a pretty outfit (cielo and sixtine)

05/07/2020 12:38 am \ 7 Comments \

So I made an oh-so pretty, fluttery, flower-strewn outfit of the most perfectly spring-worthy persuasion! but wait…  am I not currently still on the downwards slope to the dark dank pit of winter?  well yes, so we are just barely into July, and I am OVER winter already.  *sigh*

Really I expect I’ll be making winter-y things soon but I just don’t feel like it right now, and I just want to think about fun summery things still.  Terrible, isn’t it?  Anyway, I bought this lovely rose-y rayon-linen in Spotlight, back when Perth was sort of half in isolation.  I’d been feeling very down, gone shopping for some essentials and just spontaneously decided buy something pretty and non-essential at the same time, to cheer myself up.  As it turned out, we had hardly any cases of the covid-19 virus in Perth, which is of course wonderful; but we were all as terribly worried at the time as if there were and buying something lovely lifted my spirits quite a lot at the time.

I cut out the ruffle-tastic new Sixtine skirt by Coralie Bijasson patterns and then had just enough left for a plain little top, which is the best counterpoint for all that ruffle anyway.  I’d recently had success making the Closet Case patterns Cielo top for Cassie so traced out the  next size up for me.  And I really love how they go together!  The Sixtine pattern is a simple, completely symmetric, true wrap skirt, with the most amazing ruffle and a half action going on.  Actually when I say ruffle and a half, that is quite literally what it is; there’s a ruffle, and then another half of that same ruffle on top.  Ruffle and a half! And my fabric worked out so nice! it is quite fluid and soft, which was just right for the ruffles; they have just exactly the right amount of body and zero limpness.The Cielo top is a great little basic, I can already tell I’m going to make stacks more.  Simple, but perfectly so.

I don’t really have much else to add, both these patterns are unambiguously straightforward designs with no tricks to speak of.  With the Sixtine skirt, I think you were supposed to place the buttonholes and buttons so the buttons popped out on the outside of the waistband when buttoned up, but I used very plain sheer flat ones from my stash, both ancient and inherited and not very pretty, so I positioned them so they button up on the inside of the skirt.

Oh, I also finished the lower hemline of both ruffles using the triple-stitched narrow hemline, explained in this post here.

I have one more sort of interesting thing I can say about sewing this; normally when you’re cutting things out from a print you carefully make sure all your pattern pieces are aligned with the “up” side in the same direction, yes?  Well I would definitely do that for fabric with a nap, but for a fabric with a print I’ve often preferred the look when I do not adhere strictly to this rule, but lay pieces so as to alternate up and down placement.  That way you avoid that “double-ing up” up of an identical motif that can look absolutely terrible and obvious when it occurs in a pieced garment.  Obviously this really only works if the print doesn’t have an obvious “right way up” design, but while it’s only a little thing it can make a noticeable difference.  As soon as I looked at my pictures here I could see a couple of instances where an upside-down motif is not too far away from a right-way-up motif, and if they’d been both oriented the same it would have looked strange.  So I’m glad!  I hope I explained that OK!

Anyway, I love this new ensemble and honestly can’t wait til the weather is hot again so I can actually wear it.  In the meantime perhaps I should start finally turning some attention towards more wintery projects  (sigh)

 

Details:

Top; the Cielo top by Closet Case patterns
Skirt; the Sixtine skirt by Coralie Bijasson patterns
Shoes; both super old now but still much loved

Later edit; so I added some pockets to this skirt! They’re patch pockets, with a slightly gathered top, drawn in by a little olive ribbon, which I happened to have in my stash.  They’re simple but of course useful.  Who doesn’t like a little bit pf practicality along with their floomph?!

Here’s a brief overview…

the pockets are cut to fit my mobile phone in, and are about 3cm wider at the top…

I snipped a little hole in the outer layer of the upper hem/casing..

the gathering ribbon emerges from this hole

align the raw ends of the ribbon inside with the raw edges of the upper pocket hem/casing

ensure the ribbon ends are stitched down firmly along with the pocket… gently pull up the excess pocket width at the top and tie off the ribbon…

camouflaged but not totally, and I think it looks kind of pretty when you do notice it   🙂

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crimson rosellas

24/06/2020 2:48 pm \ 17 Comments \

{Sooo, what’s going on?  It’s actually been well over a month since I made this dress, took these pictures and half wrote this whole post too so maybe I should say something about my absence.  Later.

Meanwhile, over to 6-weeks-ago me …}

This fabric is so cute!  I absolutely love it! well I love the pattern too of course, but I’m going to start with the fabric… I bought it at Spotlight last year, it’s a Jocelyn Proust design.  Actually, Spotlight is on a roll with great Jocelyn Proust designs at the moment… there are lots of absolutely gorgeous ones and it’s nearly impossible to choose just one.  Fortunately when I got this one it was the first one I’d seen, as well as the only one in the store at the time, so I was just like WOW! I love this!  *grab*  *buy*  A coupla weeks later and there were now lots of really beautiful Jocelyn Proust designs in the store from which to choose… but I think I still would have chosen this one!

It’s cotton drill; such practical stuff, and nice to both sew and wear, and I absolutely couldn’t resist the colours … I love navy blue and raspberry pink together.  Also; crimson rosellas.  Any Aussie-specific print is going to catch my eye in the shops and I think this one is really cute.

