of just a hint of tulle peeping out underneath.  Of course, on the day I realised that when you’re standing up and looking down at the skirt from a normal head-height like every single person at a wedding, you can’t even see that tiny hint of tulle! it’s visible only when you’re lying down with your head on the floor dressmaker-style carefully measuring a hem!  Haha!!

But I’m not even the slightest bit unhappy about that of course, my only thought when looking at these pictures of Cassie is that she is the most beautiful thing I’ve ever seen, and that making her dress was both a lifelong dream come true and the greatest and happiest sewing creation of my life.  Oh dear, and now I’m NOT going to cry!  Here, have a massive overdose of pictures instead!

this completely spontaneous snap is my favourite picture of Cassie and her cousins… yes I made their dresses too! all details of their dresses here

These earrings; this was her something old and something borrowed… Mum had some pearl earrings, and she also had some pearl earrings she had inherited from her own Mum; my grandmother and of course Cassie’s great-grandmother.  Mum had great-Granny’s earring re-made from a clip-on to a pierced backing, so Cassie could wear one earring from her grandmother and one from her great-grandmother at her wedding.  This is so so special, it makes me well up a bit just to even think about this…

I actually made this polka-dot blouse for Cassie quite recently, I just haven’t blogged about it yet.  Also; that Stormtrooper toiletries bag?  I actually made that for Daniel a few years ago! the pattern is part of the Portside set by Grainline patterns

Wearing the earrings… also; Cassie’s hair…

Something blue; I embroidered a commemmorative patch to go inside Cassie’s dress, just like I did with Kelly’s… want to hear something crazy?  I stitched, unpicked, and re-stitched this SIX times…

the three pieces of my heart…

I can’t wait to see all these precious peeps again…

Sam and his lady L… L kindly acted as one of our models for the Perth dress

I regret that Mum isn’t in this picture mostly because that would have been so lovely, and also because I made her dress too…

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garden tea party hat

Short and sweet; I made a hat!!  Well, by “made”; more accurately; I compiled a hat.  I bunged a whole lot of pretty things onto a hat.   Oh I did make that little tea cup, so I guess I can lay claim to a little bit of it….

The green felt hat is a “St Patrick’s Day” hat from Spotlight and all the fake roses and ivy are also from Spotlight.  I made the little tea cup from modelling clay, also originally from Spotlight, and painted it using craft paints from…  guess where?!!  I used green Gutermann’s upholstery thread to stitch everything securely to the hat.

So my 3 nieces/Cassie’s bridesmaids had planned her kitchen tea/bridal shower to be a Mad Hatter’s Tea party, and we all had to wear some sort of over-the-top headgear.  I wasn’t quite sure how crazy to go, and genuinely thought my hat was going to be TOO much, but it ended up being quite subdued by comparison to many of the other fabulously lovely creations at the party!

The theme of the part was a surprise for Cassie, and the girls had made her hat for her, to both match hers and to be bridal at the same time.  Aren’t they the most gorgeous bunch of girls?!!

We had a low-key hat competition at the end, and Cassie won of course.  The funniest thing of all was the prize; a roll of toilet paper!  We all roared with laughter!

Let me explain… with the new corona virus scare currently going on; Australians have reacted predictably, by cleaning out the shops of any and all supplies of toilet paper.  I know, right?  So Australian… Seriously, the toilet roll shelves are empty, all of the time.  You have to get in fast to pick up one of the occasional restocks when they happen! and there are even rumours of people selling vastly inflated toilet paper on eBay.  I haven’t seen any ads myself, but that’s just an indication of the general level of panic.  And so normally, one of the games you’d have at a bridal shower is a toilet roll wedding dress competition.  And such a thing was obviously out of the question with the current toilet roll situation.   So my sister-in-law spared one toilet roll – ONE! which was awarded as first prize for the hat comp.  SO FUNNY!

Here are some of the other gorgeous hats at the party:

Mum made her stunning colourful hat of felt lined with old X-ray film…

Cassie’s friend E cleverly made a very chic and sculptural, royal hat/ruffled collar ensemble, using paper:

L looked super pretty in her floral/gumnut hat…

Arthur very briefly wore his yoda beanie; but he’s not a fan, poor little lad!  A man of discerning fashion taste!

Lots of gorgeous hats!!!

In closing; a few in-progress shots of making my hat… just because well, that’s what I do here.

I made four button-like holes in the bottom of the tea cup to make it easy to stitch onto the hat.  In fact, you could just think of it as a glorified button, to be honest!

