OK, I’ve done some pretty involved and intensive projects in my time, in fact more often than not, lately! and this one definitely ticks that box too.
Quite a few months ago, Cassie mentioned that she wanted us to go to ComicCon together this year, and furthermore, she had already chosen a good costume for me to make…
This is Queen Rutela, the queen and elder of the Zora; proud, elegant and graceful aquatic-people who reside in the Zora’s Domain in the Zelda universe. If you’ve never heard of Zora, it’s ok, that’s perfectly normal because this stuff is the very height of geekiness and so far from the mainstream it’s a little embarrassing … However! you have now! She is a rather tragic character; the story is as follows: Queen Rutela was the wife of the late King Zora and mother to Prince Ralis. During the events of Twilight Princess, Shadow Beasts invade the Zora village, so Queen immediately sent her son to Hyrule Castle for his own safety and to inform Princess Zelda of what was going on, prompting the invaders to make an example of Queen Rutela by executing her in front of her people.
I liked the idea of going as Queen Rutela for several reasons, partly because she’s a mother so I felt she was age appropriate for me, also her story moved me because it is so sad, she’s so protective of her son and so motherly, it tugged at my heartstrings a bit. But mostly, well, let’s be honest, because her attire and bearing is just so beautiful and I relished the challenge of giving a good go to making it! Also, the Zora have always been my favourite species in the Zelda universe 🙂
ANYWAY! here we go…
Firstly, the dress. More accurately it’s a 3-piece ensemble, I made an ankle length petticoat/underdress, a skirt, and a long tunic top; all using white polyester stretch stuff (some leftovers, some new, variously from Spotlight, Fabulous Fabrics). The plain, strapless, ankle-length petticoat is one I made many years ago, so long ago I’ve completely forgotten the pattern I used. I never thought I’d say that, because I tend to remember patterns FOREVER, but not this time! The skirt has the other “skirt-y” layers on an elastic waistband, and the tunic top is a drastically modified Nettie bodysuit, basically my go-to Tshirt pattern. The sleeves are in two parts, a close-fitting “under” sleeve that is wrist length, and the “over”sleeve has a very high sleeve cap and a bell-shaped bottom edge that is gathered and “pouffed” into the under sleeve, then point-stitched in place to get artistic-y folding. At the shoulder edge, the extra fabric in the sleeve caps is pulled in with three sharp darts; making a jutty-out sort of shoulder cap… that’s a technical term there, btw.
I stitched frilly “gills” to the side underbust area.
Oh! I’m getting ahead of myself… those frills were formed in the following way; I clean-cut the eyes using my rotary cutter, then holding the edge just slightly and evenly stretched out, passed it over a candle flame; which melted the edges just a little and set them in a naturally curly frill. I took a little bit of practise to get this just right, with the right degree of frill and with minimal scorching! Fortunately, those bits that looked a bit charred black just crumbled off when I rubbed them between my fingers.
Once I’d made the three parts of the dress, I shrouded Bessie in plastic and newspaper, dressed her, masked off the bits that I wanted to remain white, and sprayed the skirt, then the top utra-carefully and judiciously with poppy red enamel spray paint (Bunnings)
The colour is a little brighter than ideal, I really really wanted a warm, dusky coral pink, but with spray paint you’re unfortunately stuck with whatever is in the VERY limited pre-mixed range… 🙁 /
Spraying was pretty scary, my application isn’t perfect, and there is a blotch on the R shoulder that is a bit heavy and which was pretty devastating for a while, but I had no choice really but to accept what I’d done. As it turned out I shouldn’t have worried too much because you couldn’t even see the blob once my headpiece was on!
Next, the fin/wings… I cut four-layers in light grey polyester organza, and simply stitched all layers together by skinny zig-zagging around all edges, and slip-stitched it in places to the top of the sleeves.