The pattern is the cover dress of the Burda 07/2018 magazine, dress 118; I’d earmarked it as a must-make from the first flick-through of the magazine… then as soon as the crimson rosella fabric came into my life I was like bingo.  The design of the dress is quite interesting, with a sort of faux bib-front look to it, a raised faced section both front and back of the dress with set-in side panels that help form the pockets.  It’s hard to explain actually, but you can get an idea of how the front sits out over the side panels in the side view shot above.  The “sitting-out” bits have long, oddly shaped facings, that I managed to miraculously cut out from a fairly small piece of navy blue cotton drill, the final leftovers from these Issey Miyake pants from a few years ago.  I only had to piece together one little bit on both facings.  The pattern stipulates a lining, which I decided to leave off because I want to wear mine in the heat of summer… so I needed a way to finish off the armhole edges.  I drafted some facings by just splicing the side pieces together, tracing the raw edge, and cutting the subsequent facings to be the same width as the other facings, for a matching look inside.  All edges inside are finished on the overlocker, with matching bone-coloured thread, mostly because I couldn’t be bothered changing the overlocking thread to navy from the bone I used for the fabric itself! but in the end I really like the look of contrasting colour here.

The dress is drafted as a petite design, so I checked the burda size charts to see what changes I might need to make.  I decided to add in 2cm length to the bodice area of the dress on all pieces, did a quick pattern mockup and this was just the right amount, I think.  The pockets would have just been sitting that little bit too high on me, otherwise.  I love the pocket design on this dress too, but if I made it again I would make them just little bit deeper, maybe 2cm or so.  They are ok the way they are, but you know.  When it comes to pockets, size does matter!

The pocket linings are also cut from the same navy blue cotton drill.

I love the design; it is just slightly on the boxy side which I like for a summer dress.  You’re supposed to put in a whacking long invisible zip in the centre back seam, which I did, very obediently.  And then discovered, as you do; that I can actually slip the dress on over my head without having to undo the zip.  Of course!

Oh, and I ended up re-hemming the dress to be about an inch shorter.  That doesn’t sound very much, but I think it looks a lot better, even that small amount made a difference! From just verging on slightly frumpy to Jackie O chic in just an inch!

This is the fifth thing made  from my #makenine  that is really twelve, list of 12 designs and fabrics that I promised myself at the end of last year.  Hmmm, what should I make next?!

Details:

Dress; Burda 07/2018;118, cotton drill
White oxford shoes, made by me, details here
Black tights; made by me, details here
Black boots; made by me, details here

So… what’s been happening, indeed… well LOTS in the world obviously.  From the perspective of our family here, we lost an important, elderly family member at the beginning of June, and it’s been a very emotional and rather difficult time for us, separately and on top of everything else.  By “everything else” I mean the continuing and not inconsiderable anxieties of Covid-19, and the very important “black lives matter” movement – for which I am obviously pro – and just some other family stuff, so mmm.  It’s been a lot.  I don’t want to go on and on about it because this is my just-for-fun sewing blog and not a “let’s offload all one’s emotional baggage upon an innocent world” blog, and I prefer to dwell on the positive.

With regard to the BLM movement, so I’ve been buying fabric! supporting indigenous makers.  I’m just going to copy and paste here what I already wrote in instagram…

I’ve been thinking about the best way to show my support for blacklivesmatter and as a fervent sewing peep I think using more indigenous textiles is a good start… I was so excited to receive my first purchase the other day… this beautiful piece of fabric, “Tjilkamala Rockhole” designed by Alice Nampitjinpa… this talented lady recently won a collaboration with Gorman clothing with another piece of beautiful artwork so I’m extra excited my first purchase should be from such an amazing artist! …
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This piece was produced by @ikuntjiartists and purchased through @flyingfoxfabrics and I’m so grateful these cooperations exist to make indigenous work accessible and available to us…
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I am humbled and inspired by my country’s rich and ancient indigenous culture that has survived here for millenia … I wish to learn how to better honour and protect the Aboriginal people, as well as acting to create a kinder and more respectful future for everyone here in this beautiful country I am so grateful to call home … I’m looking forward to researching and buying more indigenous art fabric, and, if I’m allowed a rather shallow final note, cannot wait to sew something lovely to wear from it, too! #sewing

AND

I’m so thrilled this beautiful length of art fabric has arrived! This print is “Mandem” designed by Eva Nganjmirra and printed on linen by @injalakarts a wholly Aboriginal owned and governed community art centre in the Northern Territory… and from whom I purchased this piece. .
I can’t wait to trawl through my patterns and make something hopefully worthy enough to do justice to this beautiful work.
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#sewing

ALSO…  in the meantime, I also participated in me-made May last month, as usual.  I pledged to wear 100% me-made, including my shoes and underwear, because why not? I have plenty of me-made things to wear!  I was happy to achieve this, and to also mix and match my existing wardrobe so as to not repeat anything during the month either, apart from obviously black tights and a few of my shoes.  There was only one tiny fail at the end there, where I neglected to wear me-made shoes for the final two days of the month, because we’d gone down south and I just decided oh to heck with it.