Coming up soon… the wedding itself!!!!!  #eeeeeeeeeeeeekkkkk!!!!!!!!

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och aye

My final creation for the year! and a couple of other things too, since of course I found/have recently finished more unblogged items which I am including although technically I didn’t “make” them.  But first things first… I shall start with my new tartan dress.  I did make this!

I think I’ve had a bit of a thing for a voluminous skirt lately, and this one is also on the flooffy side!  I used a pattern I’ve had on my “want-to-make” list for years; Burda 10/2009;119, but altered it somewhat:

A)  mine is longer and at the same time, more voluminous, more of a midi length than the knee-length in the magazine,

B) I added in extra seaming, to showcase both a bias and an on-grain tartan layout, and making it more user-friendly to put together, and

C) I changed the width of the skirt panels so I could pattern match the tartan across the skirt pleats and still get the correct width panel into the waist.

(A) needs no further explanation, so I’ll move straight on to B …. The pattern has you cutting a full-dress length centre panel that is pleated from neckline to waistline… rather than have a whole lot of, possibly unnecessarily bulky pleats in my bodice, AND having to pattern match the darn things… I cut the centre panel of the bodice separate from the skirt, and as a finished width, with no pleats.

I also cut the back bodice in three pieces similarly to the front; with a centre back centre bodice on the fold, and two bodice side pieces; and put an invisible zip in the left side seam of the dress.  Not only does a side seam zip make it easier to put on and take off the dress, but obviously … no pattern matching of plaids along either side of an invisible zip!! Since I was cutting the back bodice in this way, I took the opportunity to rotate out the waist-shaping darts, incorporating the shaping into the seams.

I’m doing the Burda styling thing here…

The back skirt pieces were cut similarly to the front skirt pieces; so as to have two side pieces and a generously pleated centre panel.  Maximum skirt volume!!!  Oh, I also cut all pieces so the bodice seamlines would match up vertically with the skirt seamlines… it just looks a lot neater.  OH! and also my skirt side pieces are just a touch more flared all round, not by much, just a few inches at hem level each side, but multiplied over the four gores and it adds up nicely!

As for point C; I carefully folded and basted the plaids together so as to pattern match the tartan perfectly across them, and then cut the centre front and back skirt panels at the finished width as indicated in the pattern.  Because of the width of my plaids, the skirt centre panels ended up a lot wider than those in the pattern, which is fine with me #maximumflooff

Originally I kept the pleats stitched together vertically for a little bit at the top of the skirt, but in the end decided it looked nicer for them to flare out immediately out of the waistline.

The skirt side pieces, as with the bodice side pieces, are cut on the bias.

can I just point out… ^^ those little Sophie-ears!! ^^

The last modification, which almost goes with saying because I’m a well-documented pocket freak, was… well I guess it just got said!  I used my most used pattern piece for this, which is one I drew up to fit my own inelegantly large hands.  I cut it from an old Vogue magazine cover, which is a nice thick glossy card; and it lives permanently stashed in a handy place adjacent to my sewing machine.

My fabric!  is a really nice, poly-viscose suiting from Minerva.  I realise poly-viscose might not sound very nice, but it really has an extraordinarily realistic wool-like feeling to it and is lovely and soft against the skin!

One of the things I really like about this dress is that while it definitely has a winter-y vibe to it, it’s sleeveless and not body-hugging either, so I think it’s going to be ok to wear it in spring and autumn, and even cooler summer days too.  In winter it would definitely need a long sleeved skivvy or tee underneath, and tights, and I’m looking forward to wearing it like that too!

The next thing!  I didn’t make this dress but I did devote an entire day to making it fit for Kelly to wear so I’m totally OK with documenting my creative input here… I remember now it was presented to me basically a few days before I flew out the the US for my holiday with Yoshimi, which is why it slipped my mind to document it here before! 🙂

Tim and Kelly were groomsman and bridesmaid respectively for their friends T and G; who were likewise their groomsman and bridesmaid respectively! and together Kelly and G had ordered the below dress off the internet … and btw, can I take this opportunity to say? never ever ever order a dress off the internet at the last minute!  Kelly had specified “for maternity” and sent in her measurements and it was “supposed” to be made to measure – inverted commas there because of course when it turned up it was instantly apparent that it was not at all suitable for maternity and also, nowhere near made to measure.  For a start, there was an insurmountable gap of five inches between the two sides of the invisible zip, and obviously poor Kelly with her pregnant belly was going to do even more baby-growing in the two weeks before the wedding!

