Tag Archives: Daily Outfit

bobblehead

Note; apologies for the latent loopiness of this post.  Sombre, serious, meaningful and purposeful sewing and discourse thereof shall recommence in the near future…. or maybe not…

So, recently I was queued up in Spotlight and spotted some mini snowball-like bobble trim.  … bobbles! so playful! sooo cuute!

I just absentmindlessly picked it up, and then I didn’t want to put it down again.  Realised that I really really wanted, nay, needed, bobble trim in my life, like now.

See, I’m in the middle of making a monstrously involved, head-explodingly complicated costume for Comic Con…  well never mind that right now.   I’ve been working on it for what feels like forever but has only been a couple of weeks actually.   #imgonnalookridiculous

It just felt so nice to indulge in making something super quick and easy as a wink, like this.

Anyhoo.  2m of very lightweight gauzy cotton muslin (Spotlight), always handy to have lots of this around, btw!  cut in half down the middle along the grain line.  I folded a skinny 3mm (1/8″) hem under twice around all edges and top-stitched catching the bobble trim underneath at the same time…

Done!!

Details:

Dress; Named patterns Inari tee dress, in red/white sweatshirt fleece, details here
Scarf; lightweight cotton gauze/muslin, edged in bobble trim
Red sandals/thongs; made by me, details here
location; playground at the Scented Gardens; South Perth foreshore

I have a new scarf, weeee!

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red thongs (shoes)


Hello!  I’ve made a new pair of um, “shoes”…??  although I’m embarrassed to even consider giving them that lofty title; they’re so basic.  Also; yes I know my year of handmade is all but over and I don’t have to make any more footwear, but I just can’t help myself!  I’ve even got some OTHER new shoes in the works too!  😀

I’d bought a sheet of this foam from Clark Rubber; it’s matting designed to slot together to make a kiddies’ playmat or shock absorbent flooring for gyms.  My straps are red corduroy, the same fabric I used for a previous pair of long-gone sneakers.  I made the hole in the foam with a sharp pencil, which I also used to push the straps through said hold.  The straps ends are sewn securely to a piece of linen that will be glued between the top and bottom layers.  Liquid nails was deployed.

The bottom layer is thin cork-covered, contact paper, cut to size, stuck on – more liquid nails, yo!!  and then three layers of clear, enamel varnish to seal and strengthen.

aaaaand, done!

Details

Dress; Vogue 2900, indigo dyed linen, details here
Hat; Vogue 8844, ivory corduroy, details here
Red thongs; made by me

random outfit shot intended to feature the thongs and they’re barely visible, ha!

location; Eagle Bay, Western Australia

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Japanese linen-gauze shirt dress

My dear friend Yoshimi sent to me a beautiful birthday present last year; some really beautiful, deep indigo blue linen gauze…   The colour is quite glorious, not a solid colour but mottled and variegated with plenty of depth and character; and the texture is ultra light and sheer, quite breezy and with a slight stiffness very similar to organza.  It’s utterly lovely.

   

It’s taken me quite a while to decide what to make with this precious stuff…  I would take it out and pet it, thinking of a million options.  I layed out several different patterns onto it, only to pack them all up again… obviously it had to be perfect, also I really wanted to make the absolute MOST of every little bit using a pattern resulting in as little waste as possible!  I finally settled upon this Burda pattern, Shirt Dress 03/2016; 112B, The pattern pieces fitted on my piece of precious fabric PERFECTLY!!

However.. modifications happened along the way.  Of course they did.   My dress has the same bones, but the original is actually a very boxy design, with quite a pronounced dropped shoulder.  I’m sure it’s a lovely design for the right fabric; as in, something with plenty of natural “flop” that allows those shoulder seams to drop gracefully down over your upper arm.