Here are my outfits for the month.  Absolutely everything made by me, except for the boots on the last two days of the month  🙂

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knots and crosses

14/05/2020 8:55 pm \ 13 Comments \

I made this crazy outfit!  I know; it doesn’t “look” too crazy.. but it is, because it was a super-fiddly process and took aaaaaages.  Not content with just using what was actually very nice fabric as is; I, of course, made life more difficult for myself by instead cutting it up to make new fabric.  Crazy..  Yep.

But I’m getting ahead of myself…. this is actually my entrant into the Tessuti Sewing competition… the idea is that you get some of the nominated competition fabric and make something with it… pretty simple huh? but the kicker is that nothing else other than the competition fabric can be visible and you cannot dye it either.  Tessuti nominated a family of six fabrics, which was pretty awesome! three colour ways of two related eyelet fabrics; one is Knots, the other is, naturellement, Crosses.  I bought the Natural colour way of both fabrics and got to work!

My thought was to cut the fabrics up “creatively” to make a multi-layered, multi-textured sort of a thing, like a layered lace kind of a look…

For the top; I cut the fabric into 3 types of fabric strips; the knots fabric on the bias, snipping out the backing fabric to make the pretty embroidery design into an edging.   The crosses fabric I cut strips on both the bias and the straight; in each case snipping out the backing fabric carefully to leave the embroidery forming a pretty border.  I arranged these strips over a pale pink lining bodice and stitched them in place with double rows of stitching…

the sleeves are in the knots fabric, and I cut the edging “lace” like so; just the very edge of the crosses fabric cut on the straight made the outer, lace-like edging.  The neckline edge is made from two different cuts of the same Knots fabric, one on both the bias and one on the straight.  The eyelet with the “ribbon” thread through is one diagonal arm of the knots fabric, and the lace edging was the same fabric cut on the straight; the two were stitched together to make the neckline edging.  The blue “ribbon” threaded through the neckline edge; well you might be thinking, ah, but that’s not the competition fabric?  Fail!  But it IS the competition fabric!  The selvedge had these pretty blue striped borders printed along the edge… I carefully stitched very very close to the blue with tiny, 1mm stitches to stabilise and help prevent it from fraying, and cut off the excess to make a ribbon to thread through my created eyelet.

The skirt is relatively simple, sort of… I dug out a favourite old skirt pattern Vogue 7880, which has multiple, asymmetric layers.  It’s such a lovely pattern, I haven’t made it for ages but I think about it every now and then.  Now, as before; I lengthened the skirt stay pieces to make a full lining for the skirt, otherwise just made it up as normal.  The lining is the same pale pink lining fabric I used for the top.  I used a “natural”-coloured invisible zip in the left side seam.

 

It’s looking very pressed and neat in these pictures, but what I’m really looking forward to is washing it and letting it crease and rumple naturally, which I think will look really charming.  And better, I think…   I really should have done this before taking my pictures here but I literally forgot about the competition until the last minute and had to take my pictures here on the very last day.  Which is today.  Gah!  I hate being incompetent!!

So.  I actually do really like this outfit…

however!!  I purposely did not look at the tessuti pinterest board with everyone else’s entries in the lead-up to the competition, because I did not want to be influenced by anyone else’s design decisions.  I just wanted to come up with my own ideas purely unaided and unabetted – is that even a word? Never mind… stream of consciousness blogging!!  Well, as I was saying, I finished my outfit, quite oblivious; took a bunch of pictures and sent in my entry, THEN I went over and had a look at the pinterest board of entries.  And immediately saw that I had not the proverbial snowflake’s chance in hell.  There were SO MANY beautiful and fantastic entries!  It was wonderful to see so much creativity! even though mine is kinda ordinary, but I can live with that.  I think the top’s kinda pretty and as a whole it’s ok!

Details:

Top; kinda based upon New Look 6483, except completely different and with nothing of the original remaining.
Skirt; Vogue 7880
Tights, made by me, details here
Shoes; made by me, details here

 

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pink Axis

29/04/2020 11:50 am \ 11 Comments \

I absolutely love this, my new dress!! for several reasons, upon which I shall now proceed to wax lyrical…

The pattern is the Axis dress by Papercut patterns… I’ve loved this pattern company for several years… for one thing their packaging is absolutely the most beautiful of all.  I know that seems like a shallow sort of a reason to buy a pattern but hey, it’s ok to be shallow when you want to be.  I think we’ve all deserved that right!  The patterns are printed on nice crisp brown paper, and the instructions are printed on the same paper as the pattern pieces.  You cut them off and accordion-fold and glue them together to make up your little instruction book.  This is a pretty fun crafty little thing to do before you make up your pattern!

Secondly, Papercut patterns are a New Zealand company, and I have a soft spot for the land of the long white cloud.  Also I love to support fellow antipodeans.

Additionally, Papercut Patterns have always had this indefinable aura of the cool-girl about them, and who doesn’t want to be a cool girl, hmmm?   to be honest I’ve sometimes thought some of the designs are a little … basic, but at the same time that wonderful packaging makes it worth paying for those of the designs that are more individual, if that makes sense.  By the way, absolutely nothing wrong with basic patterns! and from what I’ve observed in the sewing world it’s often the most ordinary of patterns that seem to be the biggest and most popular sellers.  So there you go.