She brought it around for some urgent adjustments…

When I opened it up, I could NOT BELIEVE the innards of this dress… it looks so soft and floaty and comfortable in the modelled picture, doesn’t it? well far from it; the insides were built like a Sherman tank…

The bodice lining AND the underlining were interfaced with firm and inflexible horsehair stiffening that had been securely fused to the fabric. The princess seams were boned, believe it or not, with the boning going directly over the bustline.  SO uncomfortable!  The skirt looks softly gathered into the waistline with a little self-fabric belt, and you might think it had an elastic waistband? well NO, of course the skirt was gathered into a securely stitched and totally inflexible waistline.  The neckline/off-the-shoulder ruffle was very not-Kelly too, she’s just not a ruffle person at all.  So the first thing was to cut it off, as neatly as possible close to the neckline edge, leaving a chic little spaghetti strap.

I actually needed to harvest fabric from somewhere to put some wedges into the side seams of the inner skirts anyway, so was glad to be able to get some so easily from the ruffle!

I opened up the side seams of the two inner layers: the underlining and the lining; and inserted wedges to add in the needed 5″ of extra width, so the zip could close at the back.  I had a bit of pretty-good matching linen, which I used for the bodice; these wedges needed to be strong because these were the layers that had been stiffened with iron-on interfacing, I also ended up using the linen in the skirt underlining for opacity, and the chiffon from the ruffle in the lining, so it looked nice on the inside.  I know it didn’t really need to “look nice” on the inside because this was emergency butchery at best, but you know; old habits die hard!  After all this, the ribbon hanging loops needed unpicking and repositioning too.

just to clarify; this is the INSIDE of the dress!!  I needed to say this because yes indeed I’m aware it all looks a wee bit scrappy… 😉

For the shell; I unpicked and opened up most of the waistline seam and let out the gathers for the required 5-6 inches of needed extra width, then restitched it up.  And re-inserted the belt loops.

Finally, it’s hard to see from the before picture, but the bodice had too much vertical height, and horizontal folds of chiffon ballooned out quite unattractively over the bust and waist seam… so I turned up as much of the extra volume as I could into a sort of horizontal “cuff” just underneath the top neckline edge.  Cassie kindly hand-stitched this down invisibly for me  🙂

It was all a bit rough and ready really, but at least Kelly was comfortable, and carried it off beautifully, plus I think she looked lovely!  And look at my handsome boy!!

The last thing, that I worked on yesterday actually! was binding this baby quilt… When we went down to visit Craig’s parents for Christmas, his Mum took it out and asked me if I could please bind it for her as she was not going to get the time or the opportunity to finish it herself.  Of course I obliged!

She had appliquéd and embroidered all these cute little motifs on squares of calico, and patched the quilt top together, and quilted it with decorative stitching, stitched around the edge where the binding was to go.

She couldn’t find any more of the blue fabric that she had wanted to use for the actual binding, but I assured her I could probably find something that matched.

It took a bit of searching because I didn’t actually have a nicely matching plain blue cotton after all, but I dug out this old shirt of Tim’s? Sam’s?  I’d thought it was one of Craig’s old shirts but he assures me it wasn’t his.  I’m not sure now which of the boys it belonged too, but I thought it was a lovely colour match for the quilt! checks in soft green and yellow, and blue too.  I cut strips on the bias and bound the quilt by machine on the top edge, and by hand underneath.  It was quite interesting to me that the sleeves were plenty for the job!  I’ve always marvelled at how men’s sleeves take up a TONNE of fabric, and here’s more proof!

btw, I could not find a good tutorial online for a nicely mitred corners for a quilt; all the ones that popped up had you encasing the edges in the folded-up bias strip and just machine stitching the lot, catching the underneath edge along with the top edge all in one go.  Maybe I’m a snob, OK I probably am! but that just isn’t nearly neat enough for me and you run the risk of the machine stitching underneath looking all wonky, and maybe even not catching the underneath edge at all, since you can’t see what’s going on under there.  In my opinion.  So I worked out my own way which I think turned out quite neat, and think I’ll write a tutorial  on here sometime, when I get time.  If I get time.  Next year, no doubt!

SO CUTE!  I think Tim and Kelly are going to love it!

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jungle baby mobile

Yesterday we attended a very special event, and I made a very special gift for the occasion! … Kelly’s bridesmaid and Tim’s groomsman, now a newly-wed couple themselves, hosted a baby shower for who else but our newest little not-quite-here-yet bub…  The new nursery is to be jungle-themed, so I thought I’d make an animal mobile.