Next, the jewellery; and this bit was lots of fun! It’s a long time since I’ve played about with jewellry-making and I really enjoyed it 🙂 I used Super Sculpey modelling clay, jewellery wire and gold metallic acrylic paint (Spotlight) and some really lovely turquoise glass jewels (Fabulous Fabrics), and baked my pendants in the oven before painting them, and stringing them together. It’s hard to see the exact details of the Queen’s jewels in the short footage of her that there is, and what’s more, the details seem to vary from picture to picture, so I took a little creative license and designed my own, closely inspired by what I knew of the Zora style, and the arrangement that I could see from the footage.
The body-lace fastens at the small of my back; the necklace is supposed to sit out very wide on her shoulders, and I managed to get this look by stitching rings halfway along my shoulder, and the necklace clips onto these, wide on each shoulder. I also made a “beaten gold” collar/choker from interfaced gold metallic jersey (Spotlight), hand stitched radiating lines over it, and stitched the last pendant to it, then stitched white vinyl “petals” (Clark Rubber) around the lower edge. This closes by press studs at the back.
Headpiece: it’s simply a long tail in the same polyester stretch, stuffed with Hobby Fill (Spotlight). I inserted fins of fabric-covered cereal-box cardboard into the side seams, and I took the precaution of spray-painting the cardboard ivory first because the polyester is kinda see-through, and stitched it to the rim of a red swimming cap, also catching into the stitching a white plastic face-mask (Spotlight)
Now for the hair! This took quite a bit of nutting out…. I’d stretched the bathing cap/head-tail/face mask contraption to Mr ‘Ed, my foam head, above.
For the hair I used skinny foam noodle (Clark Rubber) and stitched the top bit of the hair through all layers. This stuff is pretty bouncy with a mind of its own, but I damn well forced that sucker to be what I wanted it to be with firm and masterful stitching to get the folded part/hair at the centre top. Take that, foam noodle!! BOW TO MY WILL…
The blonde “coral” hair was easier and actually lots of fun, like being in kindergarten again… I snipped it into lengths, and painted the bits with various mixed shades of pale yellow, shaded with addition of lilac and metallic gold. I wanted the hair to be in shades because we all know a flat colour just looks fake and, well, flat, any painted thing always looks so much more vibrant and real and rich when it has several different shades in it. Going to this much effort sounds complicated and maybe even unnecessarily involved, but I whizzed through making the hair, loving every paint stroke. I strung them on yellow thread and stitched them to the cap through all layers, and painted part of the top layer of hair in the same way. There is 35m of noodle in this thing… I can hardly believe that myself but yes, really!
One “strand” came off while I was pulling the thing onto my head, aaaaagh NOOOOOO! which was a bit of a worry, obviously! but I had plenty of “hair” and luckily every other bit stayed put.
The final step was to spray-paint the top side of the head-tail with the same poppy-red spray paint. Scary!! but I was super SUPER careful… On another note, this picture below gave me a laugh! the head looks hideous, the stuff of nightmares!!! Zoe “looks” terrified but of course she wasn’t… she’s knows what’s real and what’s not. Even on Saturday morning when I emerged from the bedroom in full costume plus makeup, all the cats just looked at me, maybe a bit quizzically! but they still knew it was me.
Oh, wait… doing the make-up was the final step, of course! I painted white dots around her brow line, just like in my inspiration pic, and then trimmed away the mask. Cassie suggested a strip of Hollywood tape on my nose, which helped keep the nose piece firmly in place throughout the day. Also, with amazing luck, Priceline had a 40% off all makeup sale in the days beforehand so I got some white translucent face-powder and rather horrible bright red rouge-y stuff for the matching poppy-red circles under my eyes and lips.
The photo at the top is my first attempt to photoshop myself into a fake background! pretty good, huh?! this actually took me aaaaaaages… hehe, #photoshopnoob Well, I felt like Queen Rutela just HAD to appear in Zora’s Domain or it would be, well, you know, just like an unfinished and half-done effort, so I decided I just had to do it!