In any case, I love the Axis pattern, I happen to think it’s pretty unique, and it appealed to me immediately.  I also have their Sapporo pattern, and hope I can get around to it finally this year!

My fabric is a really gorgeous, slubby cotton from Fabulous Fabrics, a Christmas gift from Cassie last year.  Actually we’d been shopping there together and I almost bought it for myself before Cassie stopped me, and reminded me that she needed to have a Christmas gift for me!  She knows me so well!

This fabric is the same stuff from which I’ve made:  this set, this dress, this dress, and this dress too; each of them just in a different colour way.  You can see how much I love this fabric! I have bought some of practically every colour way it’s ever come out in, and all of these things have got worn a LOT in their time.

I made my dress to have the A-line skirt version, but I also added in the front walking slit too, which is really supposed to just be put into the straight version of the skirt, so you can walk normally of course.  I take very big strides while I walk, so I did the walking slit AND the A-line cut.  Rebellious!!  I cut my top as a size 3 and the skirt graded out from the size 3 waist to a size 4 at hip level.  This is why I make my own clothes!!

The Pocket is something I will often try to bung in to a pocketless new thing somehow, if possible…  in this case I decided the best sort of pocket for this sleek, body skimming style could be a patch pocket.  Craig thought they might turn out to be a mistake, spoil the line, but I stuck some on anyway, figuring I could take them off if they looked awful.  But I really like them!  both how they look and obviously they’ll be practical even if you can only fit slimline things like a phone, credit card and maybe a key in there…  I kinda pictured them standing out from the body at the top edge rather than laying flat on the body, and fine-tuned the exact amount of “stand-out-iness” and placement in pinning trials.  They are simply top-stitched in place; my slubby cotton is quite “sponge-y” and so the stitches sink into it quite beautifully.

I had not quite enough fabric to cut out the dress completely… those back bodice pieces are HUGE and you need to cut out FOUR of them! but I had nearly enough that I managed to make it all work.  There is just the tiniest amount of pink voile pieced in at the top of the front facing shoulder strap.

With the front slit, you’re just supposed to turn under the seam allowance in a single layer and top-stitch it down but I finished mine with a little facing.  I think this adds a small but nice amount of weight to the hem, and balances it out against the heavily faced bodice area.  The facing is stitched on, trimmed, graded, turned under and under stitched, and hand slip-stitched in place at the same time I did the hem.

Look at that perfect zip!!

hmmm, so why has Carolyn just posted two sets of near identical pictures of the zip?? so maybe you can just barely detect that the zip in the second set does look a little bit pink? compared to the first?  Yes, there is a little disaster story there…  I originally put in that cream coloured zip above, patting myself on the back that I had a mostly suitable zip in my stash already and didn’t need to pop out and buy a new one.  I even took all my pictures here with that zip in.  Then I was re-pressing this brand new dress and putting it away, and what should happen but to my horror the zip just casually split open underneath the pull.  Aaaagh!!   I simply could NOT believe it!  My brand new, perfect dress!!  I tried and tried to tease the teeth back together, resurrect the zip, but it was truly stuffed and there was nothing for it; I just had to unpick the wrecked zip, and head into Spotlight to buy a new one… since I sadly did not have a second suitable zip in my stash.  I made my trip worthwhile though, by picking up a little range of new threads and some more zips that I knew I’d need in the future.  I tried to nobly restrain myself from buying more fabric too, but failed in such endeavours.  Well, I needed to cheer myself up!  You just do sometimes, you know?!  Especially when one suddenly needs to replace a BRAND NEW ZIP in a BRAND NEW DRESS 🙂

I think the problem was too much bulk in the back waistband/skirt junction, since I had stupidly tread quite light while trimming the seam allowances in there…   The waistband is a single piece foldover one, interfaced fully, so you end up with triple thickness of interfaced waistband, interfaced seam allowance and interfaced self-facing, add in a skirt seam allowance too, and that’s a fair amount of bulk at that junction.  The zip “looked” perfectly fine, but the bulk of fabric hard up against the zip pull did make it difficult to pull up and down past that point and I’m not quite sure how it happened but it all proved too much for the mechanism. When I inserted the second new zip I aggressively trimmed away a lot of that bulk inside before stitching in the invisible zip, and this helped a lot, I think.

Anyway; zip drama notwithstanding; I still really really love this new dress! we’re still getting warm enough days every now and again that I can wear it now! and even in slightly cooler weather it’ll be still be nice with a little white tee worn underneath too.

This is my fourth thing from my #makenine but actually twelve, that I challenged myself to make for this year.

Details:

Dress; Papercut Patterns Axis dress with pockets; textured pink cotton
Sandals; ariel, from an op shop years and years ago

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blue Blair jacket

22/04/2020 6:25 pm \ 10 Comments \

Hello!  I made a new thing.  It’s sort of a jacket, sort of a coat.  What’s the difference between those two things anyway, I wonder?  I always thought a jacket was short, like maybe no longer than hip length max, and a coat is longer, like anything past the hip.  This pattern is marketed as a jacket, but also as potentially a shirt-dress, and the two variations are called duster and blazer respectively; so I guess you can take your pick!  A multi-faceted design, to be sure!Whichever, it’s unlined so a very simple and quick thing to make as far as jackets go, and the boxy unfitted shape makes for an undemanding fitting process too.  Oh, maybe I should mention the name of the pattern; this is the new Blair jacket pattern by Homer and Howell, and I made the duster length.