My fabric doesn’t want to flop in the slightest; while super-breezy it stil has quite a bit of oomph and structure.  It works beautifully in the tailored details of a shirtdress, but really the shoulders did not drape in the desired manner at all…  So I ended up taking quite a bit of width off from each shoulder and side, and slimming down the sides of the dress bodice too, so my final dress is more like a gentle A-line shape.  I couldn’t say I “self-drafted” the armholes, that just sounds terribly pompous when it was basically just tonnes of super careful pinning and multiple tryings-on.  I’m so so happy with the final result though.  I think the more fitted, yet still loosely relaxed shoulders, the slimmer bodice and A-line shape is perfect for the fabric.

Other alterations: I inverted the pleat the other way in the centre back, also left off the placket to hide the buttonhole band.  Fun fact; my pattern is the German version, and while I plugged the instructions into Google translate I actually couldn’t make head nor tail of them, haha!!  I think I’ve made enough shirts that I managed to put it together ok though  🙂

I LOVE the sleeves which are unchanged from the pattern, they’re only very slightly gathered at the top, and blouse-y at the elbow, with deep pleats taming that blousiness into the bands.  I also love the petite little collar.  The collar stand is the tiniest I’ve ever made, so skinny and narrow, only about 1.5cm deep.  I was slightly terrified how this would go, fortunately, the linen gauze was an absolute delight to sew and eased beautifully everywhere I asked it to.  Like sheer heaven.

I found these awesomely cool yet delicate brass buttons at Fabulous Fabrics.  I’ve previously used these very same buttons before, on my khaki linen “army” shirt; five and a half years ago!!  I’m so glad they still are stocking these; they’re quite old-fashioned-y, a bit dinged-up and antique-y looking, so very much to my taste!

I also made a little matching belt, which is basically an interfaced waistband with just one button and two buttonholes.

With the fabric being the divine will o’ the wisp that it is, my new dress needed a slip; so I hemmed it so as to work well with my ivory crepe Ruby slip.  You can see the slip when I’m wearing it, but hey; you were going to see any slip I wear with this ultra-sheer dress! so it may as well be a nice one!  I really love the way the ivory underneath lightens and brightens and highlights the variegated blues and really brings them to life.

I absolutely adore my new dress; thank you so much, Yoshimi!!

       

Details:

Dress; Burda Shirt Dress 03-2016;112B slimmed down a bit, Japanese indigo linen gauze
Slip; pattern scissors cloth Ruby Slip, a free pattern available here; ivory crepe, details of mine here
Shoes; made by me and my own design, details here

Location, the Crawley boatshed, Crawley, Western Australia

yes; it was blowing a freaking gale, not really ideal but I had the photo opportunity so *shrug*…

Funny story; this is a very popular spot for wedding parties and also for tourists to stop and take pictures.  I rocked up and there was a Chinese man taking pictures, so I waited at a little distance for him to finish… once he had I went over and put my camera on the steps.  However he hung around for a bit, then came back and started gesturing to his camera and at me; at first I thought he was asking if I wanted assistance with my pictures and I assured him that I was fine, gesturing that I had my remote, etc.  However, no! what he wanted was for me to be in his pictures!!  eeeek! he demonstrated where he wanted me to stand and how he wanted me to pose, gazing up into the sun and beaming like a stereotypical sun-worshipping Aussie.  He took quite a lot of pictures, so if you ever see me popping up in some Chinese guy’s holiday photos, that’s why!!!

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white Issey Miyake shirt

Self-explanatory, really.  #endblogpost  😉
Pattern; Vogue 1384.  It’s a vintage pattern, hailing from 1984, sorry. Yeah, it’s annoying when people make things in vintage patterns that you can’t get a hold of anymore.  But I’m sure this is not particularly aspirational actually, it’s a little weird in that 80’s way.  That high, slightly floppy collar combined with a billowing pirate-y blousiness is giving me serious Duran Duran vibes.  That’s sort of a good thing btw HUGE Duran Duran fan, once upon a time… only you know, dating myself here  #woops  On a side note; watching that clip again, wow I think I’ve suddenly identified the genesis of my lifelong white shirt obsession…   Also, haha, I totally dance just exactly like that, to this day still, lol.