I bought acrylic felt sheets, wooden beads and a bamboo hoop from the craft section at Spotlight, and everything else from my stash… embroidery thread for the embroidery, upholstery thread for stringing everything all together, and all-purpose glue… the blue/green wool that I used to wrap the hoop was from a large bag full of wool that a neighbour put out on their verge as rubbish.  When I spotted it I was like… whaaa??? well yes please and thank you! #wastenotwantnot

The designs are all my own:

toucan;

sort of a generic monkey… I kinda wish now I’d made him a specific type but oh well…

gorilla.  btw, most of them have a definite front and back so I’ve pictured both of his here…  He was one of my early favourites so I can’t believe I forgot to take his special close-up photo!  we’ll have to make do with a couple of zoom-ins …

tiger.   I’m pretty pleased with my tiger, it was easily the most labour intensive and fiddly of them all!  This is actually version three; I was dissatisfied with two earlier versions but kept going until I had one I was happy with.  He also has a definite back and front.

panther

blue and red macaw

blue and gold macaw.  Until I was making this mobile and made a point of looking it up, I wouldn’t have noticed that these macaws have black beaks while the red and blue ones have white beaks!

python.  this was a last minute inclusion and I really love him!  My python has a lovely diamond pattern along his length, and it should be noted btw that this is not a very common marking for this particular colouring but I’m claiming artistic license!

There are three different leaf sizes, and I went to a careful effort to balance everything out; the ground dwellers are at the bottom, then there’s the mid-range dwellers, with the birds flying up in the canopy.  Except for the toucan, he’s not flying but I imagined him perched on a branch.

I like the way the blue/green yarn I used to wrap the hoop is sort of “planet earth” colouring, as well as sky/leaf canopy colouring.  Seems sort of fitting.  And the dark wooden beans that are really there to weigh down the motifs, also sorta represent nuts in the trees and on the ground,  and the wooden trunks of the trees.

Lastly, here it is in motion.. thanks Cassie! for holding it up for me to film it!

Kelly sent me a picture this morning showing it hanging up already, which is so cool! and I sure hope baby enjoys watching it from his cot!

Before anyone points it out; yes I know these animals do not necessarily live in the same jungles as each other, but hey; at least they’re all actual bonafide jungle animals and I didn’t pop a cheetah or a zebra in there!

Now before I forget… I said I only had two more things to blog about before the end of the year, but I was forgetting the following!  for Kelly’s birthday she mentioned how she needed maternity clothes, so I offered to take her shopping for fabric and I’d run up a few things…  I’ve shown some of them here but not all of them for some reason, anyway, here are the rest…

  

a Closet Case patterns Ebony dress with set-in sleeves; in cotton jersey bought from Spotlight for this project

A raglan-sleeved Ebony tee, and a skirt made using Burda 7023.  Apart from the navy blue merino for the sleeves which is leftover from my Nettie tee, these fabrics are all long term residents from my stash, some give to me by Mum.  It’s not a glamorous outfit, but one I thought she could wearing hanging around the house or on the weekend for housework or something… hey, we all need those clothes too!

another raglan-sleeved Ebony tee, and Burda 7023 skirt combo… striped jersey a long term resident from my stash, originally leftovers from this dress; and black jersey from Spotlight, not a leftover but bought specifically for this project.  For my previous notes on adaptions to this skirt pattern, see here.

 

So; NOW I’m pretty sure I have only one thing left in this year to blog and it’s a lovely one if I say so myself …. stay tuned!

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box of socks; the December edition

Finally!  This is my 12th pair of socks for the year and my box of socks is finished!!  I decided to end up on a festive Christmas note with some celebratory scarlet socks… they are quite plain, but… LOOK AT THAT COLOUR!!  YUMMM!!

I bought this magnificently coloured yarn in Purl Soho in New York City during my recent holiday over there…it is a Koigu KPM 100% merino, hand painted sock yarn, dye lot 2227, but just says “solid red” on the label.

Actually, the thing I’m most proud of with these socks is that I finally managed to work out something I’ve been thinking of for some time… and that is to reverse engineer my sock pattern to be a toe-up design.  So happy with this!  I did it because the Koigu skein was a smaller one, and I knew I wouldn’t be able to knit two full-length socks, and wanted to make the best use of my yarn.  I divided the skein into as close to half as I could gauge (haha, knitting pun), and knitted each until I ran out of yarn.  You can’t do this with a cuff down design!  As I got close to doing the rib section at the top end, I unrolled the remainder of each ball and measured and was really pleased to see I’d managed to get the two balls within 3m of each other!  I cut the difference and joined it to the smaller ball to finish both socks off with an equal amount.