I really enjoyed making this! you normally think of jackets/coats/dusters as being quite involved but this was really easy.  Even considering that I chose to bind all the raw edges inside with HongKong binding, which is a process that when you’re about to embark on it you think; oh this is going to take FOREVER… But since I figured the seam allowances were going to show every single time the coat blew open I wanted everything to look neat and tidy inside.  And whenever I do get going with HongKong seaming I invariably love it, end up thinking, oh this is FAB!! and why don’t I do this for ALL the things I make, hmmm??

My fabric is a wool-blend suiting that I’ve had in my stash for years and years; so long I cannot even remember who gave it to me.  Because, yes; it was donated to me from someone else’s stash once upon a time.  I think maybe my grandmother’s?  It’s beautiful quality, but I’d always shied away from using it because I thought the colour was absolutely terrible for me.

However right now I’m trying to be more resourceful and use le stash, stay in my house and avoid shopping as much as possible.  You know, isolation and all that … so decided what the heck.  That’s why dyes were invented, right?  I knew the fabric wasn’t 100%wool, but it was worth a try.  Sploonch! it went, straight into a navy blue dye-bath.

This actually worked out pretty well… it’s now a lovely shade of …  bruise?? ok maybe I’d describe it as smokey blue, or even light teal.. anyway it’s a richly smudge-y sort of a colour that I really like and a big improvement on the original light sky-blue.  For the HongKong seaming I used an olive green poplin from my stash too.

Buttons! well obviously I had nothing that matched in size or colour AT ALL and normally I’d pop off to the shops to search for something.  But see I’d made up my mind to work from my stash, and giving in on the buttons would be such a fail… so fresh on the heels of making my tea-cup for the bridal shower hat, I thought I’d try to make some from modelling clay.  I think they worked out really well!

I don’t think I’ll be tossing the coat in the washing machine any time soon, just in case, although I’m sure they would probably survive fine.  Maybe just a gentle hand-wash.  But look at them!  I LOVE them!  I especially love how slightly wonky they are.  Of course any and all wonkiness was completely intentional  😉

I’m just going to briefly mention the changes I made to the pattern:

I switched the orientation of the box pleat in the back to be an “innie” rather than an “outie”

I added a hanging loop inside the collar/yoke seam

I put in BIG inseam pockets into the side seams.  Yes, there are now pockets in the Blair pattern, but I was a tester for this pattern and they weren’t in the original design.  I NEED pockets in a coat! so I actually went in with the seam ripper and added some in after I’d finished the coat completely.

Here’s a little video on the making of this coat, now up on my YouTube channel… I’d like to say that the quality of my videos is improving, but I still haven’t worked out how to even add music.  I feel like such a youtube failure!  but it’s such a lot to even get this out.  I’m trying to improve!

Anyway, blogging/vlogging fails aside; the final verdict is that I’m going to love wearing this… coats are not an awfully common sight here in Perth, we’re so ridiculously casual here, to a fault! But I really love coats, both the making and the wearing of them; and I really love looking at pictures of Northern hemisphere bloggers wearing coats regularly that I’m going to just do it anyway.  This is one of those things that is kinda un-Perth, even though I’m deeply Perth in just about every way.  This is weird, but it’s just the way it is  🙂

     

Details:

Coat; the blair jacket pattern byHomer and Howells, in a wool mix suiting
Dress; the Cissy dress pattern by Homer and Howells in a rust coloured lace, underlined with pink/rust dyed cotton, details here
Tights; my own design, black stretch stuff, details here
Black shoes; my own design and made by me, details here
Floral dress; based upon Simplicity 8658, floral cotton gauze, details here
White shoes; designed and made by me, details here

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I sewed selflessly

21/04/2020 9:07 pm \ 4 Comments \

So, I sewed some stuff!

Item A; a dress for Mum to wear to Cassie’s wedding…

I started out with Burda style 09/2019; 109 because I thought the sleeve cuff really lovely; however I ran up a muslin – actually 2 –  and we decided the cut-on sleeve just wasn’t that nice and that a set-in sleeve would be much better.  So I ended up re-tracing and -fitting the Esme pattern from Lotta Jansdotter’s Everyday Style book again since Mum had really like the one I made for her previously.  I just adapted the sleeve to have the Burda cuff on the sleeve end.

The fabric is a really beautiful, green polka-dotted ivory crepe from Fabulous Fabrics; Mum and I went in together and chose it one morning.  Fun!  I didn’t use the neckline facing pieces, opting in stead to fully line the dress with an ivory lining that I already had in my stash, the lining negated any need for a facing…  Mum kindly hemmed the dress herself since I was seriously running out of time by the end of it!  The dress shell has french seams throughout, though I used the overlocker for the lining.

At the same time that we bought the fabric, Mum bought a length of emerald green chiffon and finished it with a hand-rolled hem to make herself a lovely matching scarf.

I thought she looked absolutely lovely!