I’d actually vaguely planned to make this shirt for quite a while, then Anna of blogless Anna proposed an IG #sewjapaneseinjanuary sewing challenge; prompting a jump to the top of my queue… sewing challenges are such fun!

I’ve previously made the skirt from this pattern too; here.  That now resides in Cassie’s wardrobe.  Thing is; the pretty floaty pink-ness, while lovely, I’ve decided is just not really ME.  Not to mention that she put it on one day and obviously it looked only like about 999999 times better on her than it ever did me (sob)   I’ve got to stop giving her my clothes to try on!!   Just kidding; I wore it a few times but tired of it quite quickly and I don’t miss it, not one little bit.  Though I do still really like that design and am thinking of making it up again, just in a more me-friendly fabric and colour.

Fabric; a thin, sparsely-dotted swiss cotton voile with ever so faint and equally sparse paisley embroidery on it in bits.  Very very subtle.  I bought it in Potters Textiles a few years ago, when it was in its other location.

The top looks at its best when it’s either tucked in or belted-n-blousy, and while I have a small collection of self-made belts… like, four maybe?  none of them looked very right with this sheer-ish white top, so I quickly whipped up a thin white one in the same fabric to wear with it.  Kt-chaaaaaaa!! *whip-crack sound effect*  Sorry, I simply cannot read “whipped something up” with regards to sewing without hearing a crack o’ the whip sound in my head.  Craaa-aack that whip!  *  (Devo, and a warning, do not click that link unless you WANT to be subjected to some really random and classic 80’s, madness.  Yep, I was a fan of that too, *blush*)

The belt is basically just a waistband really.  A poor, bereft and lonely little waistband, with no skirt to call home…  *sad violins*  It’s exactly the same deal as the one I made for my tartan dress.  Just two buttonholes, and one button, and you wear it so the button is on the inside.

Also, interesting pocket tab/flap detail.  You can’t really see it on the outside, which defeats the purpose a bit really, but oh well.  It’s kinda cute when you notice it!

I flat-felled all seams throughout, as usual.  Btw, you CAN flat-fell all sleeve and armscye seams too… my tutorial for flat felling the armscye seam is here… and the sleeve seam itself can be flat felled by starting from the middle of the seam and stitching OUT.  Be sure to have the sleeve RIGHT SIDE OUT, so that you are sewing inside the sleeve… this will ensure that you are in no danger of stitching down the other side of the sleeve underneath…

In the case of this shirt; I stitched the sleeves to the shirt, and flat-felled that armscye seam before stitching up the sleeve and side seams…
First, stitch the sleeve and side seams in one fell swoop.  Press seam open and trim one side.  If you are flat-felling the seam towards the back of the garment, trim the back edge of the seam.

Press the front edge back over the back edge, turn under the raw edge, and press in a neat even width.

Turn sleeve RIGHT SIDE OUT  (v. important) and from the wrist end of the sleeve; bundle the tube of the sleeve up to locate a point roughly midway up the sleeve.  Position the bundled up sleeve tube behind your machine and pull the wrist end of the tube through until this midway point is under the needle.  Take it nice and slow, and stitch the flat-felled seam from here out to the wrist.

To complete the seam; just repeat the same process as above only bundling up the sleeve from the armscye side… locate that same midway point of the sleeve, and stitch the seam from there, to the underarm, and keep going in one long continuous seam down the side seams to the bottom hem of the shirt.

Done!

Details:

Blouse; Vogue 1384, white swiss voile
Skirt; Vogue 1247, striped stuff, details here and my original review of this pattern here
Sandals (above): my own design, made by me, all details here

   

Denim shoes (below); my own design, made by me, all details here
location at top: Preston St overpass, Como, Western Australia

Replicating the 80’s pattern envelope pose,  just because…. the 80’s.