I didn’t get any photos of me actually at ComicCon in Perth unfortunately; we were just having way too much fun! plus my gloves made it impossible for me to operate my phone! However about a million people asked to take my picture, which is not as weird as it sounds, it’s just the done thing at ComicCon when you dress up; everyone does it! Also it was highly gratifying when people recognised my character, totally made my day!!! Every now and then I would hear a call; “Queen Rutela!!!!!” which was really nice!
I’m continuing on with my tradition of making a new set of bra plus undies for my thing. The last two years I’ve taken the humble frog as my inspiration, 
Self-explanatory, really. #endblogpost 😉
Pattern; Vogue 1384. It’s a vintage pattern, hailing from 1984, sorry. Yeah, it’s annoying when people make things in vintage patterns that you can’t get a hold of anymore. But I’m sure this is not particularly aspirational actually, it’s a little weird in that 80’s way. That high, slightly floppy collar combined with a billowing pirate-y blousiness is giving me serious 
Then I vaguely thought maybe a navy blue skirt would make it a nicely complete set, and she desperately needs skirts for work too … and lo and behold what should be lounging languidly about in the very next aisle but this teal blue suedette, which is a PERFECT colour match for the rooves. BAM! DECISION MADE. Lugged them both to the counter without a second thought, brought them home, tossed into the washing machine.
The suedette “looks” nice and perfectly suede-y, but it frays like billy-o. I finished all the raw edges on the overlocker, and the lower hem with a bias cut binding cut from a scrap of purple/blue micro fibre. 
The Tshirt is made up just like the pattern, except for the neckline… I’m lazy with my Inari necklines and have pretty much finished them all off like this! Just overlocked the raw edge, turned it under and topstitched from the right side. Since it’s quite a wide neckline and doesn’t stretch out when you put the Tshirt on and take it off, the stitches won’t snap and this kind of finish works perfectly well.
The lower hem is finished with my twin needle. Lisa asked about channelling with a twin needle.. all I can say is that I’ve never had channelling and what’s more I have no idea how I’ve avoided it so far either!! Only thing I can think of: I always finish the raw edge on my overlocker, then topstitch with the twin needle, and that’s it! Maybe the overlocked edge stabilises the fabric and that’s what stops a channel forming? That’s the only reason I can think of anyway. 🙂
ly perfect Word that describes my new “thing” to a T springs to mind instantly. Other times I just plump for the obvious. Today, inspiration was like a wispy breathe of smoke in a dark shadow of the night. Barely present, fleeting and rapidly lost amongst the dusty cobwebs in ye olde brain.
Pattern; Vogue 1351; bought aaaaaaaages ago. With the intention of making it up immediately, funnily enough! but more on that later…
Details:
Partly because of the colour. And partly because the designer is also French Navy. Truly!
So, recently I discovered 
The Orla is a super quick and fun little pattern which is exactly what I wanted to cleanse my palate, so to speak, after my mad Christmas making-fest… Featuring a gently fitted bodice, rather pert short sleeves, which I think I would be rather nice in elbow length too; a highish waistline, and with a gathered rectangle skirt. I think the low scooped neckline is really lovely, it’s my favourite thing about the pattern. I added 3cm in length to my skirt… just because I thought the gathered skirt gave it a rather young look and I’m.. well, you know. not. Hehe, to be honest I agonised over the length of this skirt, you don’t want to know for how long.. at least as long as it took to make the whole dress. I pinned and tried on, contemplated; re-pinned, re-tried on, re-contemplated… I finally settled upon keeping some extra length that I’d added while cutting out, but I’m still partially tossing up the idea of re-hemming it shorter again. Man, I am SOOOOOO indecisive sometimes, I drive myself batty… I think I’m going to be ok with this length… FOR NOW, she intones, dramatically. I may or may not change it up on a whim, whenever. But maybe not. Might do, though.
7
Funny story; I made this nearly two months ago… and risked 