Even with all my careful and clever planning (ha!) … look at this!!  I couldn’t believe I ran out right near the very very end of one of the socks like that!  In case the picture isn’t clear, that’s about 8 stitches short!  DOH!!

It’s funny; I finished these in the middle of a massive heatwave, the worst we’ve had in years! Literally a whole week of temperatures of 39C or 40C.  It’s been almost unbearable…  Anyway, posing for these photos with the socks on was not comfortable.  One of the most common questions I used to get about the things I made was “but is it comfortable?”  And in this case, for once I have to admit the answer was a hard NO!

Later on I was sitting in the pool and took the following photo, and had to laugh… now THIS is comfortable!  basically the only kind of “sock” I can bear right now!!

And so finally… finally! here is my completed, and very squished up, box of socks… full to brim and spilling over just a little with woolly lusciousness… whooppeeee!

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golden Collins

I’m now desperately trying to blog everything I’ve made this year, within this year… so fair warning: brace yourself for an onslaught of making-spam…

First of all; this little dress!

I actually made this back in September! but cold weather and general lack of… shall we say? love? for the dress prevented me from wearing it for a while, or obviously blogging about it before.  However all is now well, because the dress has easily reached its 30 wears, and is probably going to go on to at least 300 wears before I say sayonara to it… how is this so? you may ask… since devoted followers (ha!) of my daily ootd blog will have no doubt noticed it has made not one single appearance over there.  I shall now explain… yes, I had not much love for it once I’d finished making it, which is strange because it actually ticked a number of very good boxes; it feels very nice to wear, very comfortable, and it is well made if I say so myself.  I think it was the colour; yellow should suit my Autumnal self; but I decided this particular yellow was too close to my skin tone to really look good on me.  I thought I might dye it, sometime.  But before that happened, the weather warmed up a bit, I took out my old summer nightie to wear to bed and was saddened to see that a hole, that I had fixed up twice before, quickly reappeared in such a ghastly, final manner I had no choice but to ditch it.  Yes, very sad, and I was too busy to make another nightie straight away … what to wear?  then I noticed this dress perched on top of a pile of summer dresses, waiting to be noticed.  I was like, well that will do for now, as a stop-gap.  But you know what?  I’m really enjoying wearing it!

Fabric; a pale yellow quilting cotton from Minerva, printed with gold snowflakes.   I think it’s part of their Christmas range.  My previous nightie was made of quilting cotton too, and so I’m accustomed to the feel of it.  It’s very comfortable! soft and lovely against the skin.  I’ve discovered that quilting cotton makes GREAT nighties!  Since I’d intended it to be a proper dress, I have to admit it did turn out a leetle bit over-engineered for a nightie; it’s got facings, pockets, inset strips to define the seams.  A bias bound hemline, for heaven’s sake.

Some deets:

Pattern; I used the Collins top pattern by In The Folds; I’ve previously made this once before, to make this palm leaf lace top here.  This time, I lengthened the appropriate pieces to make it dress-length.  In doing so, I extended the front and back diagonal lines right down to meet at the hemline in a nice neat V.  I decided to highlight this feature, by insering an inset strip into the seamlines, just like I did with this dress.  The bias cut contrast strip is mustard silk crepe; same stuff I used for my Fibre Mood Faye dress.

I’m rather thrilled with the sharpness of that point!

Cutting my “outer” pieces had used basically every last scrap of the snowflake fabric, so I unearthed a short length of soft yellow silk dupion from my stash; a remnant in merited from my grandmother.

From this; I cut my neckline/armscye facings, the voluminous pockets, and the bias cut strip I used to hem the dress,

For the button at the back of the neck; well I didn’t even really need to make an opening, since I’ve always found I can slip this dress on and off without un-doing the button! but I’d made provision for it, so needed to finish it off…

I took out one of the leftover buttons I’d covered in ivory crepe for Kelly’s wedding dress (self-covering button kit purchased here) and painted it with some gold paint.  This itself is leftover from when I made my Queen Rutela costume; I used it to paint my “jewellery” and my “hair”

So that’s it!  I have a wonderful nightie and have enjoyed wearing it a lot, since it’s basically like a proper dress.  Actually, it’s kinda half nightie, half dress… I think of it as loungewear.  I can take out the bin without worrying what the neighbours might think, haha.  Maybe I’ll even eventually dye it like I originally planned, and wear it out one day!

Details:

Dress/nightie; the Collins top by In The Folds, in printed quilting cotton
Lilac shoes; made by me at a Shoe Camraderie workshop, details here

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