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pink/navy DKNY dress

Terrible post title, I know.  Every now and then, inspiration strikes and a fabulously perfect Word that describes my new “thing” to a T springs to mind instantly.  Other times I just plump for the obvious.    Today, inspiration was like a wispy breathe of smoke in a dark shadow of the night.  Barely present, fleeting and rapidly lost amongst the dusty cobwebs in ye olde brain.
But, enough of that… wot abart the dress eh??

Pattern; Vogue 1351; bought aaaaaaaages ago. With the intention of making it up immediately, funnily enough! but more on that later…

Fabric; a slightly stretchy crepe from Fabulous Fabrics.  Also bought aaaaaaaages ago with the intention of making it up immediately, sigh.  The aqua and indigo, sorta-floral/sorta-galaxy border print runs along one selvedge of the fabric, so to retain that I cut out the pieces across the grain, rather than on the bias as recommended in the pattern.  I just really love the colours in this fabric… but! I know pink doesn’t suit me, in fact I’m already anticipating that my Mum will have A Few Words to Say just as soon as she sets eyes on me in this sick-making, blemish-enhancing shade of pink.  What can I say? I agree, but sometimes I just can’t help myself, I just LOOOOOOVVVEEE pink and navy together, and like a lemming I occasionally toss myself over that cliff.  It’s one of my favourite colour combinations, with a lovely and natural yin/yang balance.    Frivolous and girly; pitched against sombre and slightly masculine.  Like a perfect summer sunrise over the ocean.  It speaks to me.

Anyway, no doubt drawn to that; at some point about mumblemumble years ago I spotted it, oohed and aahed, and naughtily bought some.  And cut out the pieces for Vogue 1351 that I’d recently bought in a club bmv sale.  Honestly, I barely remember doing any of these things, but obviously I did and it’s been folded up and tucked neatly away in my fabric cupboard ever since.  Then about a week ago I “found” it, and just set to, whipped it up.  Whipped it, I say!  Kt-chaaaaaaaaa!  … that’s a whip-cracking sound effect there by the way, just in case it’s not immediately obvious, hehe.

Alterations; downsized the bodice.  Hey, it’s Vogue,  and something of this kind is an always-requirement for me in Vogue.  Their patterns are designed for a more busty lady than I; but you know, I still want to use their patterns!  Often I handle this by shaving something off princess seam curves, or doing some other variation of small bust adjustment.  In this case, the bodice is one-piece with that draped neckline being the only feature, actually it’s the only feature of the whole dress…! So to avoid having to diddle around with that and possibly lose something essential to the neckline, the easiest thing to do is simply downsize.

I lined my dress fully with pale pink, polyacetate lining fabric, also from Fabulous Fabrics.  The design of the lining is quite clever, the way it’s a little fitted around the décolletage and with a nice smooth joining seams still allows the drape to spill out over the top.  It’s impossible for the lining to flip up or peek out in any way.  Very clever.  I love Donna Karan’s aesthetic, and am quite sad that we will no longer see her designs for Vogue patterns.  She really knows how to flatter a woman.

Also! can I just say with regards to the issue of those of us with Autumnal colouring wearing Pink = A Really Bad Idea thing…  see below how I’ve deviously dealt with it, by wearing it with my little teal cardigan.  Whammo! instantly counteracting and negating the death-warmed-up effect.  I think the pink actually looks quite OK on me like this!

Details:

Dress; Vogue 1351, printed crepe
Cardigan; Audrey in Unst, knitted by me, all details here
Wedge sandals, made by me, all details here

 

out in the wild…  I wore it out to lunch with my friend J today  🙂
location; South Perth foreshore, Western Australia

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french navy, french navy orla

Partly because of the colour.  And partly because the designer is also French Navy.  Truly!