Item B; a shirt for part of Cassie’s birthday pressie…

For her birthday, we went out together and bought a few lengths of fabric which I was to make into some simple work outfits for her.  Of course now she’s working from home but that’s ok; at least she’s still working!

This is pattern 02/2015; 113, adapted to be much slimmer in the body due to the fact that I didn’t buy enough fabric, ahem… that’s fine since the style is so super wide I think Cassie would have requested it be slimmed down anyway!  This thing is BOXY!!  I also had to leave off the sleeve cuffs, but Cassie absolutely loves it just as it is  :)..

The gorgeous polka-dot fabric is a linen from Fabulous Fabrics.  The buttons are leftovers from Kelly’s wedding dress!

I did manage to snap one photo of her wearing the top! kinda a miracle given how crazy busy we were before the wedding, and then I’ve barely been able to see her after the wedding during these virus social-isolation times… this is her on the eve of her wedding, when she was preparing to practice her father/daughter dance with Craig… yes, she’s wearing her wedding shoes of course  🙂

I actually made a little video on the making of this blouse, which was fun.  I’m hoping to make more of these for my YouTube channel  🙂

Item C; some shorts for Cassie’s birthday.  For these I started with the Closet Case patterns Pietra shorts and did the same elastic-waist elimination that I did for my own shorts… shown here.

The fabric is a cotton twill from Spotlight, in Cassie’s favourite duck-egg/mint green colour.

Item D; another little top for Cassie… this is the Closet Case patterns Cielo top, lengthened slightly. This is a lovely little pattern and I will definitely be using this one again!  No other adjustments.

The pretty rose-print is a linen from Fabulous Fabrics.  I should say, that while these pieces are all a gift from me to Cassie, she did choose the fabrics herself.  We had a lovely fun morning checking out fabrics and chatting about work-wardrobe possibilities!

Items E & F; I made two different masks for myself.  I haven’t used them very much but am really trying to get more used to the idea!  When we’ve visited Japan I’ve seen lots of people wearing masks all the time of course, and while I think they’re a great idea, especially in our current virus-centric lives, we’re just completely unaccustomed to wearing them here in Australia and it’s really hard to get used to it.  I find them very claustrophobic and a little difficult to breath in them!

The first one, above; I used this pattern/tutorial on the Makers Habitat YouTube channel, it has a lining with an opening so you can insert a filter inside.  It’s a nice straightforward pattern, very quick and easy to make.  I added a skinny channel to the top, and cut a short length of wrapped florist’s wire to insert in there for a nose support; this can be removed for washing.

This second one I used the Trend patterns free mask pattern, here.  This is also a nice pattern, very “designed” and I really like it, but I did find I had to fold a quite wide dart in the under-chin piece to get a good fit.  Also it is a more complex and involved thing to make than the previous pattern,  For both masks I used a leftover piece of cotton from my stash, the most tightly woven and with the densest thread count I could find!   They are both lined with cotton voile.  The ties are just thin strips of cotton jersey, cut with my rotary cutter, left unhemmed, threaded through the side channels and simply knotted.

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paper-bag waist

15/04/2020 3:35 pm \ 9 Comments \

I’ve just made these ridiculously comfy trousers!  perfect for lounging around while you do your work-from-home thing in these newly strange and scary times.  I adore them unreservedly.  Well, it’s the paper-bag waist, have had a soft spot for them since the 80’s… incidentally, you know how they say that if you remember a trend the first time around then you should scrupulously avoid it the second time around?  Well, what a load of tosh!  There’d be no trends left for us if we followed that crazy advice!

Because yes indeedy, this is actually a familiar little style that pops its head up pretty frequently to the joy of us who do love for our trousers to be comfortable but at the same time have an abiding aversion to an elastic waist.  Personally, I reckon the paper-bag waist isn’t so much of a “trend” any more but can rightfully claim the classic tag.

I made them using this really gorgeous, quite thin, bottle green cotton corduroy from Minerva Crafts… it’s absolutely beautiful stuff. Then again I’ve always been a huge corduroy fan, it’s one of my favourite fabrics of all time actually, for winter things I mean.  It’s like velvet, but better; easier to sew and wear, and to care for too.  I ordered quite a lot of this colour way and I have enough leftover for a simple little dress or a tunic or something.  Hmmm. brain clogs a whirling!!

The pattern is the Jasmin trousers, by Fibremood.  Fibremood releases a great little range of patterns each season for women and children, I really look forward to their releases and love checking them out.  Each issue caters to a range of sewing levels, usually featuring some easy-wearing basics and styles that are both chic and comfortable, and a nice scattering of surprises with every issue.  I thought this style was one of the surprises, but I just found myself homing in on it straight away!  🙂

These ones have very up-to-the-minute, turned-up cuffs on cropped legs, a good amount of room in the seat without being excessively baggy – remember these?  although I ended up adoring those too, once I’d taken them in a bit!!  The Jasmin trousers are easy and straightforward to make and I thought the fly front very well explained.  I often find it helpful to draw and cut out a stitching guide for the topstitching of the fly front curve if a pattern does not provide it, and this one doesn’t; however it’s a simple matter to draw one up.