So, recently I discovered Sarah of french navy .. she has a chic, pared back style; easy, casual, uncluttered, slightly sporty, one that I love and very much can relate to; and it was exciting to see that she has lately decided to dabble in a little pattern designing.  Her first pattern, the Orla dress, is a free pattern,  I decided to give it a whirl; stat!  hied myself over to her site, printed it out… and boom! Made it!
Fabric; a piece of thin, lightweight cotton drill given to me by my friend L when she was doing a big clean out out of her garage and “discovered” a large stash of fabric…  I was so thrilled that she offered it to me! #insanefabricaddict  Don’t you just LOVE friends like that?!  She’s like, what IS this pile of junk? hey maybe my friend Carolyn would like it…  😉  So my fabric was free too.  Basically, apart from the invisible zip, my dress was fabulously FREEEEEE!!!!!  #miser

The Orla is a super quick and fun little pattern which is exactly what I wanted to cleanse my palate, so to speak, after my mad Christmas making-fest… Featuring a gently fitted bodice, rather pert short sleeves, which I think I would be rather nice in elbow length too; a highish waistline, and with a gathered rectangle skirt.  I think the low scooped neckline is really lovely, it’s my favourite thing about the pattern.  I added 3cm in length to my skirt… just because I thought the gathered skirt gave it a rather young look and I’m.. well, you know. not.  Hehe, to be honest I agonised over the length of this skirt, you don’t want to know for how long.. at least as long as it took to make the whole dress.  I pinned and tried on, contemplated; re-pinned, re-tried on, re-contemplated…  I finally settled upon keeping some extra length that I’d added while cutting out, but I’m still partially tossing up the idea of re-hemming it shorter again.  Man, I am SOOOOOO indecisive sometimes, I drive myself batty… I think I’m going to be ok with this length… FOR NOW, she intones, dramatically.   I may or may not change it up on a whim, whenever.  But maybe not.  Might do, though.

Oh, I added inseam side pockets.  Goes almost without saying, yeah?  Everything’s better with pockets!

The neckline is finished with a bias cut strip, topstitched on the outside, and I added a hook and eye closure at the top.  Normally I’m sloppy about that sort of thing but every once in a while I rouse myself to add these proper little extra touches.

oh HELLO you gorgeous thing..  yes you are a BUNCH more interesting than some old sewing details yes you are you big boo-fful fluffy ol’ booffy booff you…  (cuddles ensue)

Ahem…  So yes; now I have a new, sorta minimalist little frock, to be dressed up or down as the occasion demands.  Knowing my lifestyle, most likely down. hehe.  Seriously, at this time of year I LIVE in easy, just throw-it-on little dresses, and this is a great new colour for my current wardrobe too.   It’s nice to have a few different silhouettes to choose from too and this one is a little different from my current crop of sack-like summer dresses; more fitted, loosely-waisted, with that low scooping neckline, feels a bit more “classic”.  Hey, no judgement, I love my shapeless sacks too! but just that it’s good to have some variety.

And I’m looking forward to seeing what Sarah designs next!

   

Details:

Dress; the Orla dress by French Navy, in french navy cotton chambray, a free pattern available here
Hat; Vogue 8844, in ivory corduroy, details and my review of this pattern here

location; Eagle Bay, Western Australia

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2016; a retrospective

Soooo.  It’s the last day of 2016.  Cheers! and here’s to the year that was… *chinks champers flutes*   Mwah, mwah, darlings!

Kicking off with my favourite ootd/blog pictures, just one for each month…  Apart from January, well obviously I did not make January’s outfit.. I am wearing a full traditional kimono in Tokyo! but it was definitely a highlight for my year! spending the day with my dear friend Yoshimi and with Cassie and Kelly, getting dressed in kimonos and having a Japanese lunch together.  So very interesting and so much fun!

Apart from this one picture, I made 100% of what I am wearing in every other picture…

January;

February;

March;

April;

May

June;

July;

August

September

October;

November;

December

Oh dear, oh dear; looking through all my old pictures to compile this post has been a little sad, Sienna features in so many of them.  yes I miss her so much, in fact everyday.  We’ve still been quite down here.  But I will not get all maudlin now…

Ever onwards.  So, my year in making:

I made a total of 101 things this year.  I don’t think this is too bad, considering it included a fully embroidered Alabama Chanin skirt, and 19 pairs of shoes.  Yep! NINETEEN pairs of shoes…  ahem, some of them are just a tad better than others, and several of the earlier, shonkier pairs have already winged their way to that big eternal shoe box in the sky…

Da breakdown…  13 dresses, 1 doll with a full wardrobe, 12 skirts, 5 lingerie sets, 5 prs of bathers (1 binned without blogging because it was an abject fail), 1 knitted cardigan, 5 jackets/anoraks, 2 prs thongs (flip-flops), 10 prs oxford/lace-up shoes, 1 pr winter boots, 2 prs desert boots, 2 prs slippers, 20 tops/shirts/blouses, 2 prs sandals, 5 prs tights, 1 pr jeans, 1 pr hand warmers, 13 bags/pieces of luggage.  Phew!

Selfishness vs. virtuous brownie-point earning:  63 plays 38.  Maybe a little tipped towards selfishness, but since that figure includes all the shoes, and practise shoes! that I needed just so I could lead a self-shod, but functional life, well I don’t think it’s too terrible.  I think I make just enough things for others that I’m not a pest about it, you know?

Costs… dunno.  Haven’t been keeping track.  Probably a small fortune?!  😉  No really, I did 3 refashions, and also 24 items were made from free “old” fabric being tossed out by others, or using leftovers, or scraps.  Really could improve upon this though…

Most worn items:  ah, this is my favourite bit…  For four years now I’ve kept track of what I’m wearing, three of those years via my ootd blog..  I keep a spread sheet that I update every month, so I know just how often each and every thing has been worn.   I know I know, super nerdy stuff.  But, real talk; it’s been an eye-opener I tell you… someone who tells you they’ve worn something hundreds of times…? well, if you actually add it up, for real; you may not have worn it as often as you think!  Truth!  Anyway, my most worn clothing items for this year can be summed up in the following outfits:

 

The obvious basics were my black winter boots (70 wears), black tights (109 wears over 4 prs), white LS woollen winter tees (30 wears over 2 tops), other white beige/ivory Tshirts(41 wears over 5 tops); my staples are all 4 of my coloured Miette cardigans, my little mini skirts for winter, and all my loose linen, cotton and silk dresses for summer.  For the most part I stick reasonably well to my autumnal palette but I’m not strict about it

Favourite creations:

I would have to say, topping of the list are my winter boots!!  so unbelievably proud of these things!!! and which as mentioned have been worn a TONNE.  I can still hardly believe I managed those things!

Followed closely by my Magdalena Dusk Alabama Chanin 3-piece ensemble.  I’ve worn it twice this year, not very much! I think I suffer from might-ruin-it-itis.  Gottta snap outta that.  This thing deserves to be paraded about more, not just for the several months worth of hand-embroidery it represents, but of course for its connection to my lovely friend Lisa of Lisa’s Carolina 🙂

I’m also pretty pleased and proud of my Tosti jacket...  🙂

Goals for 2017; Mainly, I want to see out the end of my 100% handmade challenge of course! I have just 53 days to goooooo!  But in making goals, well I don’t need anything, so my creating is going to be aimed at maintaining a useful wardrobe, and concentrating on higher quality, and more interesting things.  I would like to occasionally make some more fun and frivolous things too.   And to continue making shoes, and improving my cobbling skills.

Finally and most importantly of all, I just want to say THANK YOU to everyone who reads my blog and who takes the time to leave a comment, I am grateful for each and every kind thought.  Thank you so very much, and I’d like to wish all the best to everyone for a safe, happy, peaceful and creative 2017!  xxx

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white inari

white-inari

named-inariMum and I went shopping together on my birthday; her for my birthday present, and me for her birthday present!  yes, our birthdays are just a few days apart so this is a bit of a tradition.  We went to Fabulous Fabrics.  Haha… well how unexpected!  *wink*