The pockets are nice and and roomy enough.  I hand stitched the top edge of mine to the waistband facing edge.

I love how the paper bag waist is cinched in with a big wide self-belt to define the waist.  Acting on instinct I cut my belt out for the biggest size with a plan to shorten it later if it proved too long.  It may or may not be ok, partly because I don’t have the required D-rings of the right width to finish it, and I didn’t really want to head out to Spotlight during these isolation times, just for D-rings; so I’ve had to resort to just tying the belt in a knot.  I might shorten it still but just going to see how it goes for a little while.

I happened to have a perfectly matching zip in my stash! which is super lucky because I meant I didn’t need to go out for that either.  🙂  This is one I inherited from Mum yonks ago, and it had a real vintage tag.  Sometimes I worry about truly vintage zips, that they’re going to break straight away, from being rusty, or brittle.  It seems fine so far, and it doesn’t have to take any strain so I’ve got my fingers crossed!

wow… I can assure you that all that random fluff is actually quite invisible to the naked eye!

I just couldn’t resist the Paper Bag Shot!  It’s a pretty rare thing where I have ever had to stand or walk with a covering over my head like this and actually I found it quite difficult to keep my balance!  Was very disorienting, and made me wonder about learning to balance without the visual cues of your surroundings…

Anyway; I LOVE my new trousers, and they’re wonderful for comfortable working from home on the couch.  My own work has dropped off a little lately, but I have taken up learning a language to fill in some of my extra time.  I’m using the Duolingo app on my phone, a free one; it’s a great little system, sending me daily reminders so I have to keep up the pace.  What language, do I hear you ask… I’ll give you one guess…

🇯🇵

Well, of course, Japanese!  It’s super difficult.  I think the only thing I’m going to learn to say with any real competency is “Professor Maria can speak Japanese and English”  This should stand me in good stead for the future, a future in which I hope I can go over there for fabric shopping again!  Let’s think positively!

    

Details:

Trousers; the Jasmin trousers by Fibremood, in green corduroy from Minerva Crafts
White top; the nettie, but Closet Case patterns, details here
Beige shoes; designed and made by me! details here
old favourite mustard top; the Sudley blouse, by Megan Nielsen patterns, in a silk crepe from Tessuti, details here
Sandals; from an oppy, many yonks ago

Note; was even harder to paper-bag balance in heels!

out in ze wilde….

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Cassie’s wedding dress

06/04/2020 6:24 pm \ 39 Comments \

Oh hey!  I made a dress for my daughter! it’s a rather special one actually…  😉

So where to begin…well of course I’m teasing; my darling girl recently married her man D and this is her wedding dress, that I might have mentioned before once… or maybe twice, tops.

I’ve already written about making the petticoats, three of them, in fact.  Cassie loves to dance and was determined to do lots of it at her wedding, so wanted a beautifully twirly skirt.  She also decided she wanted a shorter skirt, hitting above the ground, and wanted it to stand out full and stiff in a 50s sort of a way, which meant plenty of oomph underneath was required.

I made a very full tulle petticoat, and two simple full circle cotton voile petticoats; one to go underneath the tulle petticoat, close to her skin, for comfort; and the other one to go over the tulle petticoat to smooth out any lumps and bumps that the tulle might form underneath the silk skirt.

Full details of making these can be found here

I’ll just quickly slot some shoe talk in here; when she decided upon a shorter skirt, the shoes became an important consideration… we searched and searched, trying on multiple pairs of lovely wedding shoes but then Cassie decided she wanted green shoes; and not just any green.  She had the exact shade of green she wanted in mind, and anything else was just not going to cut it.  What do you do in this circumstance? well you dye your own shoes, of course!  We found a pair of pale bone/beige coloured suede sandals at Hobbs, with a nice low heel and straps to make them perfect for dancing, Cassie bought some Kelly green Rit dye from Spotlight, and over several painting sessions and rinsing in between, finally achieved the perfect shade of minty green.  Aren’t they gorgeous?!

Now back to the dress … maybe I should start with the fabrics?  All were purchased at Fabulous Fabrics, and shortly after her engagement Cassie and I spent a highly enjoyable morning there playing with lots of beautiful laces and silks.  And she chose the most beautiful of them all!! which we proceeded to cut up, overlay each other and generally re-arrange to become something totally and completely and utterly different from how they started.  Sigh.  That seems to be the story my wedding dress-making life, so far!

The bodice itself underneath all that lace is made of beige silk charmeuse, and the skirt itself is heavy duchess silk satin, just about the most divinely heavy and lustrous fabric I could imagine.  So beautiful!!!

For a pattern, we started with Vogue 8470, and almost totally altered it of course.  Just as I did with Kelly’s dress, Cassie had a firm vision about how she wanted her dress to be, and so we hunted for a pattern that had the right bones and started hacking.  The bodice fronts of the pattern come down in a gentle V and are gathered underneath the bust into the middle bodice, and we gently re-shaped this into the shape Cassie wanted – she wanted more low-cut, for a start; and tailored to fit her which entailed a small bust adjustment, and made the gathers into a smooth dart instead.  The middle part of the bodice is different too, a little shallower and with a flatter curve, to fit with the lace placement that she had designed.  The bodice back of the pattern is a quite low-cut scoop, which we transformed to a full coverage back with a much higher neckline, right up to the nape of her neck.