After much lengthy and highly enjoyable hunting, comparisons and consultations with each other, Mum chose this really beautiful fabric for me.  it is thick but very light and airy, has a nubbly, ultra slubby texture and is as pure white as the driven snow.  I absolutely adore it, in fact I’d been salivating over it whenever I saw it, ever since it came in.  Getting a little bit to give me is extra thoughtful of Mum when you take into account that she doesn’t think white really suits me at all.  I kind of agree with her up to a point… however!  I still totally adore it, because I’m a dreadfully contrary soul… no not really, I just have this thing for white clothing, particularly for summer, I love it with a fierce and burning passion…even a white-hot passion!  Mum knows I do, so I thought it pretty sweet that she overrode her feelings to give me something I really love.

white-inari-back

Pattern is the Named patterns Inari tee dress.  This is my “real” Inari, for which I ran up my previously blogged red striped “muslin”! though of course they are both wearable since I found I needed to make only minor changes to the pattern for it to be perfect.

sleeve-cuff

Something I mentioned in my red-striped inari post, the dress made as per the pattern rides up a bit when you lift your arms, so for this version I made the following simple modification to the sleeves to help reduce the problem:

What I’m doing here is adding width to and reducing the height of the sleeve cap slightly, and doing so without altering the armscye.  Diddling about with both the sleeve and the armscye is possible if you really know what you’re doing #idonot; however can be quite complicated and so I tend to not go there…  I would prefer to substitute an entirely different, tried-and-true sleeve cap and armscye from another pattern if it came to that!!

inari-sleeve-altfrom L to R, top to bottom:

1) Trace the sleeve, and draw a line from the shoulder seam junction mark near the apex of the sleeve cap down to the lower edge, parallel to the grain line.
2) Cut from the lower edge up, leaving a scant few mm at the upper edge still attached.  Pivot the two halves open; I allowed a gap of 4cm (2″) in width, although you could stand to go a little wider, if desired.
3) Tape a piece of paper to fill and fix the gap
4) redraw that lower hem to curve smoothly in a similar line to how the sleeve was previously, and trim
5) Original sleeve and new sleeve, juxtaposed.  You can see how the sleeve is wider; and not seen, but the height of the sleeve cap has been reduced by 2.5cm (1″).
6) Very important!!!  remember to measure the length of the new lower edge and cut the sleeve cuffs accordingly!  They’ll be a bit longer than the sum of the original width and the width of the gap created in step 2.

Demonstration of results (below); The dress does still ride up a little bit however not nearly as much as previously, at right.  To lessen the ride-up even more, you could go even further with widening the sleeve and “flattening” the curve of the sleeve cap even more.  Or alternatively of course, you could always substitute an armscye and sleeve cap from another pattern, at a pinch!

I’m pretty happy with this though  🙂

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Finishing details:

I still didn’t use the neckline facing, but turned in the seam allowance and finished with a piece of bias-cut white linen.  Similarly at the lower hemline, the raw edge inside is bound with bias-cut white linen and then handstitched, this looks nice if anyone happens to catch a glimpse of that back hem inside.. which lets face it, is quite possible because of that low-hanging back edge,  and also eliminates the bulk that you’d get if you turned the fabric under twice.

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Bonus picture, photobombing daughter…

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Fun fact, she made the dress she is wearing here; it is a cute and interesting tank dress with tucking up one side and side split detail on the other, made in blue marl jersey that she bought in Japan.   She’s wearing it over the skirt that I made for her, here.  Honestly, she makes the most lovely things, but doesn’t really share them on any social media.  Occasionally I persuade her to pose in something she’s made, like the time she made this really divinely beautiful ivory cut-out lace top

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Gorgeous, isn’t it?

Details:

Dress; Inari tee dress by Named patterns, white slubby cotton mix
Shoes; designed and made by me, details here
Sandals in top picture;designed and made by me here.    this picture taken on Cable Beach during our recent holiday

and hmmmm, I’m sorry that I’m closing with my dress here… bit of an anticlimax after Cassie’s top!!

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