I love the slight bustle effect of the lace peplum at the back! My favourite part of the back view  🙂

The skirt of this pattern is simple enough; a full circle, and I added large pockets.  Pockets! in a wedding dress! just about every girl’s dream, right?!  I’m not sure if she actually put anything into them, maybe just her hands I think! but at least they were there.

With the placement of lace on the bodice; this is 100% Cassie’s artistic vision and mostly her work too!  Cassie wanted heavy coverage of well-defined “structural”-looking large scale lace over a gridded background; and I think she did an absolutely magnificent job!  I had very little to do with this bit, just some technical advice and I did occasionally pick up the dress and do a little bit of hand stitching of lace when she wasn’t around; but the artistic placement and nearly all the stitching is totally her effort.  My clever daughter!!

I did do that “grid” bit in the middle of the bodice… we had some pre-beaded grid from one of our purchased laces, which we used here and there as a background in other parts of the bodice, but it was in small bits and pieces and the size of the remaining pieces weren’t enough to cover this part of the bodice.  So I re-created the same look with hand-embroidery and -beading over beige netting for this bit.  Those bias strips of duchess satin were pinned down before attaching the lace, then hand-stitched on afterwards.

I had a tiny headache with the zip; Cassie wanted the bodice to be quite tight-fitting so I’d stupidly made the bodice quite tight-fitting; and didn’t take into account that fully hand-appliqueing something has a tendency to shrink it in a little bit.  Halfway through all that hand-work one day, she tried it on and we could barely get the zip up … it was awful, I was terrified it was going to split!  Fortunately, even though I’d been too dumb to think about the shrinkage thing, I had been smart enough at least to leave a nice wide seam allowance for the zip… so I could unpick the zip and re-insert it, letting it out a bit.  Disaster averted! and when you’re hand appliquéing a random lace design like this it’s a simple matter to take off, re-arrange and add more lace motifs to cover up an alteration in an invisible way!

pre-appliqué…

Just like I did for Kelly’s dress, I added a grosgrain belt to the bodice/skirt seam allowance inside, with a sturdy skirt hook/eye to carry the weight of that skirt.  It’s hidden underneath the bodice lining for the most part, and emerges just either side of the zip in two little buttonholes in the lining, so the girls could hook it up at the back before doing up the zip of the dress.  I didn’t take any pictures of this bit unfortunately, but you can see what I mean in the post on Kelly’s dress here.

I was smart this time, and didn’t stitch on the hook and eye until AFTER I’d pushed the grosgrain ends through the button holes.  I don’t think I mentioned this for Kelly’s, but when I made hers I stitched on the hook and eye very firmly and ultra-securely before trying to push them through those buttonholes in the lining.  It took aaaaaages to carefully tease the metal hook and eye through those slightly-too-small holes! but I was determined and eventually got them through.  It was like giving birth though; a tight squeeze!  This time I did it right, though!

I don’t know what else to say… oh maybe only hemming the dress?  This took a surprisingly loooooong time… like I think it was a whole full weekend, from memory; and by that I mean two full seven-eight hour days.  I made a long cotton voile bias strip and stitched this to the raw skirt edge first, bound the edge, and then handstitched a lovely deep hem.  The skirt is just the teensiest bit shorter than the tulle skirt, because we both love the look of just a hint of tulle peeping out underneath.  Of course, on the day I realised that when you’re standing up and looking down at the skirt from a normal head-height like every single person at a wedding, you can’t even see that tiny hint of tulle! it’s visible only when you’re lying down with your head on the floor dressmaker-style carefully measuring a hem!  Haha!!

But I’m not even the slightest bit unhappy about that of course, my only thought when looking at these pictures of Cassie is that she is the most beautiful thing I’ve ever seen, and that making her dress was both a lifelong dream come true and the greatest and happiest sewing creation of my life.  Oh dear, and now I’m NOT going to cry!  Here, have a massive overdose of pictures instead!

this completely spontaneous snap is my favourite picture of Cassie and her cousins… yes I made their dresses too! all details of their dresses here

These earrings; this was her something old and something borrowed… Mum had some pearl earrings, and she also had some pearl earrings she had inherited from her own Mum; my grandmother and of course Cassie’s great-grandmother.  Mum had great-Granny’s earring re-made from a clip-on to a pierced backing, so Cassie could wear one earring from her grandmother and one from her great-grandmother at her wedding.  This is so so special, it makes me well up a bit just to even think about this…

I actually made this polka-dot blouse for Cassie quite recently, I just haven’t blogged about it yet.  Also; that Stormtrooper toiletries bag?  I actually made that for Daniel a few years ago! the pattern is part of the Portside set by Grainline patterns

Wearing the earrings… also; Cassie’s hair…

Something blue; I embroidered a commemmorative patch to go inside Cassie’s dress, just like I did with Kelly’s… want to hear something crazy?  I stitched, unpicked, and re-stitched this SIX times…

the three pieces of my heart…

I can’t wait to see all these precious peeps again…

Sam and his lady L… L kindly acted as one of our models for the Perth dress

I regret that Mum isn’t in this picture mostly because that would have been so lovely, and also because I made her dress too…

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